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Giuseppa Iolanda Menichelli, known professionally as Pina Menichelli, was an Italian actress. After a career in theatre and a series of small film roles, Menichelli was launched as a film star when Giovanni Pastrone gave her the lead role in The Fire (1916). Over the next nine years, Menichelli made a series of films, often trading on her image as a diva and on her passionate, decadent eroticism. Menichelli became a global star, and one of the most appreciated actresses in Italian cinema, before her retirement in 1924, aged 34.
When Knights Were Bold is a comedy play by the British writer Harriett Jay writing under the pseudonym of Charles Marlowe which was first performed in 1906. A British officer Guy De Vere returns home from service in India after inheriting an estate and a baronetcy in the village of Little Twittering where he encounters a number of eccentrics. His cousin Rowena, meanwhile, falls madly in love with him. It should not be confused with the 1898 novel When Knighthood Was in Flower by Charles Major which is sometimes known by this title.
Knights of the Desert is a 1942 Italian adventure film directed by Gino Talamo and Osvaldo Valenti. It starred Valenti, Luisa Ferida and Luigi Pavese. The film was based on a novel by Emilio Salgari with a screenplay by Federico Fellini and Vittorio Mussolini, the son of Italy's dictator Benito Mussolini. It was produced by the Rome-based ACI which was run by Vittorio Mussolini. Valenti and Ferida were romantically linked, and co-starred in several films together.
The Son of the Red Corsair is a 1959 Italian historical adventure film written and directed by Primo Zeglio and starring Lex Barker, Sylvia Lopez and Vira Silenti. It is based on the novel with the same name by Emilio Salgari. The story had previously been made into a 1943 film The Son of the Red Corsair.
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Claudia Zambuto was an Italian film actress of the silent era.
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Adam's Tree is a 1936 Italian White Telephone comedy film directed by Mario Bonnard and starring Elsa Merlini, Antonio Gandusio and Renato Cialente. The film's sets were designed by the art director Guido Fiorini.
Marco Visconti is a 1941 Italian historical drama film directed by Mario Bonnard and starring Carlo Ninchi, Roberto Villa and Mariella Lotti. It is based on the novel of the same name by Tommaso Grossi which had previously been made into a 1925 silent film.
The Gorgon is a 1942 Italian historical drama film directed by Guido Brignone and starring Mariella Lotti, Rossano Brazzi and Camillo Pilotto. It was adapted from the play by Sem Benelli and is set in the Republic of Pisa during the eleventh century.
The Sons of the Marquis Lucera is a 1939 Italian comedy film directed by Amleto Palermi and starring Armando Falconi, Caterina Boratto and Sergio Tofano. It is based on a play of the same name by Gherardo Gherardi.
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The Son of the Red Corsair is a 1943 Italian historical adventure film directed by Marco Elter and starring Vittorio Sanipoli, Luisa Ferida and Memo Benassi. It is an adaptation of the 1908 novel The Son of the Red Corsair by Emilio Salgari.
The King's Prisoner is a 1954 Italian historical adventure film directred by Giorgio Venturini and starring Pierre Cressoy, Andrée Debar and Armando Francioli. It is based on the novel The Man in the Iron Mask by Alexandre Dumas.
The White Devil is a 1947 Italian historical adventure film directed by Nunzio Malasomma and starring Rossano Brazzi, Annette Bach and Roldano Lupi. It is based on Leo Tolstoy's 1912 novella Hadji Murat.
Nathalie is a 1957 French-Italian comedy crime film directed by Christian-Jaque and starring Martine Carol, Mischa Auer and Michel Piccoli. It was shot at the Joinville Studios of Franstudio and the Photosonor Studios, both in Paris. Location shooting also took place around the city including the Printemps department store and Paris Airport. The film's sets were designed by the art director Robert Gys. It was followed by a sequel Nathalie, Secret Agent in 1959, also starring Carol.
Nathalie, Secret Agent is a 1959 French-Italian comedy thriller film directed by Henri Decoin and starring Martine Carol, Félix Marten and Darío Moreno. It is a sequel to the 1957 film Nathalie starring Carol in the title role with Dany Saval also reprising her role as Pivoine. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art director Robert Clavel.
References
- ↑ Goble p.308
