Walter S. Arnold | |
---|---|
Born | |
Nationality | American |
Education | Pietrasanta, Italy |
Known for | Sculpture, Stone carving |
Website | stonecarver |
Walter S. Arnold (born in Chicago, Illinois) is an American stone carver and sculptor best known for his gargoyles.
Arnold began carving stone at the age of twelve in his hometown of Hyde Park/Kenwood, a neighborhood in Chicago, Illinois. At twenty, he began training as an apprentice in the marble studios of Pietrasanta, Italy.
Following his training under master stone carvers in Italy, Arnold spent five years from 1980-1985 working on the Washington National Cathedral in D.C., [1] [2] and then established his studio in Chicago in 1985. He is fluent in styles ranging from Classical and Renaissance to Gothic, Baroque and Arts & Crafts. Known especially for his gargoyles, Arnold also creates unique fireplaces, fountains, architectural carvings and sculpture for private residences, institutions and commercial buildings throughout the United States and Canada.
The Art Institute of Chicago, [3] University of Chicago, [4] [5] Boston University, and the Chicago Architecture Foundation, [6] are just a few of the nationally recognized universities, museums and organizations that have invited Arnold to present lectures on the history, technique and application of architectural and sculptural stone carving. In October 2009, he was elected to his fourth term as president of Stone Carvers Guild of America. Arnold designed and created his web site in 1994. In 2009, his book "Staglieno: The Art of the Marble Carver" was published by Edgecliff Press, LLC. [7] [8] [9] [10]
National Cathedral in Washington, D.C.,(1980–1985) Frederick Hart's west front tympanum sculptural triptych, "The Creation", ninety gargoyles, grotesques, and column capitals [11] [12]
Harold Washington Social Security Center, Chicago, IL, Memorial Sculpture to the late Chicago Mayor, Harold Washington
Chicago Park District, IL Memorial Sculpture to the late Chicago Mayor, Harold Washington
Commonwealth Edison substation, Chicago, IL, Neoclassical tympanum
The Medici, Chicago, IL (restaurant/student hangout on 57th, near the University of Chicago) Gothic limestone façade [13]
Lincoln Park Zoo, Chicago, IL Large relief panels for the North and South entries of the Helen Brach Primate House [14]
(former) Chicago House of Blues Hotel lobby Four 12-foot-tall (3.7 m) Telamones sculptures
Driehaus Capital Management, Chicago, IL Massive carved Romanesque fountain
Citadel Center, Chicago, IL Winged Victory of Samothrace a.k.a. Nike, cast resin with gold leaf [15]
Chicago Board of Trade, IL Six Art Deco relief panels for the restoration of the Chicago Board of Trade Building [16]
One man exhibits:
Group exhibits:
His work in architectural restoration includes carvings for the Chicago Tribune Tower, the United States Capitol, the White House, The Field Museum of Natural History, The Chicago Board of Trade, and other historic buildings. [27] [23]
Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before refracting it in subsurface scattering. This gives an attractive soft appearance that is especially good for representing human skin, which can also be polished.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory or past time.
Charles Allan Grafly, Jr. was an American sculptor, and teacher. Instructor of Sculpture at the Pennsylvania Academy of the Fine Arts for 37 years, his students included Paul Manship, Albin Polasek, and Walker Hancock.
Albin Polasek was a Czech-American sculptor and educator. He created more than 400 works during his career, 200 of which are displayed in the Albin Polasek Museum & Sculpture Gardens in Winter Park, Florida.
The history of sculpture in the United States begins in the 1600s "with the modest efforts of craftsmen who adorned gravestones, Bible boxes, and various utilitarian objects with simple low-relief decorations." American sculpture in its many forms, genres and guises has continuously contributed to the cultural landscape of world art into the 21st century.
The Piccirilli brothers were an Italian family of renowned marble carvers and sculptors who carved many of the most significant marble sculptures in the United States, including Daniel Chester French’s colossal Abraham Lincoln (1920) in the Lincoln Memorial, Washington, D.C.
Walker Kirtland Hancock was an American sculptor and teacher. He created notable monumental sculptures, including the Pennsylvania Railroad World War II Memorial (1950–52) at 30th Street Station in Philadelphia, and the World War I Soldiers' Memorial (1936–38) in St. Louis, Missouri. He made major additions to the National Cathedral in Washington, D.C., including Christ in Majesty (1972), the bas relief over the High Altar. Works by him are presently housed at the U.S. Military Academy at West Point, the Library of Congress, the U.S. Supreme Court, and the United States Capitol.
The Albin Polasek Museum & Sculpture Gardens or The Polasek is a historic site in Winter Park, Florida, United States. It is located at 633 Osceola Avenue on three acres overlooking Lake Osceola. On May 2, 2000, it was added to the U.S. National Register of Historic Places.
Chauncey Bradley Ives was an American sculptor who worked primarily in the Neo-classic style. His best known works are the marble statues of Jonathan Trumbull and Roger Sherman enshrined in the National Statuary Hall Collection.
A stone sculpture is an object made of stone which has been shaped, usually by carving, or assembled to form a visually interesting three-dimensional shape. Stone is more durable than most alternative materials, making it especially important in architectural sculpture on the outside of buildings.
The Cimitero monumentale di Staglieno is an extensive monumental cemetery located on a hillside in the district of Staglieno of Genoa, Italy, famous for its monumental sculpture. Covering an area of more than a square kilometre, it is one of the largest cemeteries in Europe.
Farmer & Brindley was a firm of architectural sculptors and ornamentalists based in London, founded by William Farmer (1825–1879) and William Brindley (1832–1919).
Simon Verity (1945-2024) was a British sculptor, master stonecarver and letter cutter. Much of his work has been garden sculpture and figure sculpture in cathedrals and major churches. He has works in the private collections of King Charles III, Sir Elton John and Lord Rothschild.
Death and the Sculptor, also known as the Milmore Monument and The Angel of Death and the Young Sculptor is a sculpture in bronze, and one of the most important and influential works of art created by sculptor Daniel Chester French. The work was commissioned to mark the grave in Forest Hills Cemetery in Jamaica Plain, Boston, Massachusetts, of the brothers Joseph (1841–1886), James and Martin Milmore (1844–1883). It has two figures effectively in the round, linked to a background relief behind them. The right-hand figure represents a sculptor, whose hand holding a chisel is gently restrained by the fingers of the left-hand figure, representing Death, here shown as a winged female.
Forest Idyl is a bronze statue created in 1924 by Albin Polasek while he was head of the Sculpture Department at the Art Institute of Chicago. There are several copies of the three versions of this sculpture:
L'Angelo Nocchiero is a marble sculpture in the symbolist style by Genovese sculptor Giovanni Scanzi, completed in 1886. It was commissioned by Giacomo Carpaneto, Cav. Mauriziano (1811–1878) as a monument for his family tomb in the Monumental Cemetery of Staglieno in Genova, Italy. Along with the sculpture for the Oneto Family sculpted by Giulio Monteverde in 1882, the Carpaneto monument has become one of the most recognisable icons of Staglieno, appearing on an official cemetery brochure in 2014. Famous people of the 19th century visited Staglieno and commented on the work, which depicts an angel, standing astride a small boat, beginning to secure the sails at the end of a journey.
Roger (Ruggiero) Morigi was an Italian-born American stone carver and architectural sculptor. He made major contributions to Washington National Cathedral and other Washington, D.C. buildings. He was the teacher and mentor of sculptor Frederick Hart.
Ermelindo Eduardo Ardolino, known as Edward Ardolino was an Italian-born American stone carver and architectural sculptor of the early twentieth century. He was the most prominent member of the Ardolino family of stone carvers. He worked with leading architects and sculptors, including architect Bertram Grosvenor Goodhue and sculptor Lee Lawrie. Ardolino participated in at least nine Goodhue-Lawrie collaborations including the Los Angeles Public Library and the Nebraska State Capitol. His carvings adorn a significant number of important public and private buildings and monuments, including four buildings in the Federal Triangle of Washington, D.C.
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