This article may have been created or edited in return for undisclosed payments, a violation of Wikipedia's terms of use. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. (May 2020) |
An editor has performed a search and found that sufficient sources exist to establish the subject's notability. These sources can be used to expand the article and may be described in edit summaries or found on the talk page. The article might include original research, or omit significant information about the subject.(June 2019) |
Established | 1966 |
---|---|
Location | Cork Street, Mayfair, London |
Type | Art gallery, modern art, contemporary art |
Founder |
|
Website | www |
Waddington Custot is a London-based art gallery specialising in modern and contemporary art. Formerly known as Waddington Galleries, it has been situated on Mayfair's Cork Street since 1958.
Waddington Galleries was founded in 1958 by Victor Waddington (1907–1981), a London-born, Dublin-based art dealer. [1] He was joined by his son Leslie Waddington at the gallery on Cork Street, in London's Mayfair. In 1966, Leslie established his own business under the Waddington Galleries name. [2] He had the backing of Alex Bernstein, of the Granada Group and later Chairman of Granada Television. [3]
After Lord Bernstein died in 2010, his shares were sold to London-based French art dealer, Stephane Custot and the gallery was renamed Waddington Custot Galleries. [4]
Leslie Waddington died on 30 November 2015, [5] leaving Custot as the sole director of Waddington Custot.
Waddington Custot is currently found at 11–12 Cork Street. It has occupied various addresses on the Mayfair road in its history, making the Waddington name almost synonymous with Cork Street.
Waddington Galleries first opened in March 1958 at 2 Cork Street. The second gallery opened in February 1965 at 25 Cork Street, which sat opposite No. 2. Victor Waddington followed to this new address in 1966, setting up his own Victor Waddington gallery, leaving Leslie heading Waddington Galleries at No. 2.
In November 1968, Leslie opened the Leslie Waddington Gallery around the corner, on 8 Vigo Street. This new gallery specialised in prints and later returned to Cork Street, at No. 31 as Waddington Graphics, eventually closing in January 1995.
Two additional galleries were opened at 23 Cork Street in December 1969. These were known as Waddington Galleries II and III with No. 2 being known as Waddington Galleries I.
In 1982, a fourth gallery was opened at 4 Cork Street, which hosted exhibitions until the end of 1983. The main gallery then moved to 11 Cork Street, which was a new build designed by British architect John Pawson. By the end of the 80s, a further two Waddington galleries had opened at 5 and 12 Cork Street. All galleries eventually closed, aside from the main space.
By the end of the 90s, Waddington Galleries was consolidated at 11-12 Cork Street, merging the two galleries into one large exhibition space.
Waddington Galleries opened in 1958 with an exhibition of works by the late Jack B. Yeats, who had been represented by Victor Waddington in Ireland. The gallery continued to exhibit Yeats’ pieces, as well as smaller works of artists from the School of Paris, like Henri Matisse and Pablo Picasso.
Waddington Galleries introduced the works of emerging British talent, specifically with St Ives artists, including Patrick Heron, Terry Frost, and Roger Hilton. After introducing additional British painters and sculptors such as Ivon Hitchens, Elisabeth Frink, and William Turnbull, the gallery became known for championing British contemporary art.
Following the opening of the Victor Waddington gallery in 1966, Leslie Waddington increased the scope of contemporary British artists. Artists featured in Bryan Robertson’s New Generation exhibitions —which were held at the Whitechapel Gallery in the mid-60s - were particular favourites, with artists such as David Annesley and Michael Bolus being featured at Waddington.
The gallery also promoted post-war American art in Britain, upon being renamed Waddington Galleries I. From 1969, and throughout the 1970s, American Color Field painters such as Morris Louis, Kenneth Noland, and Jules Olitski were exhibited.
Waddington Custot represents a number of British and international artists, including Peter Blake, credited with designing the sleeve for The Beatles' album Sgt. Peppers Lonely Hearts Club Band , [6] Ian Davenport and French painter Fabienne Verdier.
Artists represented include:
Jack Butler Yeats RHA was an Irish artist and Olympic medalist. W. B. Yeats was his brother.
Sir Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
The Victoria Miro Gallery is a British contemporary art gallery in London, run by Victoria Miro. Miro opened her first gallery in 1985 in Cork Street, before moving to larger premises in Islington in 2000 and later opening a second space in St George Street, Mayfair.
Barry Flanagan OBE RA was an Irish-Welsh sculptor. He is best known for his bronze statues of hares and other animals.
Cork Street is a street in Mayfair in the West End of London, England, with many contemporary art galleries, and was previously associated with the tailoring industry.
Alison Jacques is a contemporary art gallery in London, established in 2004 by Alison Jacques.
Roy Petley is a British painter.
Lillian Gertrude Browse was a British art dealer and art historian. She was a partner in two London galleries, first Roland, Browse and Delbanco and then Browse & Darby. During the Second World War she organised exhibitions at the National Gallery, whose collections had been removed to the country for safety. She wrote a number of monographs on twentieth-century artists, including important works on Walter Sickert and Sir William Nicholson. She was nicknamed "The Duchess of Cork Street", and used that name as the title of her autobiography.
Bernar Venet is a French conceptual artist.
Simon Shaw-Miller is emeritus professor of history of art at the University of Bristol. He is a specialist in the relationships between art and music in the modern period.
Art Plural Gallery is an art gallery in Singapore. It shows modern and contemporary art and design. It has been called one of the ten best contemporary art galleries in Singapore and in 2013 was named as one of the world's best new galleries.
Fabienne Verdier is a French painter who works in France after years of studies in China. She was the first non-Chinese woman to be awarded a post-graduate diploma in fine arts by the Sichuan Fine Arts Institute in Chongqing, China.
Leicester Galleries was an art gallery located in London from 1902 to 1977 that held exhibitions of modern British, French and international artists' works. Its name was acquired in 1984 by Peter Nahum, who operates "Peter Nahum at the Leicester Galleries" in Mayfair.
Leslie Waddington was a British art dealer who served as the chairman of Waddington Custot Galleries, 11 Cork Street, London.
Victor Waddington was a British art dealer, active in Dublin and then London, an early advocate for the work of Jack Yeats and Henri Hayden. He was the father of fellow art dealers, Leslie and Theo Waddington.
Theodore Balfour Waddington is a British art dealer.
Stephane Custot, is a French gallerist and art dealer. He is the owner of Waddington Custot gallery in London and Custot Gallery Dubai.
David Annesley is a British sculptor who rose to prominence in the 1960s.
The Juilliard Experiment: An Adventure with Music and Musicians is a 2016 British documentary film directed and produced by Mark Kidel. It follows French abstract painter Fabienne Verdier's experience during her semester at the Juilliard School as its first artist-in-residence in 2014. Verdier is shown developing work, reflecting on her process, and developing more paintings back at her studio in Le Vexin, France.