Whip zoom

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A whip zoom (also referred to as a "snap zoom" or a "crash zoom") is a type of camera shot in which the camera zooms in or out quickly, [1] [2] allowing the viewer to focus on the subject. [3] Another use of the whip zoom is to enable the shot to be edited as a cut from a long shot to a close up, or vice versa. [4]

This technique is used by several directors such as Quentin Tarantino, Martin Scorsese, Kevin Smith and Rainer Werner Fassbinder. Examples can be seen in 1970s kung fu film and in the movies Kill Bill: Volume 2 , Goodfellas , Tusk , Kundo: Age of the Rampant, Man of Steel and Eight Hours Don't Make a Day . [5] [6] Horror genre examples can be found in The Shining and The Exorcist III . [7]

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<span class="mw-page-title-main">Chroma key</span> Compositing technique, also known as green screen

Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two or more images or video streams together based on colour hues. The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay, or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most distinctly in hue from any human skin colour. No part of the subject being filmed or photographed may duplicate the colour used as the backing, or the part may be erroneously identified as part of the backing.

<span class="mw-page-title-main">Digital camera</span> Camera that captures photographs or video in digital format

A digital camera, also called a digicam, is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film or film stock. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras. High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs.

<span class="mw-page-title-main">Shutter speed</span> Length of time when the film or digital sensor inside a camera is exposed to light

In photography, shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time. 1500 of a second will let half as much light in as 1250.

<span class="mw-page-title-main">Cinematography</span> Art of motion picture photography

Cinematography is the art of motion picture photography.

<span class="mw-page-title-main">Close-up</span> Photography and film term referring to framing a shot

A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots. Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face.

<span class="mw-page-title-main">Camera phone</span> Mobile phone which is able to capture still photographs and usually also videos

A camera phone is a mobile phone which is able to capture photographs and often record video using one or more built-in digital cameras. It can also send the resulting image wirelessly and conveniently. The first commercial phone with color camera was the Kyocera Visual Phone VP-210, released in Japan in May 1999.

<span class="mw-page-title-main">Backscatter (photography)</span> Optical phenomenon in photography

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In filmmaking and photography, the Dutch angle, also known as Dutch tilt, canted angle, or oblique angle, is a type of camera shot that involves setting the camera at an angle so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the frame. This produces a viewpoint akin to tilting one's head to the side. In cinematography, the Dutch angle is one of many cinematic techniques often used to portray psychological uneasiness or tension in the subject being filmed. The Dutch angle is strongly associated with German expressionist cinema, which employed it extensively.

<span class="mw-page-title-main">Digital cinematography</span> Digital image capture for film

Digital cinematography is the process of capturing (recording) a motion picture using digital image sensors rather than through film stock. As digital technology has improved in recent years, this practice has become dominant. Since the mid-2010s, most movies across the world are captured as well as distributed digitally.

This article contains a list of cinematic techniques that are divided into categories and briefly described.

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The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera.

<span class="mw-page-title-main">Film</span> Visual art consisting of moving images

A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and the art form that is the result of it.

In photography and cinematography, headroom or head room is a concept of aesthetic composition that addresses the relative vertical position of the subject within the frame of the image. Headroom refers specifically to the distance between the top of the subject's head and the top of the frame, but the term is sometimes used instead of lead room, nose room or 'looking room' to include the sense of space on both sides of the image. The amount of headroom that is considered aesthetically pleasing is a dynamic quantity; it changes relative to how much of the frame is filled by the subject. Rather than pointing and shooting, one must compose the image to be pleasing. Too much room between a subject's head and the top of frame results in dead space.

Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were film or video recordings recorded by characters in the story, and later "found" and presented to the audience. The events on screen are typically seen through the camera of one or more of the characters involved, often accompanied by their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed. The footage may be presented as if it were "raw" and complete or as if it had been edited into a narrative by those who "found" it.

<span class="mw-page-title-main">Jump scare</span> Technique in media to surprise viewers

A jump scare is a scaring technique used in media, particularly in films such as horror films and video games such as horror games, intended to scare the viewer by surprising them with an abrupt change in image or event, usually co-occurring with a loud, jarring sound. The jump scare has been described as "one of the most basic building blocks of horror movies". Jump scares can startle the viewer by appearing at a point in the film where the soundtrack is quiet and the viewer is not expecting anything alarming to happen, or can be the sudden payoff to a long period of suspense.

<i>Host</i> (film) 2020 British horror film

Host is a 2020 British independent supernatural horror film directed by Rob Savage and written by Savage, Gemma Hurley, and Jed Shepherd. A computer screen film that takes place entirely on a Zoom video call, it follows a group of friends who attempt to escape a demon they inadvertently summoned during an online séance.

<span class="mw-page-title-main">Shot-on-video film</span> Type of film shot on camcorder

A shot-on-video (SOV) film, also known as a shot-on-VHS film or a camcorder film, is a film shot using camcorders and consumer-grade equipment, as opposed to film stock or high-end digital movie cameras.

References

  1. Ang, Tom (2006). Digital Video: An Introduction. DK Pub. ISBN   978-0-7566-1600-7.
  2. Tips, Danny Kelly | Categorised in Filmmaking (2015-10-18). "6 Camera Movements and When to Use Them". MetFilm School - London. Retrieved 2021-11-20.
  3. Kim, Julia (13 December 2011). "Camera Techniques". slideshare.net. Retrieved 6 July 2016.
  4. Hood, Garry. "Zoom Lens Techniques". Sign Video. Retrieved 6 July 2016.
  5. Valck, Marijke de; Hagener, Malte (2005). Cinephilia: Movies, Love and Memory. Amsterdam University Press. ISBN   978-90-5356-768-5.
  6. Bowen, Christopher J. (2013-03-05). Grammar of the Shot. CRC Press. ISBN   978-1-136-05854-7.
  7. Gunawardana, Dilan (2019-10-31). "The art of subtle horror". Australian Centre for the Moving Image. Archived from the original on 2020-11-26. Retrieved 2023-07-22.