Walter Bruyninckx

Last updated

Walter Bruyninckx (pronounced Brer-ninks; born 27 August 1932) is a Belgian jazz discographer, musicologist, jazz historian, author, and journalist. [1] [2] [3]

Contents

Career highlights

While living in Mechelen, Belgium, in 1948, Bruyninckx co-founded a jazz club there while working as a newspaper journalist. He later worked for UNICEF. After a serious car accident in 1965 in India, and during a period of convalescence in 1966, Bruyninckx developed a strong interest in jazz discography. After conferring with discographer Albert McCarthy and major record collectors, Bruyninckx published 50 Years of Recorded Jazz, 1917–1967 — which included blues, gospel, and ragtime covers. His work was supported by a larger group of volunteers.

For his third edition — 70 Years of Recorded Jazz — Bruyninckx published 35 volumes of genre-specific discographies, initially for the Japanese market, of which 5 volumes covered progressive jazz (fusion, free Jazz, third stream), 4 volumes covered singers, 12 volumes covered swing and dance bands, 6 volumes covered traditional jazz, 6 volumes covered modern jazz (bebop, hard bop, West Coast), and 2 volumes covered modern jazz big bands. [4]

Duration of discography project

Bruyninckx's discography is the longest running comprehensive jazz discography project. Other long standing discography projects include those of Tom Lord, based in the Vancouver area of British Columbia, Canada (active thirty-one years — since 1992) and Erik Raben of Denmark (active thirty-four years — since 1989), and Jørgen Grunnet Jepsen (de) of Denmark (died 1981). Bruyninckx announced that he would stop after the 2007 edition, but left it open whether the publication would continue by someone else, namely his sons Lucien and Dominique Truffandier.

Selected works

Print (self-published)

Jazz: The Vocalists, 1917–1986: Singers & Crooners (4 volumes; published between 1988 and 1990); OCLC   38691526
Vol. 1, Vocalists Discography, 1917–1986: A – Du (1988); OCLC   165310091
Vol. 2, Vocalists Discography, 1917–1986: Du – Le (1990); OCLC   165310101
Vol. 3, Vocalists Discography, 1917–1986: Le – Si (1990); OCLC   165310104
Vol. 4, Vocalists Discography, 1917–1988: Si – Z; Musicians Index (1990); OCLC   165310106
Jazz: Traditional Jazz, 1897–1985: Origins, New Orleans, Dixieland, Chicago Styles (6 volumes; published between 1987 and 1990); OCLC   38682703 , 20212524
Vol. 1, Traditional Jazz, 1897–1985: A – Cr (1987); OCLC   312713364 , 165313865
Vol. 2, Traditional Jazz, 1897–1985: Cr – Hu (1987); OCLC   312713389 , 165313865
Vol. 3, Traditional Jazz, 1897–1987: Hu – Mu (1989); OCLC   312713441 , 165313890
Vol. 4, Traditional Jazz, 1897–1987: Mu – Ro (1989); OCLC   312713441 , 312713462 , 165313892
Vol. 5, Traditional Jazz, 1897–1988: Ro – Ye (1990); OCLC   312713473 , 165313897
Vol. 6, Traditional Jazz, 1897–1988: Ye – Z; Musicians Index (1990); OCLC   165313901
Jazz: Swing, 1920–1985: Swing, Dance Bands & Combos (12 volumes; published between 1986 and 1990); OCLC   15251270 , 79333028
Vol. 1, Swing Discography, 1920–1985: A – Ba (1986); OCLC   165313923 , 806994023
Vol. 2, Swing Discography, 1920–1985: Ba – Ca (1986); OCLC   165313927
Vol. 3, Swing Discography, 1920–1985: Ca – Dy (1987); OCLC   165313937
Vol. 4, Swing Discography, 1920–1985: Ea – Go (1987); OCLC   165313940
Vol. 5, Swing Discography, 1920–1985: Go – He (1988); OCLC   165313943
Vol. 6, Swing Discography, 1920–1985: He – Jo (1988); OCLC   165313945
Vol. 7, Swing Discography, 1920–1985: Jo – Ma (1989); OCLC   165313947
Vol. 8, Swing Discography, 1920–1985: Ma – Po (1989); OCLC   165313950
Vol. 9, Swing Discography, 1920–1988: Po – Se (1989); OCLC   165313952
Vol. 10, Swing Discography, 1920–1988: Se – Th (1989); OCLC   165313959
Vol. 11, Swing Discography, 1920–1988: Th – Wi (1990); OCLC   165313974
Vol. 12, Swing Discography, 1920–1988: Wi – Z; Musicians Index (1990); OCLC   247450898 , 165313976
Modern Jazz: Be-Bop, Hard Bop, West Coast (6 volumes; published between 1984 and 1987); OCLC   15108467 , 123205493
Vol. 1, Discography: A – Do (1984); OCLC   247244296
Vol. 2, Modern Discography: Do – Ha ( ca. 1985); OCLC   247244293
Vol. 3, Modern Discography: Ha – Mc ( ca. 1995); OCLC   247244311
Vol. 4, Modern Discography: Mc – Pe (1986); OCLC   247244305
Vol. 5, Modern Discography: Pe – Sm (1986); OCLC   247244582
Vol. 6, Modern Discography: Sm – Z; Musicians Index (1987); OCLC   645293819
Modern Jazz: Modern Big Band, (discography; 2 volumes; published between 1985 and 1989); OCLC   15655858
Vol. 1, Modern Big Band Discography: A – K (1984); OCLC   644065532
Vol. 2, Modern Big Band Discography: Ke – Z; Musicians Index (1989); OCLC   247244316 , 612101690 , 165690508
Progressive Jazz: Free, Third Stream, Fusion (5 volumes; published between 1984 and 1989); OCLC   15108472 , 14575517
Vol. 1, Progressive Discography: A – Di (1984); OCLC   312714682 , 644065532
Vol. 2, Progressive Discography: Di – Li ( ca. 1985); OCLC   312714709 , 247450725 , 644065536
Vol. 3, Progressive Discography: Li – Sh (1986); OCLC   312714738 , 247450338 , 180389034
Vol. 4, Progressive Discography: Sh – Z (and additions A – Ba) (1988); OCLC   180394737 , 247450728
Vol. 5, Progressive Discography: Index (and further additions A – L (1989); OCLC   180459869

CD-ROM

Related Research Articles

<span class="mw-page-title-main">Tony Williams (drummer)</span> American jazz drummer

Anthony Tillmon Williams was an American jazz drummer.

Fred Fisher was a German-born American songwriter and Tin Pan Alley music publisher.

Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.

<span class="mw-page-title-main">Jazz at Lincoln Center</span> American nonprofit organization

Jazz at Lincoln Center is part of Lincoln Center in New York City. The organization was founded in 1987 and opened at Time Warner Center in October 2004. Wynton Marsalis is the artistic director and the leader of the Jazz at Lincoln Center Orchestra.

Stanley John Sadie was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the Grove Dictionary of Music and Musicians (1980), which was published as the first edition of The New Grove Dictionary of Music and Musicians. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation.

<span class="mw-page-title-main">Lennie Niehaus</span> American saxophonist and composer (1929–2020)

Leonard Niehaus was an American alto saxophonist, composer and arranger on the West Coast jazz scene. He played with the Stan Kenton Orchestra and served as one of Kenton's primary staff arrangers. He also played with Ray Vasquez and trombonist and Vocalist, Phil Carreon and other jazz bands on the U.S. West Coast. Niehaus had a close association as composer and arranger on motion pictures produced by Clint Eastwood.

<span class="mw-page-title-main">Donald Harrison</span> American jazz saxophonist

Donald Harrison Jr. is an African-American jazz saxophonist and the Big Chief of The Congo Square Nation Afro-New Orleans Cultural Group from New Orleans, Louisiana.

<span class="mw-page-title-main">Charnett Moffett</span> American jazz bassist (1967–2022)

Charnett Moffett was an American jazz bassist.

<span class="mw-page-title-main">Maxine Sullivan</span> American jazz vocalist (1911–1987)

Maxine Sullivan, born Marietta Williams in Homestead, Pennsylvania, United States, was an American jazz vocalist and performer.

Miss Peaches was the stage name of Elsie Higgs Griner Jr., an American comedian and singer. Although white, Miss Peaches spoke in a broad African-American dialect, though she did not perform in blackface. She also established a newspaper and, known in later life as Annabel Alderman, became a published writer and poet.

<span class="mw-page-title-main">Butch Miles</span> American jazz drummer (1944–2023)

Charles J. Thornton, Jr., known professionally as Butch Miles, was an American jazz drummer. He played with the Count Basie Orchestra, Dave Brubeck, Ella Fitzgerald, Sammy Davis Jr., Frank Sinatra, Lena Horne, and Tony Bennett.

<span class="mw-page-title-main">Don Lamond</span> American drummer

Donald Douglas Lamond Jr. was an American jazz drummer.

Brian Arthur Lovell Rust was an English jazz discographer.

Albert J. McCarthy was an English jazz and blues discographer, critic, historian, and editor.

<span class="mw-page-title-main">Whispering (song)</span> 1920 song by Paul Whiteman

"Whispering" is a popular song, first published in 1920 by Sherman, Clay & Co., of San Francisco. The initial 1920 copyright and first publishing attributes the lyrics to Malvin Schonberger and the music to John Schonberger.

The Paris-based Swingle Singers recorded regularly for Philips in the 1960s and early 1970s and the successor London-based group continued to record, for Columbia / CBS, Virgin Classics and other record labels from 1974 to the present.

<span class="mw-page-title-main">Outline of jazz</span> Overview of and topical guide to jazz

Jazz – musical style that originated at the beginning of the 20th century in African American communities in the Southern United States, mixing African music and European classical music traditions.

Robert Earle Spencer was an American trombonist and leader of a progressive swing big band bearing his name — Earle Spencer and His Orchestra. He formed the band in 1946 and disbanded in 1949. The band recorded for Black & White Records — a label so named by its founder, Les Schreiber, to reflect the races of its recording artists.

The Jazz Discography is a print, CD-ROM, and online discography and sessionography of all categories of recorded jazz — and directly relevant precursors of recorded jazz from 1896. The publisher, Lord Music Reference Inc., a British Columbia company, is headed by Tom Lord and is based in Chilliwack, British Columbia, Canada. The initial 26 of 35 print volumes, which comprise the discography, were issued from 1992 to 2001 in alphabetic order. In 2002, The Jazz Discography became the first comprehensive jazz discography on CD-ROM.

<i>Storyville</i> (magazine) A bygone British jazz magazine

Storyville was a British jazz magazine that ran from 1965 to 2003 featuring jazz history, discography, and record trading. It was published six times a year from October 1965 to December 1986, then quarterly from March 1987 to June 1995, then four biennial volumes were published until 2003.

References

  1. Magnificent Obsession: The Discographers, by Jerry Atkins, first published in the Jazz Journal International, November/December 1982, later in expanded form in IAJRC Journal, Winter 1989–90
  2. Review: The Jazz Discography, Version 4.4 [CD-ROM] by Tom Lord; 85 Years of Recorded Jazz (1917-2002, A-Z Complete) [CD-ROM] by Walter Bruyninckx; Domi Truffandier, by Eric S. Charry, Notes , March 2005, pps. 833–837
  3. More Important Than the Music: A History of Jazz Discography, by Bruce D. Epperson, University of Chicago Press (2013) OCLC   842307572
  4. Review: Comprehensive Discographies of Jazz, Blues, and Gospel, by Barry Kernfeld and Howard Rye, Notes , March 1995, pps. 865–891
      Response: Communications, by Tom Lord, Notes , December 1995, pps. 662–666