Vue d'optique

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Vue d'optique (French), vue perspective or perspective view refers to a genre of etching popular during the second half of the 18th century and into the 19th. Vues d'optique were specifically developed to provide the illusion of depth when viewed through a zograscope, also known as an "optical diagonal machine" or viewers with similar functions.

Etching intaglio printmaking technique

Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards.

Zograscope

A zograscope is an optical device for magnifying flat pictures that also has the property of enhancing the sense of the depth shown in the picture. It consists of a large magnifying lens through which the picture is viewed. Devices containing only the lens are sometimes referred to as graphoscopes. Other models have the lens mounted on a stand in front of an angled mirror. This allows someone to sit at a table and to look through the lens at the picture flat on the table. Pictures viewed in this way need to be left-right reversed; this is obvious in the case of writing. A print made for this purpose is called a vue d'optique or perspective view.

Contents

Characteristics

Perspective (graphical) form of graphical projection where the projection lines converge to one or more points

Perspective in the graphic arts is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. The two most characteristic features of perspective are that objects appear smaller as their distance from the observer increases; and that they are subject to foreshortening, meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight.

History

Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. Perspective views were produced in London, Paris, Augsburg and several other cities. [2] [3]

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Charles-Émile Reynaud French inventor of motion picture technology

Charles-Émile Reynaud was a French inventor, responsible for the praxinoscope and the first projected animated films. His Pantomimes Lumineuses premiered on 28 October 1892 in Paris. His Théâtre Optique film system, patented in 1888, is also notable as the first known instance of film perforations being used. The performances predated Auguste and Louis Lumière's first paid public screening of the cinematographe on 26 December 1895, often seen as the birth of cinema.

Peep show exhibition of pictures, objects or people viewed through a small hole or magnifying glass

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Praxinoscope animation device

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Lenticular printing

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Théâtre Optique animated moving picture system

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<i>Megane-e</i>

In Japanese art, a megane-e is a print designed using graphical perspective techniques and viewed through a convex lens to produce a three-dimensional effect. The term derives from the French vue d'optique. The device used to view them was called an Oranda megane or nozoki megane, and the pictures were also known as karakuri-e.

References

  1. Kaldenbach, Kees. "Perspective Views" . Retrieved 27 Feb 2013. Originally published in Print Quarterly (June 1985)
  2. Philographikon. ""Vue d'Optique" or "Perspective View"" . Retrieved 27 Feb 2013.
  3. Kaldenbach, Kees. "Perspective Views" . Retrieved 27 Feb 2013. Originally published in Print Quarterly (June 1985)