Whitney Hubbs (born 1977) is an American photographer, living in western New York. [1] [2] [3] Her work is held in the collections of the J. Paul Getty Museum [4] and UCR/California Museum of Photography. [5]
Hubbs was born and raised in Los Angeles, California. She graduated with a degree in photography from California College of the Arts in 2005 and received an MFA from the University of Southern California in 2009. [2]
With the series Body Doubles, "she photographed women in various states of undress, their faces obscured by a variety of textured papers and fabrics in bold colors" [2] "in poses that defy the conventional language of nude photography." [6] "The series was her way of showering off the male gaze by looking at women through her own eyes." [2]
Her book Say So (2021) contains self-portraits [7] that could, in the words of Chris Wiley writing in frieze, "be superficially described as sadomasochistic erotica, since they feature Hubbs in a variety of compromising positions (bound and gagged, piss-covered, breasts plastered with glistening blobs of pink chewing gum) and in various states of undress." However, "when we plumb their depths, these pictures reveal themselves as being less about titillation and more about universal, close-to-the-bone emotional struggles, and Hubbs's attempt to overcome them." [8]
Hubbs is a professor of photography at Alfred University in Western New York. [3]
Hubbs' work is held in the following permanent collections:
Catherine Sue Opie is an American fine-art photographer and educator. She lives and works in Los Angeles, as a professor of photography at University of California at Los Angeles.
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa.
Loretta Lux is a fine art photographer known for her surreal portraits of young children. She lives and works in Ireland.
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Judy Fiskin is an American artist working in photography and video, and a member of the art school faculty at California Institute of the Arts. Her videos have been screened in the Documentary Fortnight series at the Museum of Modern Art in New York, at the Los Angeles County Museum of Art, the Hammer Museum in Los Angeles, and at the J. Paul Getty Museum in Los Angeles; her photographs have been shown at MOCA, the Museum of Contemporary Art in Los Angeles, at the Getty Museum in Los Angeles, at The New Museum in New York City, and at the Pompidou Center in Paris.
Sylvia Sleigh was a Welsh-born naturalised American realist painter who lived and worked in New York City. She is known for her role in the feminist art movement and especially for reversing traditional gender roles in her paintings of nude men, often using conventional female poses from historical paintings by male artists like Diego Vélazquez, Titian, and Jean-Auguste-Dominique Ingres. Her most well-known subjects were art critics, feminist artists, and her husband, Lawrence Alloway.
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Judith Rose Dater is an American photographer and feminist. She is celebrated for her 1974 photograph, Imogen and Twinka at Yosemite, featuring an elderly Imogen Cunningham, one of America's first woman photographers, encountering a nymph in the woods of Yosemite. The nymph is the model Twinka Thiebaud. The photo was published in Life magazine in its 1976 issue about the first 200 years of American women. Her photographs, such as her Self-Portraiture sequence, were also exhibited in the Getty Museum.
The Getty Center, in Los Angeles, California, is a campus of the Getty Museum and other programs of the Getty Trust. The $1.3 billion center opened to the public on December 16, 1997, and is well known for its architecture, gardens, and views overlooking Los Angeles. The center sits atop a hill connected to a visitors' parking garage at the bottom of the hill by a three-car, cable-pulled hovertrain people mover.
John Divola is an American contemporary visual artist and educator, living in Riverside, California. He works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific. He is a professor in the art department at University of California Riverside.
Laura Aguilar was an American photographer. She was born with auditory dyslexia and attributed her start in photography to her brother, who showed her how to develop in dark rooms. She was mostly self-taught, although she took some photography courses at East Los Angeles College, where her second solo exhibition, Laura Aguilar: Show and Tell, was held. Aguilar used visual art to bring forth marginalized identities, especially within the LA Queer scene and Latinx communities. Before the term Intersectionality was used commonly, Aguilar captured the largely invisible identities of large bodied, queer, working-class, brown people in the form of portraits. Often using her naked body as a subject, she used photography to empower herself and her inner struggles to reclaim her own identity as “Laura”- a lesbian, fat, disabled, and brown person. Although work on Chicana/os is limited, Aguilar has become an essential figure in Chicano art history and is often regarded as an early "pioneer of intersectional feminism” for her outright and uncensored work. Some of her most well-known works are Three Eagles Flying, The Plush Pony Series, and Nature Self Portraits. Aguilar has been noted for her collaboration with cultural scholars such as Yvonne Yarbo-Berjano and receiving inspiration from other artists like Judy Dater. She was well known for her portraits, mostly of herself, and also focused upon people in marginalized communities, including LGBT and Latino subjects, self-love, and social stigma of obesity.
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