Weather or No is a one-act comic opera, styled a "musical duologue", by Bertram Luard-Selby with a libretto by Adrian Ross and William Beach. It was produced at the Savoy Theatre from 10 August 1896 to 17 February 1897 as a companion piece to The Mikado , and from 2 March 1897 to 24 April 1897 with His Majesty, for a total of 209 performances.
Copies of the libretto and the vocal score (published in 1896 by J. Williams) are found in British Library. There are five musical numbers, including three duets and a solo for each character.
When the Gilbert and Sullivan partnership disbanded after the production of The Gondoliers in 1889, impresario Richard D'Oyly Carte filled the Savoy Theatre with a combination of new works and revivals of the Gilbert and Sullivan operas. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers. [1] W. J. MacQueen-Pope commented, concerning such curtain raisers:
One of the writers of Weather or No, Adrian Ross, would go on to become one of the most prolific and successful lyricists of Edwardian musical comedies.
The story concerns two figures who come in and out of a toy weather house according to whether it is wet or dry, and so they cannot meet. Nevertheless, the couple fall in love and eventually wrench themselves away from their supports so that they may be together.
The original cast was:
A review in The Musical Times of 1 September 1896 stated,
Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas were seminal influences on the creation of the modern musical.
The Savoy Theatre is a West End theatre in the Strand in the City of Westminster, London, England. The theatre opened on 10 October 1881 and was built by Richard D'Oyly Carte on the site of the old Savoy Palace as a showcase for the popular series of comic operas of Gilbert and Sullivan, which became known as the Savoy operas as a result.
After All! is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier. It was first performed at the Savoy Theatre under the management of Richard D'Oyly Carte, along with H.M.S. Pinafore and another short piece, Cups and Saucers, from December 1878 to February 1880.
François Arsène Cellier, often called Frank, was an English conductor and composer. He is known for his tenure as musical director and conductor of the D'Oyly Carte Opera Company during the original runs and early revivals of the Savoy operas.
Cups and Saucers is a one-act "satirical musical sketch" written and composed by George Grossmith. The piece pokes fun at the china collecting craze of the later Victorian era, which was part of the Aesthetic movement later satirised in Patience and The Colonel. The story of the sketch involves an engaged man and woman who each schemes to sell off the other's purportedly valuable china.
Mock Turtles is a one-act comic opera with a libretto by Frank Desprez and music by Eaton Faning. It was first produced at the Savoy Theatre on 11 October 1881 as a curtain raiser to Patience, then from 26 November 1882 to 30 March 1883 with Iolanthe. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with J. M. Gordon and his company.
A Private Wire is a one-act musical "vaudeville" operetta with a libretto by Frank Desprez and Arnold Felix and music by Percy Reeve. It was first produced at the Savoy Theatre on 31 March 1883 to 1 January 1884 as a companion piece to Gilbert and Sullivan's Iolanthe. The piece also toured from March to July 1884.
The Carp is a one-act comic opera with a libretto by Frank Desprez and music by Alfred Cellier. It was first produced at the Savoy Theatre from 13 February 1886 to 19 January 1887, as a companion piece to The Mikado. It was then revived as companion to Ruddigore from 21 February 1887 to 5 November 1887. The piece also toured throughout 1888.
Quite an Adventure is a one-act comic opera by Edward Solomon with a libretto by Frank Desprez. The farcical plot concerns a house-guest who mistakes his hostess's husband for an intruder.
Old Sarah is a one-act comic opera composed by François Cellier with a libretto by Harry Greenbank.
A Welsh Sunset is a one-act comic opera composed by Philip Michael Faraday, with a libretto by Frederick Fenn. It was produced at the Savoy Theatre from 15 July 1908 and played with revivals of H.M.S. Pinafore and The Pirates of Penzance until 17 October 1908, and from 2 December 1908 until 24 February 1909, a total of 85 performances. A copy of the vocal score, but no printed libretto, is found in the British Library. The score contains all the dialogue.
Captain Billy is a one-act comic opera with a libretto by Harry Greenbank and music by François Cellier. It was first performed at the Savoy Theatre on 24 September 1891 until 16 January 1892, as a curtain raiser to The Nautch Girl, and from 1 February 1892 to 18 June 1892, as a curtain raiser to The Vicar of Bray, for a total of 217 performances.
Mirette is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894.
Emily Owen was an English opera singer and actress, best known for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company. Beginning as a child actress, she performed for two decades before falling ill on tour and dying at age 33.
Albert Ernest Alsor Clair Ford was an English composer of operas and ballet music and a conductor.
Dora's Dream is a one-act operetta, with music composed by Alfred Cellier and a libretto by Arthur Cecil.
Hugh Enes Blackmore was a British opera and concert singer and actor. Known as the "Iron-Throated Tenor", he is best remembered for his performances of tenor roles with the D'Oyly Carte Opera Company. His career with D'Oyly Carte spanned almost 30 years, ending with a season as the company's stage manager, and was later a teacher of operatic singing and acting.
Pretty Polly is a one-act playlet by Basil Hood, with music composed by François Cellier. The ten-minute long piece concerns the difficulties of a shy fellow who tries to use a talking parrot as a matrimonial agent.
Bertram Luard-Selby was an English composer and cathedral organist. As an organist, he served in Salisbury Cathedral and Rochester Cathedral. As a composer, he wrote prolifically for the church, the concert-hall and the theatre.
The Outpost is an opera or operetta by the composer Hamilton Clarke with a libretto by A. O'D. Bartholeyns. The story is an adaptation of the Singspiel Der vierjährige Posten by Theodor Körner with music by Franz Schubert.