Wardell "Preacher" Jones (born c. 1905) was an American jazz trumpeter.
Jones played early in his career in New York City in the ballroom bands of Bill Brown and Benny Carter before joining Bingie Madison's ensemble. Jones joined the Mills Blue Rhythm Band, playing with the group from 1930 to 1936 and recording with them several times. In addition to trumpet, he occasionally played trombone with the group and did arranging work. [1] Later in the 1930s he played with Fats Waller and Hot Lips Page, but appears to have left music after 1940. [2]
David Roy Eldridge, nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
Wardell Gray was an American jazz tenor saxophonist who straddled the swing and bebop periods.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Richard Allen "Blue" Mitchell was an American jazz, rhythm and blues, soul, rock and funk trumpeter and composer, recording albums as leader and sideman for Riverside, Mainstream Records, and Blue Note.
Arthur Stewart Farmer was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.
Elvin Ray Jones was an American jazz drummer of the post-bop era.
Park Frederick "Pepper" Adams III was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.
The Mills Blue Rhythm Band was an American big band active during the 1930s.
Howard McGhee was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro.
Leroy Jones is a jazz trumpeter. Born in New Orleans, Louisiana, Jones began playing trumpet at the age of ten, and by the time he was 12 was leading the Fairview Baptist Church Marching Band, a group of young musicians organized by jazz guitarist and banjo player Danny Barker. When the musicians' union forced Barker to disband the group in 1974, Jones became a union musician and took over the running of the group, renamed the Hurricane Brass Band, himself. In 1975 or 1976, he left the group, touring for a time with Eddie Vinson and Della Reese before forming his own group, the Leroy Jones Quintet. In 1991, Jones joined the big band of Harry Connick, Jr., and the exposure with Connick's band, led to Jones' releasing his first album under his own name; Mo' Cream From The Crop came out on the Columbia label in 1994. The Leroy Jones Quintet continues to tour and record, and since 2004 Jones has also appeared with the Preservation Hall Jazz Band and Dr. John.
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Victor Dickenson was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines.
Gerald Stanley Wilson was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson.
Wardell Joseph Quezergue was an American composer, arranger, record producer and bandleader, known among New Orleans musicians as the "Creole Beethoven". Steeped in jazz, he was an influential musician whose work shaped the sound of New Orleans rhythm and blues, funk and pop music. His role as an arranger and producer kept him out of the spotlight and enabled him to enhance the careers of many. He was a staple of the New Orleans music scene and the recipient of an honorary doctorate in music.
Ernest Andrew Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
Valery Ponomarev, Russian: Вале́рий Миха́йлович Пономарёв, Valery Mikhaylovich Ponomaryov, is a Russian-born jazz trumpeter. He has lived in the United States since 1973.
Dixieland, sometimes referred to as hot jazz or traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band, fostered awareness of this new style of music.
William Richard Berry was an American jazz trumpeter, best known for playing with the Duke Ellington Orchestra in the early 1960s, and for leading his own big band.
Ray Miller (1896–1974) was an American bandleader who was popular during the 1920s. In 1924 his orchestra performed at the White House with Al Jolson, the first jazz band to do so.
The Blue Bird Inn, at 5021 Tireman, was a jazz night club in Detroit presenting music every night except Monday. An African American owned venue, by the end of the 1940s it was the most important live outlet for bop in the city.