Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s as the Moon was evidently lifeless. At the time, the predominant genre depicting Mars was utopian fiction. Contemporaneously, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells' story of an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a large influence on the science fiction genre.
Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows the peaceful alien invasion of Earth by the mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.
Richard Kingsley Morgan, is a British science fiction and fantasy author of books, short stories, and graphic novels. He is the winner of the Philip K. Dick Award for his 2003 book Altered Carbon, which was adapted into a Netflix series released in 2018. His third book, Market Forces, won the John W. Campbell Award in 2005, while his 2008 work Thirteen garnered him the Arthur C. Clarke Award.
The planet Venus has been used as a setting in fiction since before the 19th century. Its impenetrable cloud cover gave science fiction writers free rein to speculate on conditions at its surface; the planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction.
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization.
The Collected Stories of Arthur C. Clarke, first published in 2001, is a collection of almost all science fiction short stories written by Arthur C. Clarke. It includes 114 stories, arranged in order of publication, from "Travel by Wire!" in 1937 through to "Improving the Neighbourhood" in 1999. The story "Improving The Neighbourhood" has the distinction of being the first fiction published in the journal Nature. The titles "Venture to the Moon" and "The Other Side of the Sky" are not stories, but the titles of groups of six interconnected stories, each story with its own title. This collection is only missing a very few stories, for example "When the Twerms Came", which appears in his other collections More Than One Universe and The View from Serendip. This edition contains a foreword by Clarke written in 2000, where he speculates on the science fiction genre in relation to the concept of short stories. Furthermore, many of the stories have a short introduction about their publication history or literary nature.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
The concepts of space stations and space habitats feature in science fiction. The difference between the two is that habitats are larger and more complex structures intended as permanent homes for substantial populations, but the line between the two is fuzzy with significant overlap and the term space station is sometimes used for both concepts. The first such artificial satellite in fiction was Edward Everett Hale's "The Brick Moon" in 1869, a sphere of bricks 61 meters across accidentally launched into orbit around the Earth with people still onboard.
"Transience" is a science fiction short story by English writer Arthur C. Clarke, first published in 1949 in the magazine Startling Stories. It was later collected in The Other Side of the Sky and The Nine Billion Names of God.
"Time's Arrow" is a science fiction short story by British writer Arthur C. Clarke, first published in 1950 in the first issue of the magazine Science Fantasy. The story revolves about the unintended consequences of using time travel to study dinosaurs.
"The Possessed" is a science fiction short story by British writer Arthur C. Clarke, first published in 1953.
More Than One Universe: The Collected Stories of Arthur C. Clarke is a collection of science fiction short stories by Arthur C. Clarke originally published in 1991.
Sir Arthur Charles Clarke was an English science-fiction writer, science writer, futurist, inventor, undersea explorer, and television series host.
The following is a list of works by Arthur C. Clarke.
"Crusade" is a short story by English writer Arthur C. Clarke, first published in 1968 and later reprinted in The Wind from the Sun as well as The Collected Stories of Arthur C. Clarke.
The View from Serendip is a collection of essays and anecdotes by Arthur C. Clarke, first published in 1977. The pieces include Clarke's experiences with diving, Sri Lanka, his relationships with other science fiction authors such as Isaac Asimov, and other personal memoirs. There are also reproductions of past lectures, as well as speculations about things of scientific interest. The essay "The World of 2001" had been previously published in Vogue. It predicted the end of menial labor, due to automation and bio-engineered apes.
The far future has been used as a setting in many works of science fiction. The far future setting arose in the late 19th century, as earlier writers had little understanding of concepts such as deep time and its implications for the nature of humankind. Classic examples of this genre include works such as H.G. Wells' The Time Machine (1895) or Olaf Stapledon's Last and First Men (1930). Recurring themes include themes such as Utopias, eschatology or the ultimate fate of the universe. Many works also overlap with other genres such as space opera, science fantasy or apocalyptic and post-apocalyptic fiction.
