 | This article needs additional citations for verification .(September 2020) |
| White Label Music | |
|---|---|
 | |
| Founder | Marc Hunter Ann Shenton |
| Genre | Various |
| Country of origin | UK |
| Official website | Official website of White Label Music |
White Label Music is an independent record label based in the UK. The label is run by Marc Hunter and Ann Shenton, who was formerly a member of the band Add N to (X). [1]
Artists include The Asbo Kid (James Atkin of the band EMF), Hiem, Kontour and Large Number (ex Add N to (X)). The label is known for its "Electronic Bible" series of compilation albums including artists such as Jarvis Cocker and Delia Derbyshire of the BBC Radiophonic Workshop. [1]
White Label Music specialises in experimental electronic music and has many artists with varied styles. The label also works alongside the Soyuz major record label based in Russia. [1]
The label also organises the three-day "White Noise Electronic Music Festival" in Cornwall. [2]
No wave was a transient avant-garde music and art scene of the late 1970s in downtown New York City. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance and atonality in addition to a variety of non-rock genres while often reflecting an abrasive, confrontational, and nihilistic worldview.
Ninja Tune is an English independent record label based in London. It has a satellite office in Los Angeles. It was founded by Matt Black and Jonathan More, better known as Coldcut and managed by Peter Quicke and others.
The cassette culture refers to the practices associated with amateur production and distribution of music and sound art on compact cassette that emerged in the 1970s. Whilst the cassette was used by fine artists and poets for the independent distribution of new work, this article focuses on the independent music scene associated with the cassette that burgeoned internationally in the second half of the 1970s.
Indie rock is a genre of rock music that originated in the United States and United Kingdom in the 1970s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "guitar pop rock". In the 1980s, the use of the term "indie" started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels. During the 1990s, grunge and punk revival bands in the US and Britpop bands in the UK broke into the mainstream, and the term "alternative" lost its original counter-cultural meaning. The term "indie rock" became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s, indie rock developed several subgenres and related styles, including lo-fi, noise pop, emo, slowcore, post-rock, and math rock. In the 2000s, changes in the music industry and a growing importance of the internet enabled a new wave of indie rock bands to achieve mainstream success, leading to questions about its meaningfulness as a term.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including hip hop and house music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock.
Add N to (X) was an English electronic music band formed in London in 1994. The original members were Andrew Aveling, Barry Smith and Ann Shenton. Steven Claydon replaced Aveling in 1997.
Vagrant Records is an American record label based in California. It was founded in 1995 by Rich Egan and Jon Cohen. The label focuses on rock, but features artists in a variety of other genres including folk, soul, electronic, and pop. It is home to artists such as The 1975, Death Spells, Eels, Edward Sharpe and the Magnetic Zeroes, CRUISR, Active Child, PJ Harvey, School of Seven Bells, Black Rebel Motorcycle Club, James Vincent McMorrow, Black Joe Lewis, Wake Owl, Blitzen Trapper, and Bombay Bicycle Club. Originally, Vagrant Records was mostly focused on emo bands such as Dashboard Confessional, Saves the Day, The Get Up Kids, Senses Fail, and Alkaline Trio.
Italo disco is a music genre which originated in Italy and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.
RRRecords is a record label and used and new record shop based in Lowell, Massachusetts. RRRecords is distinguished as being the first American record label to specifically publish underground noise music in the early 1980s, and published the first American vinyl by Merzbow, Masonna, The Hanatarash, Violent Onsen Geisha, and many more artists who have subsequently become well known in the world of noise music. In its first 20 years, RRR has issued hundreds of releases. The label's owner, Ron Lessard, is a tireless supporter of new artists, and created several sub-labels and series to specifically highlight unknown and underground musicians.
The All Seeing I were a British electronic music group from Sheffield, England, comprising Dean Honer, Jason Buckle and DJ Parrot.
"Kiss" is a song composed, written, and produced by American musician Prince. Released by the Paisley Park label as the lead single from Prince and The Revolution's eighth studio album Parade (1986) on February 5, 1986, it was a No. 1 hit worldwide, holding the top spot of the U.S. Billboard Hot 100 chart for two weeks. The single was certified Gold in 1986 for shipments of 500,000 copies by RIAA.
White Noise is an English experimental electronic music band formed in London in 1968, after American-born David Vorhaus, a classical bass player with a background in physics and electronic engineering, attended a lecture by Delia Derbyshire, a sound scientist at the BBC Radiophonic Workshop. Derbyshire and Brian Hodgson, then both former members of electronic music project Unit Delta Plus, joined Vorhaus to form the band.
Cleopatra Records is a Los Angeles-based independent record label founded in 1992 by entrepreneur and music fan Brian Perera. It has since grown into a family of labels, including Hypnotic Records, Purple Pyramid Records, Deadline Music Records; and X-Ray Records, encompassing a variety of genres with emphasis on unique and experimental artists.
Hiem are an electronic dance duo from Sheffield, England, consisting of Nick "Nico" Eastwood and David "Bozz" Boswell.
31G Records, or Three One G, is a San Diego, California-based independent record label, started by musician Justin Pearson in 1994 and focusing on punk and experimental music. The label has released a number of albums and compilations in what has been described as "freak punk" and "spaz-rock." Musicians on the label frequently collaborate, creating supergroups such as Holy Molar, Some Girls, and Head Wound City. Three One G's roster has featured many noise rock bands.
The Moog Prodigy was a monophonic analogue synthesizer produced by Moog Music from 1979 to 1984. Of the 11,000 produced, versions released after 1981 included a control voltage/gate input on the back that allowed the VCF to be triggered and controlled by an external source. These later versions began at serial number 4610. The official model number of the instrument is 336. 336A would indicate a domestic (US) model, while a 336BX would indicate an export unit.
The music of Cardiff has been dominated mainly by rock music since the early 1990s with later trends developing towards more extreme styles of the genre such as heavy metal and metalcore music. It, along with the nearby music scene in Newport, has brought a number of musicians to perform or begin their careers in South Wales.
LAB Records is an independent record label operating from Manchester, England, and founded by Mark Orr and Nathen McVittie in 2007. The company also has a creative and distribution division, LAB Exposure, as well as a New York-based management company, LAB Partners.
Chad Blinman is an American recording engineer and mixer, music producer, and electronic musician. He has worked with such artists as Face to Face, The Get Up Kids, Saves the Day, Jackson United, Faith and the Muse, Monica Richards, Senses Fail, Moneen, The Deep Eynde and Jarboe, and is a member of the remix/mash-up team The Legion of Doom and recording projects Viva Death and Real Space Noise. He is also on the faculty of the Music Production and Engineering department at Berklee College of Music.