Walter Bruyninckx (pronounced Brer-ninks; born 27 August 1932) is a Belgian jazz discographer, musicologist, jazz historian, author, and journalist. [1] [2] [3]
While living in Mechelen, Belgium, in 1948, Bruyninckx co-founded a jazz club there while working as a newspaper journalist. He later worked for UNICEF. After a serious car accident in 1965 in India, and during a period of convalescence in 1966, Bruyninckx developed a strong interest in jazz discography. After conferring with discographer Albert McCarthy and major record collectors, Bruyninckx published 50 Years of Recorded Jazz, 1917–1967 — which included blues, gospel, and ragtime covers. His work was supported by a larger group of volunteers.
For his third edition — 70 Years of Recorded Jazz — Bruyninckx published 35 volumes of genre-specific discographies, initially for the Japanese market, of which 5 volumes covered progressive jazz (fusion, free Jazz, third stream), 4 volumes covered singers, 12 volumes covered swing and dance bands, 6 volumes covered traditional jazz, 6 volumes covered modern jazz (bebop, hard bop, West Coast), and 2 volumes covered modern jazz big bands. [4]
Bruyninckx's discography is the longest running comprehensive jazz discography project. Other long standing discography projects include those of Tom Lord, based in the Vancouver area of British Columbia, Canada (active thirty-two years — since 1992) and Erik Raben of Denmark (active thirty-five years — since 1989), and Jørgen Grunnet Jepsen (de) of Denmark (died 1981). Bruyninckx announced that he would stop after the 2007 edition, but left it open whether the publication would continue by someone else, namely his sons Lucien and Dominique Truffandier.
Print (self-published)
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
Jazz at Lincoln Center is part of Lincoln Center in New York City.
Steven Bruce Smith is an American drummer best known as a member of the rock band Journey across three stints: 1978 to 1985, 1995 to 1998 and 2015 to 2020. Modern Drummer magazine readers have voted him the No. 1 All-Around Drummer five years in a row. In 2001, the publication named Smith one of the Top 25 Drummers of All Time, and in 2002 he was voted into the Modern Drummer Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of Journey on April 7, 2017.
Jeff Hughes is an American traditional jazz cornet player.
Leonard Niehaus was an American alto saxophonist, composer and arranger on the West Coast jazz scene. He played with the Stan Kenton Orchestra and served as one of Kenton's primary staff arrangers. He also played with Ray Vasquez and trombonist and Vocalist, Phil Carreon and other jazz bands on the U.S. West Coast. Niehaus had a close association as composer and arranger on motion pictures produced by Clint Eastwood.
Charnett Moffett was an American jazz bassist. A consummate and versatile bassist, and composer, he was an apparent child prodigy. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis.
Maxine Sullivan, born Marietta Williams in Homestead, Pennsylvania, United States, was an American jazz vocalist and performer.
Miss Peaches was the stage name of Elsie Higgs Griner Jr., an American comedian and singer. Although white, Miss Peaches spoke in a broad African-American dialect, though she did not perform in blackface. She also established a newspaper and, known in later life as Annabel Alderman, became a published writer and poet.
Working Week were a British jazz-dance band active in the 1980s and 1990s.
Charles J. Thornton, Jr., known professionally as Butch Miles, was an American jazz drummer. He played with the Count Basie Orchestra, Dave Brubeck, Ella Fitzgerald, Sammy Davis Jr., Frank Sinatra, Lena Horne, and Tony Bennett.
Donald Douglas Lamond Jr. was an American jazz drummer.
Brian Arthur Lovell Rust was an English jazz discographer.
Albert J. McCarthy was an English jazz and blues discographer, critic, historian, and editor.
"Whispering" is a popular song published in 1920 by Sherman, Clay & Co. of San Francisco. The 1920 copyright attributes the lyrics to Malvin Schonberger and the music to John Schonberger.
The Paris-based Swingle Singers recorded regularly for Philips in the 1960s and early 1970s and the successor London-based group continued to record, for Columbia / CBS, Virgin Classics and other record labels from 1974 to the present.
The following outline is provided as an overview of and topical guide to jazz:
Robert Coleman Shevak, better known as Iggy Shevak, was an American jazz musician who played string bass with several leading jazz figures in the 1940s and 1950s. Shevak is also credited on recordings as Robert Shevak, Bob Shevak, Roger Shevak, Iggy Shevack, and as Richard Shevak.
The Jazz Discography is a print, CD-ROM, and online discography and sessionography of all categories of recorded jazz — and directly relevant precursors of recorded jazz from 1896. The publisher, Lord Music Reference Inc., a British Columbia company, is headed by Tom Lord and is based in Chilliwack, British Columbia, Canada. The initial 26 of 35 print volumes, which comprise the discography, were issued from 1992 to 2001 in alphabetic order. In 2002, The Jazz Discography became the first comprehensive jazz discography on CD-ROM.
Storyville was a British jazz magazine that ran from 1965 to 2003 featuring jazz history, discography, and record trading. It was published six times a year from October 1965 to December 1986, then quarterly from March 1987 to June 1995, then four biennial volumes were published until 2003.
Eric Tonks was an English writer and historian of British industrial railways. He is regarded as one of the pioneers of the industrial archaeology of railways and quarrying. He was also a noted Jazz discographer.