The Widespread Depression Orchestra was a nine-piece jazz ensemble founded in 1972 at Vermont's Marlboro College.
Initially, the group played 1950s style R&B and early rock and roll with guitars, piano, sax, bass guitar, drums, and a vocalist, but by the middle of the 1970s was operating as a big band revival group, in the style of the bands of Jimmie Lunceford, Count Basie, Duke Ellington, and Lionel Hampton. The unit moved to New York City in 1978 under the leadership of Jon Holtzman, when it recorded the first of several full-length albums. In 1980 five of its members also played on their own as a bebop group.
Holtzman - better known as The Bronx Nightingale, left the group around 1982 to start his own band and recorded his first solo album - Let's Do It. John Hammond Sr., a big fan of Jon's, graciously volunteered to write the liner notes. After Holtzman left Michael Hashim, the group's alto saxophonist, was named leader, and the musicians broadened their repertory to include swing and bop, featuring original arrangements by band members. Manager Michael Caplin renamed the group the Widespread Jazz Orchestra. WJO played at premier jazz clubs across America and around the world, and appeared at major music festivals including North Sea, Pori, Antibes, New Orleans, Montreal, Montreux + Taormina. Their 1985 Columbia Records album Paris Blues, was produced by Dr. George Butler.
Widespread Depression Orchestra
Widespread Jazz Orchestra
At large
By record
Blood, Sweat & Tears is an American jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz.
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Lewis Burr Anderson was an American actor and musician. He is widely known by TV fans as the third and final actor to portray Clarabell the Clown on Howdy Doody between 1954 and 1960. He famously spoke Clarabell's only line on the show's final episode in 1960, with a tear visible in his right eye, "Goodbye, kids." Anderson is also widely known by jazz music fans as a prolific jazz arranger, big band leader, and alto saxophonist. Anderson also played the clarinet.
Jay Randall Sandke is a jazz trumpeter and guitarist.
Michael Arthur LeDonne is an American jazz pianist, organist, composer, and educator. Having played with Benny Goodman, Milt Jackson, and Benny Golson in various stages of his career, he now leads several of his own groups and frequently performs around the world.
Brian Kellock is a Scottish jazz pianist.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
Michael James Hashim is an American jazz alto and soprano saxophonist.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
Cootie Williams and His Orchestra 1941–1944 is a compilation album of recordings by jazz trumpeter Cootie Williams from 1941, 1942, and 1944. It was released by Classics in 1995.
William George "Rams" Ramsay was an American jazz saxophonist and band leader based in Seattle. In 1997, he was inducted into the Seattle Jazz Hall of Fame, the top of eight Golden Ear Award categories presented annually since 1990 by the Earshot Jazz Society of Seattle. Ramsay performed on all the primary saxophones – soprano, alto, tenor, and baritone – as well as clarinet, and bass clarinet. Ramsay died on March 3, 2024, at the age of 95.
Harvey Oliver Brooks was an American pianist and composer. He is the first black American to have written a complete score for a major motion picture: Mae West's film I'm No Angel (1933).
Ralph K. Mullins aka Diz Mullins is an American jazz trumpet player, arranger, composer, and collegiate educator. He grew up in Oklahoma but spent most of his professional career in the Los Angeles area. After seventy years of playing trumpet in Southern California, Mullins is still playing and leads his own band.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
"The Memphis Jazz Box" is a 3-CD box set by Memphis jazz artists, first released by Ice House Records in March 2004 and then re-released to the public in 2008. Volume one and two have a combined 24 tracks from a wide variety of artists who were currently working in Memphis during the time the set was produced. The third CD is the Jazz Orchestra of the Delta Big Band Reflections of Cole Porter recorded in 2003 for Summit Records.
Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
The Cotton Club is the soundtrack to the movie of the same name. The album won the Grammy Award for Grammy Award for Best Large Jazz Ensemble Album in 1986.
Jordan Sandke is an American jazz trumpeter, cornetist, and fluegelhornist.
Rhythm Is Our Business is an album by trumpeter and cornetist Jordan Sandke, recorded in 1985.