You can help expand this article with text translated from the corresponding article in German. (August 2009)Click [show] for important translation instructions.
View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Consider adding a topic to this template: there are already 9,024 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Walter Kollo]]; see its history for attribution.
You should also add the template {{Translated|de|Walter Kollo}} to the talk page.
Walter Kollo (28 January 1878 – 30 September 1940) was a German composer of operettas, Possen mit Gesang, and Singspiele as well as popular songs. He was also a conductor and a music publisher.
A merchant's son, he was expected to take his father's trade, but devoted himself to the study of music in the Königsberg Sondershausen music conservatory with his mother's help. He became a theater conductor for a brief time in Königsberg before going to Berlin in 1899. In Berlin, he turned towards popular / light music, and from 1908, wrote music for the popular musical theater. In 1910 with Willy Bredschneider he composed his first great success, Große Rosinen, produced on New Year's Eve 1911. Somewhat prolifically, he continued composing musical comedies, farces and operettas, with including Wie einst im Mai (1913; with the songs Es war in Schöneberg im Monat Mai and Die Männer sind alle Verbrecher), Der Juxbaron (1916), Drei alte Schachteln (1917) and Die Frau ohne Kuß (1924).
Kollo emerged as a composer of revues and sound films in 1915, was one of the founders of the performer's rights organization GEMA, and had his own music publishing company. Later he made successful concert tours as a conductor of his own works.
1931 – Frauen haben das gern (4 June 1931, Komische Oper, Berlin)
1933 – Die Männer sind mal so (4 January 1933, Schillertheater, Berlin)
1933 – Lieber reich aber glücklich (Komödienhaus, Berlin)
1934 – Derfflinger (17 February 1935, Metropol-Theater, Berlin)
1935 – Heirat nicht ausgeschlossen (4 January 1935, Komische Oper, Berlin)
1935 – Ein Kaiser ist verliebt (22 August 1935, Deutsches Nationaltheater, Osnabrück)
1935 – Berlin, wie es weint, Berlin, wie es lacht (10 October 1935, Plaza, Berlin)
1935 – Pour plaire aux femmes (nach "Frauen haben das gern") (17 October 1935, Théatre Déjazet, Paris)
1936 – Mädel ahoi (17 April 1936, Deutsches Nationaltheater, Osnabrück)
1938 – Das Schiff der schönen Frauen (25 December 1938, Apollo-Theater, Köln)
1943 – Wie einst im Mai (Walter und Willi Kollo) (26 May 1943, Theater des Volkes Berlin)
Recordings
Kollo's grandson René Kollo has recorded a CD of songs and arias by Walter Kollo entitled 'Auf den Spuren meiner Väter: René Kollo sings Kollo', 2009, CD EMI).
External links
Wikimedia Commons has media related to Walter Kollo.
The Komische Oper Berlin is a German opera company based in Berlin. The company produces operas, operettas and musicals.
Harry Alfred Robert Kupfer was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978 and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986 and Der Rosenkavalier by Richard Strauss in 2014.
Paul Abraham was a Jewish-Hungarian composer of operettas, who scored major successes in the German-speaking world. His specialty – and own innovation – was the insertion of jazz interludes into operettas.
The Staatstheater am Gärtnerplatz, commonly called the Gärtnerplatztheater, is an opera house and opera company in Munich. Designed by Michael Reiffenstuel, it opened on 4 November 1865 as the city's second major theatre after the National Theatre.
Katharina Thalbach is a German actress and stage director. She played theatre at the Berliner Ensemble and at the Volksbühne Berlin, and was actress in the film The Tin Drum. She worked as a theatre and opera director.
Leon Jessel, or Léon Jessel was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers. Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas — in particular Schwarzwaldmädel, which remains popular to this day.
Claire Waldoff, born Clara Wortmann, was a German singer. She was a famous kabarett singer and entertainer in Berlin during the 1910s to the 1930s, chiefly known for performing ironic songs in the Berlin dialect and with lesbian undertones and themes.
Rudolf Bernauer was an Austrian lyricist, librettist, screenwriter, film director, producer, and actor.
Posse mit Gesang is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called 'Possenspil' or 'Possenspiel'. It is also sometimes referred to simply as 'Posse' (farce).
Gretl Schörg was an Austrian operatic soprano and actress. She was particularly known for her performances in operettas. Her signature roles included Dodo in Wedding Night in Paradise, Josepha Vogelhuber in The White Horse Inn, Juliette in Der Graf von Luxemburg, Julischka in Maske in Blau, Laura in Der Bettelstudent, and Pepi in Wiener Blut. She made several operetta recordings for Telefunken, Columbia Records, and Polydor Records. She was also active as a dramatic actress on the stage and in films. In April 2004 she was awarded the Austrian Cross of Honour for Science and Art, 1st class.
The Theater des Westens is one of the most famous theatres for musicals and operettas in Berlin, Germany, located at Kantstraße 10–12 in Charlottenburg. It was founded in 1895 for plays. The present house was opened in 1896 and dedicated to opera and operetta. Enrico Caruso made his debut in Berlin here, and the Ballets Russes appeared with Anna Pavlova. In the 1930s it was run as the Volkstheater Berlin. After World War II it served as the temporary opera house of Berlin, the Städtische Oper. In 1961 it became the first theatre in Germany to show musicals. Since then it has become the "German equivalent of Broadway extravaganzas", putting on plays and musical comedies.
The Ufa-Pavillon am Nollendorfplatz was a cinema located at 4 Nollendorfplatz, Schöneberg, Berlin. Built in 1912–13 and designed and decorated by leading artistic practitioners of the day, it was the German capital's first purpose-built, free-standing cinema Described as "historically, [...] the most important cinema in Berlin", it incorporated a number of technical innovations such as an opening roof and a daylight projection screen, and opened as the Nollendorf-Theater in March 1913.
Ernst Bach was an Austrian actor and playwright. He made his debut as an actor at the Raimund Theater in Vienna in 1899. In 1903 he moved to Berlin to the Residenz-Theater, then to the Lustspielhaus in 1905, where he became Regisseur in 1906 and in 1908 Oberregisseur.
Franz Arnold (1878–1960) was a German actor and playwright. He frequently collaborated with Ernst Bach after their debut play The Spanish Fly was a hit. He emigrated to Britain in 1933.
Ernst Welisch was an Austrian playwright and theatre director. He is primarily known for the numerous operetta librettos that he wrote for composers such as Leo Fall, Jean Gilbert, Emmerich Kálmán, and Ralph Benatzky. Welisch was born in Vienna, but spent most of his career in Berlin. In the 1930s he returned to Vienna where he died shortly before the premiere of his last work, Venedig in Wien.
RudolfSchanzer was an Austrian playwright and journalist. He is primarily known for the numerous operetta librettos that he wrote for composers such as Leo Fall, Jean Gilbert, Emmerich Kálmán, and Ralph Benatzky. He was born in Vienna and died in Italy where he committed suicide after his arrest by the Gestapo.
Marianne Elisabeth Felicitas Alfermann was a German soprano and actress.
Thomas Engel (1922–2015) was a German screenwriter and director of film and television. He was the son of director Erich Engel.
Stephan Stompor was a German musicologist and dramaturg.
The old Komische Oper was a privately run Opera house in Berlin-Mitte, Friedrichstraße 104, at the Weidendammer Bridge. It is not to be confused with today's Komische Oper Berlin, Behrenstraße 55-57. The naming Komische Oper referred to the Parisian Opéra-Comique.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
