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Christopher Edward Nolan is a British and American filmmaker. Known for his Hollywood blockbusters with complex storytelling, Nolan is considered a leading filmmaker of the 21st century. His films have grossed $5 billion worldwide. The recipient of many accolades, he has been nominated for five Academy Awards, five BAFTA Awards and six Golden Globe Awards. In 2015, he was listed as one of the 100 most influential people in the world by Time, and in 2019, he was appointed Commander of the Order of the British Empire for his contributions to film.
An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies. Independent films are sometimes distinguishable by their content and style and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.
Manuel DeLanda is a Mexican-American writer, artist and philosopher who has lived in New York since 1975. He is a lecturer in architecture at the Princeton University School of Architecture and the University of Pennsylvania School of Design, where he teaches courses on the philosophy of urban history and the dynamics of cities as historical actors with an emphasis on the importance of self-organization and material culture in the understanding of a city. DeLanda also teaches architectural theory as an adjunct professor of architecture and urban design at the Pratt Institute and serves as the Gilles Deleuze Chair and Professor of Philosophy at the European Graduate School. He holds a BFA from the School of Visual Arts (1979) and a PhD in media and communication from the European Graduate School (2010).
The vampire squid is a small cephalopod found throughout temperate and tropical oceans in extreme deep sea conditions. The vampire squid uses its bioluminescent organs and its unique oxygen metabolism to thrive in the parts of the ocean with the lowest concentrations of oxygen. It has two long retractile filaments, located between the first two pairs of arms on its dorsal side, which distinguish it from both octopuses and squids, and places it in its own order, Vampyromorphida, although its closest relatives are octopods. As a phylogenetic relict, it is the only known surviving member of its order.
A film school is an educational institution dedicated to teaching aspects of filmmaking, including such subjects as film production, film theory, digital media production, and screenwriting. Film history courses and hands-on technical training are usually incorporated into most film school curricula. Technical training may include instruction in the use and operation of cameras, lighting equipment, film or video editing equipment and software, and other relevant equipment. Film schools may also include courses and training in such subjects as television production, broadcasting, audio engineering, and animation.
The Cinematograph Films Act 1927 was an act of the UK Parliament designed to stimulate the declining British film industry. It received royal assent on 22 December 1927 and came into force on 1 April 1928.
Television documentaries are televised media productions that screen documentaries. Television documentaries exist either as a television documentary series or as a television documentary film.
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Ed Guerrero is an American film historian and associate professor of cinema studies and Africana studies in the Department of Social and Cultural Analysis at New York University Tisch School of the Arts. His writings explore black cinema, culture, and critical discourse. He has written extensively on black cinema, its movies, politics and culture for anthologies and journals such as Sight & Sound, FilmQuarterly, Cineaste, Journal of Popular Film & Television, and Discourse. Guerrero has served on editorial and professional boards including The Library of Congress' National Film Preservation Board.
Guerrilla filmmaking refers to a form of independent filmmaking characterized by ultra-low micro budgets, skeleton crews, and limited props using whatever resources, locations and equipment is available. The genre is named in reference to guerrilla warfare due to these techniques typically being used to shoot quickly in real locations without obtaining filming permits or providing any other sort of warning.
Diary of a Camper is an American short film released in October 1996 that was made using id Software's first-person shooter video game Quake. The film was created by the Rangers, a clan or group of video game players, and first released over the Internet as a non-interactive game demo file. The minute and a half-long video is commonly considered the first example of machinima—the art of using real-time, virtual 3D environments, often game engines, to create animated films. The story centers on five members of the Rangers clan fighting against a lone camper in a multiplayer deathmatch.
Leonard Lipton was an American author, filmmaker, lyricist and inventor. At age 19, Lipton wrote the poem that became the basis for the lyrics to the song "Puff, the Magic Dragon". He went on to write books on independent filmmaking and become a pioneer in the field of projected three-dimensional imagery. His technology is used to show 3D films on more than 30,000 theater screens worldwide. In 2021, he published The Cinema in Flux, an 800-page illustrated book on the history of cinema technology.
An auteur is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to be the "author" of the film, thus manifesting the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it policy of the authors, and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations.
Baradwaj Rangan is an Indian film critic and writer. A chemical engineering graduate with no formal training in filmmaking or cinema writing, he has had a diverse career in advertising, IT consulting, and cinema writing. He has authored two books on Indian cinema, written for The New Indian Express, The Hindu, and Tehelka, and has been a screenwriter and teacher. As a film critic, Rangan won the Best Film Critic category at the 53rd National Film Awards in 2006. He was the editor of Film Companion South until 2022 and is a member of the Film Critics Circle of India. Rangan currently works as a critic and chief editor for Galatta Plus and runs a Spotify podcast Cinema With Baradwaj Rangan.
A mirror world is a representation of the real world in digital form. It attempts to map real-world structures in a geographically accurate way. Mirror worlds offer a utilitarian software model of real human environments and their workings. It is very similar to the concept of a digital twin.
Gary Don Rhodes is an American writer, filmmaker, and film historian. His work includes research on early 20th century films and key figures such as filmmakers and actors involved in the process. He is best known for his contribution to classic horror films and his biographies on Bela Lugosi. Rhodes has also contributed to the filmmaking process with both documentaries and mockumentaries. He is a tenured faculty member in film studies at Queen's University Belfast.
Shanghai Panic is 2001 drama film, written and directed by Andrew Y.S. Cheng and based on the novel We Are Panic by Mian Mian. It is considered part of the dGeneration, having been shot on digital video, and is experimental in style.
Nick Rees-Roberts is a British-born author and French academic. He is Professor of Media, Culture and Communication at the Sorbonne Nouvelle University Paris, France.
David Norman Rodowick is an American philosopher, artist, and curator. He is best known for his contributions to cinema and media studies, visual cultural studies, critical theory, and aesthetics and the philosophy of art. He became a French citizen in 2002 though retains dual citizenship with the United States.
Supercinema: Film-Philosophy for the Digital Age is a 2013 film-philosophy academic textbook by William Brown, Senior Lecturer in Film, and Honorary Fellow at the Department of Media, Culture and Language at the School of Arts at the University of Roehampton, London, United Kingdom.
References
- 1 2 3 "About". 2 September 2010. Retrieved 29 March 2022.
- 1 2 "William Brown". The Conversation. Retrieved 29 March 2022.
- ↑ Sticchi, Francesco (2 October 2015). "Supercinema: Film-Philosophy For the Digital Age". New Review of Film and Television Studies. 13 (4): 452–456. doi:10.1080/17400309.2015.1061408. ISSN 1740-0309. S2CID 194406790.
- ↑ "REVIEW Supercinema; film-philosophy for the digital age". Reference & Research Book News. 28: 207. 1 October 2013.
- ↑ "Los Angeles Review of Books". Los Angeles Review of Books. 13 August 2017. Retrieved 29 March 2022.
- ↑ Pavlova, Yoana (10 August 2018). "On William Brown's 'Non-Cinema: Global Digital Film-making and the Multitude' -". Vague Visages. Retrieved 29 March 2022.
- ↑ Turina, Romana (4 August 2020). "Non-cinema: global digital film-making and the multitude". Transnational Screens. 11 (2): 171–173. doi:10.1080/25785273.2020.1785148. ISSN 2578-5273. S2CID 221055772.
- ↑ Jenner, Joseph (2021). "William Brown and David H. Fleming, The Squid Cinema From Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia". Pulse: The Journal of Science and Culture. 8 (1): 1–3. ISSN 2416-111X.
- ↑ "Afterimages (2010)". 5 October 2012. Retrieved 29 March 2022.
- ↑ Ur: The End of Civilization in 90 Tableaux (2015) (in Czech), retrieved 29 March 2022
- ↑ "The New Hope (2015)". 27 January 2015. Retrieved 29 March 2022.