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Dame Carolyn Emma Kirkby, is an English soprano and early music specialist. She has sung on over 100 recordings.
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle, the title translates as "My soul magnifies the Lord". Also known as Bach's German Magnificat, the work follows his chorale cantata format.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Joshua Rifkin is an American conductor, pianist, and musicologist; he is currently a professor of music at Boston University. As a performer he has recorded music by composers from Antoine Busnois to Silvestre Revueltas, and as a scholar has published research on composers from the Renaissance to the 20th century.
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement.
Ich will den Kreuzstab gerne tragen, BWV 56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October, 1726. The composition is a solo cantata because, apart from the closing chorale, it requires only a single vocal soloist. The autograph score is one of a few cases where Bach referred to one of his compositions as a cantata. In English, the work is commonly referred to as the Kreuzstab cantata. Bach composed the cantata in his fourth year as Thomaskantor; it is regarded as part of his third cantata cycle.
Robin Blaze is an English countertenor.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
John Butt is an English orchestral and choral conductor, organist, harpsichordist and scholar. He holds the Gardiner Chair of Music at the University of Glasgow and is music director of the Dunedin Consort with whom he has made award-winning recordings in historically informed performance. He is a prolific scholar, conductor and performer of works by Johann Sebastian Bach.
La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart.
Johann Sebastian Bach composed the secular cantata Die Zeit, die Tag und Jahre macht, BWV 134.1, BWV 134a, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the work as a serenata for the celebration of New Year's Day 1719.
Most of Johann Sebastian Bach's extant church music in Latin—settings of the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early Kyrie "Christe, du Lamm Gottes".
Peter Harvey is an English baritone. Harvey specialises in Baroque music. However, he also sings works by later composers, including contemporary ones.
Carolyn Sampson is an English soprano in opera and concert. Specialising in historically informed performance, she has sung in Masaaki Suzuki's recording project of Bach cantatas and has appeared at the English National Opera.
Dunedin Consort is Scotland's leading baroque ensemble based in Edinburgh, Scotland, recognised for its vivid and insightful performances and recordings. Formed in 1995 and named after Din Eidyn, the ancient Brittonic Celtic name of Edinburgh Castle, Dunedin Consort’s ambition is to make early music newly relevant to the present day. Performing on period instruments, with choruses often numbering just one to a part, the group presents concerts that are both intimate and invigorating, often aiming to recreate the music as it was originally intended. Under the direction of John Butt, this has seen the ensemble earn two coveted Gramophone Awards – for the 2007 recording of Handel’s Messiah and the 2014 recording of Mozart’s Requiem – and a Grammy nomination. In 2018 it was shortlisted for a Royal Philharmonic Society Award in the Ensemble category.
J. S. Bach - Das Kantatenwerk is a classical music recording project initiated by the record label of Telefunken in 1971 to record all 193 sacred Bach cantatas. The project was entrusted to Nikolaus Harnoncourt and Gustav Leonhardt. Each conductor had his own instrumental ensemble, based in Austria and the Netherlands respectively.
Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.
Scott Dettra is an American concert organist and church musician. He tours in North America and Europe, and is former Director of Music and Organist at the Church of the Incarnation in Dallas, Texas. He is also Organist of The Crossing, a professional chamber choir based in Philadelphia. From 2007 to 2012, he was Organist of Washington National Cathedral.
Bach composed Wie schön leuchtet der Morgenstern, BWV 1, as chorale cantata for the Marian feast of the Annunciation, for a first performance in a church service in Leipzig on 25 March 1725. The cantata, for soprano, tenor and bass soloists, four-part choir and Baroque orchestra, takes around 25 minutes to perform.
This is a list of recordings of Bach's cantata Ich will den Kreuzstab gerne tragen, BWV 56, a solo cantata for bass or bass-baritone composed for the 19th Sunday after Trinity, first performed on 29 October 1726. In English, it is commonly referred to as the Kreuzstab cantata.
References
- ↑ "Washington Bach Consort Announces Italian-Inspired Spring Concerts". Broadway World, Washington D.C. Washington D.C. 6 February 2019. Retrieved 3 July 2019.
- ↑ "Review". MusicWeb International. Retrieved 3 July 2019.
- ↑ Midgette, Anne (14 September 2018). "Early music, fresh start: A new leader for Washington Bach Consort". The Washington Post. Retrieved 3 July 2019.
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