William Habraken

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William Habraken William Habraken.jpg
William Habraken

William (Boy) Habraken is a shoe collector who resides in the Netherlands. His collection is housed in the SONS Museum in Kruishouten, Belgium. In 2006 the Guinness Book of World Records [1] recognized him as having the largest ethnographical shoe collection in the world.

Contents

Biography

William (Boy) Habraken

William (Boy) Habraken was born at the end of World War II in Eindhoven, The Netherlands. At the age of twenty he separated from his father's shoe-business and started his own import/wholesale company in footwear. In 1970 he moved to Taiwan to become one of the first people to export shoes from there and China to Europe. He stood at the base of some of the largest footwear concerns in Europe. Extensive business travel brought him all over the world, visiting over 150 countries. On many of those trips and in his spare time he collected footwear which was part of traditional indigenous clothing. As important as the shoes themselves were to him, was the related information, such as; the materials used, the way of making, the use, the age and the name in the native language. [2]

Collections

Yokohama shoemaker YokohamaShoemaker.jpg
Yokohama shoemaker

Ethnographic collection

Starting with his first pair in 1968, he acquired a unique collection of over 3400 pairs of shoes out of about 155 countries, states and territories. There are exceptional specimens of North-American Indians, Arctic Inuit, African tribes, Berber, Bedouin, Mongols, the Ottoman - and the pre-Inca empires. Extensive parts of the collection originate in Japan, India, Iran, Tibet and Pakistan. Europe is represented from Iceland to Russia and from Lapland to Spain. The collection has a broad range of footwear. Examples are Kadaichi shoes made of emu feathers and human hair (used by Australian native executioners). Beautiful bride-shoes from Afghanistan, India, Syria and Turkey. As a native of the Netherlands he of course also collected many wooden shoes. [3] [4]

Designer collection

Next to the ethnographic collection, William Habraken also collected a comprehensive collection of unique pieces of well known shoe designers from around the world. The collection comprises among others rare designs of 20th century designers such as André Perugia and Salvatore Ferragamo, and from contemporary designers such as Christian Louboutin and Manolo Blahnik.

Works

Tribal and Ethnic Footwear of the World

His ethnographic collection served as a basis for his influential book "Tribal and Ethnic Footwear of The World", which tells stories of footwear around the world. [5] ISBN   90-76295-12-3

Did the Gods Wear Shoes?

In his quest to unearth every possible detail of his collection and the history of each pair, he pondered the question of who wore the first pair of shoes. This question resulted in his second book with the title "Did the Gods Wear Shoes". [6] ISBN   978-90-818079-2-0

They Who Came Before Us

In the book "Did the Gods wear shoes" the author explored the possible existence of prior civilizations. In his sequel "They who came before us" he provides the basis for that possibility. The book focuses on prehistoric mason works around the world. The author uses many detailed pictures along with personal observations to establish an alternative to mainstream historical believes. [7] ISBN   978-90-818079-3-7

Holy Shit! Religion, fairytales for the gullible

Following on his previous books, the author substantiates his argument that belief in the gods of the Abrahamic religions can be placed in the same category as belief in Saint Nicholas, Santa Claus, the Easter Bunny, the Tooth Fairy and other fairy tales. [8] ISBN   978-90-818079-4-4

Anaa Sázi – Ancient aliens

At the request of those present at the author's lectures, this printed magazine is a representation thereof. During his lectures in his homeland and abroad he elaborates the highlights of his books with the help of 138 projection images. [9] ISBN   9 789081 807968

Kemet - The laboratory where man was created

The author delivers his magnum opus with this last part of the trilogy. With the two previous parts "Did the Gods Wear Shoes?" and "They Who Came Before Us" he already explored the possibility that before the current civilization there must have been a civilization on earth that had extremely high-tech techniques that are not yet feasible in modern times. This time he goes even further and concludes that the scientific explanation of the origin of man can be equated with the explanation given to children, where the stork delivers them to parents. [10] ISBN   9 789081 807975

Aratta - Lost High-Tech in Prehistoric India (The Second Cradle of Humanity)

In this book, he sheds light on the unknown and dark prehistoric past of the Indian subcontinent. Using hundreds of hand-made photographs of prehistoric high-tech objects that in modern times could not possibly have been created, or only with the aid of high-tech equipment, and for which the academic world cannot provide any satisfactory explanation, he demonstrates, with almost certainty, that the development of the history of ancient India could well have been completely different from what is generally scientifically assumed. [11] ISBN   9 789081 807982

Public

Lectures

He holds lectures on a regular basis, a notable example occurred on March 14, 2016 when he was invited to give a lecture in The British Museum in London titled: "A long journey: my footwear collection from the Islamic world"

Exposition

In January 2017 he was invited to design the layout for an exhibition titled "Human Migration" in the peristilium of the Federal Government building in Brussels Belgium. He used shoes of his collection as a symbol to illustrate the road migrants followed in past and presence. This unique exhibition was honored by a visit of Jean-Claude Junker, President of the European Commission. [12] [13] [14]

"The Golden Cow"

On December 12, 2013 the Schoenen en Lederwaren Sociëteit de Langstraat (SeLL) (Shoe and Leather Society Langstraat) announced that Mr. Habraken was the winner of The Golden Cow. Jury chairman Ellis French said "The jury admired the innovative and dynamic entrepreneurship of Mr. Habraken. As one of the first people he successfully pioneered shoes in the Far East. His vision has adapted to the ever-changing landscape of the industry. Along with that there is the passion with which he collects ethnic footwear from around the world, the associated stories recorded in books and the more than 2000 pairs he exhibits in a private museum, are all reasons why he deserves The Golden Cow! " [15]

Related Research Articles

<span class="mw-page-title-main">Shoe</span> Footwear

A shoe is an item of footwear intended to protect and comfort the human foot. Though the human foot can adapt to varied terrains and climate conditions, it is vulnerable, and shoes provide protection. Form was originally tied to function, but over time, shoes also became fashion items. Some shoes are worn as safety equipment, such as steel-toe boots, which are required footwear at industrial worksites.

<span class="mw-page-title-main">Footwear</span> Garments worn on feet

Footwear refers to garments worn on the feet, which typically serve the purpose of protection against adversities of the environment such as wear from rough ground; stability on slippery ground; and temperature.

Zecharia Sitchin was an author of a number of books proposing an explanation for human origins involving ancient astronauts. Sitchin attributed the creation of the ancient Sumerian culture to the Anunnaki, which he claimed was a race of extraterrestrials from a planet beyond Neptune called Nibiru. He claimed that Sumerian mythology suggests that this hypothetical planet of Nibiru is in an elongated, 3,600-year-long elliptical orbit around the Sun. Sitchin's books have sold millions of copies worldwide and have been translated into more than 25 languages.

<span class="mw-page-title-main">Shoe fetishism</span> Erotic attraction to shoes

Shoe fetishism is the attribution of attractive sexual qualities to shoes or other footwear as a matter of sexual preference, or an alternative or complement to a relationship with a partner. It has also been known as retifism, after the French novelist Nicolas-Edme Rétif (1734–1806), also known as Rétif de la Bretonne, who wrote a novel about it called Fanchette's Foot, which preference or penchant seems to have been if not "all the rage" at the time at least known to have been practiced or suffered by more than handsful of somewhat important individuals of that period.

<span class="mw-page-title-main">Clog</span> Footwear made in part or completely of wood

Clogs are a type of footwear that has a thick, rigid sole typically made of wood, although in American English, shoes with rigid soles made of other materials are also called clogs.

<span class="mw-page-title-main">Sneakers</span> Sport and casual shoes

Sneakers (US) or trainers (UK), also known by a wide variety of other names, are shoes primarily designed for sports or other forms of physical exercise but which are also widely used for everyday casual wear.

<span class="mw-page-title-main">Platform shoe</span> Footwear with a thick platform sole

Platform shoes are shoes, boots, or sandals with a thick sole, usually in the range of 5–10 cm (2–4 in). Platform shoes may also be high heels, in which case the heel is raised significantly higher than the ball of the foot. Extreme heights, of both the sole and heel, can be found in fetish footwear such as ballet boots, where the sole may be up to 20 cm (8 in) high and the heels up to 40 cm (16 in) or more. The sole of a platform shoe can have a continuous uniform thickness, have a wedge, a separate block or a stiletto heel. Raising the ankle increases the risk of a sprained ankle.

<span class="mw-page-title-main">Thigh-high boots</span> Boots extending above the knee

Thigh-high boots, known also as thigh-length boots or simply thigh boots, are boots that extend above the knees to at least mid-thigh. Other terms for this footwear include over-the-knee boots, a name originally used for 15th century riding boots for men. These are sometimes called pirate boots, especially when cuffed. Over-the-knee boots are sometimes abbreviated to OTK boots. Lengths vary from reaching just over the knee to reaching almost to the crotch.

<span class="mw-page-title-main">Sandal</span> Type of footwear with an open upper

Sandals are an open type of shoe, consisting of a sole held to the wearer's foot by straps going over the instep and around the ankle. Sandals can also have a heel. While the distinction between sandals and other types of footwear can sometimes be blurry, the common understanding is that a sandal leaves all or most of the foot exposed. People may choose to wear sandals for several reasons, among them comfort in warm weather, economy, and as a fashion choice. Usually, people wear sandals in warmer climates or during warmer parts of the year in order to keep their feet cool and dry. The risk of developing athlete's foot is lower than with enclosed shoes, and the wearing of sandals may be part of the treatment regimen for such an infection.

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<span class="mw-page-title-main">Poulaine</span> Shoe with long pointed toe from Poland, popular in 15th century Europe

Poulaines, also known by other names, were a style of unisex footwear with extremely long toes that were fashionable in Europe at various times in the Middle Ages. The poulaine proper was a shoe or boot of soft material whose elongated toe frequently required filling to maintain its shape. The chief vogue for poulaines spread across Europe from medieval Poland in the mid-14th century and spread across Europe, reaching upper-class England with the 1382 marriage of Richard II to Anne of Bohemia and remaining popular through most of the 15th century. Sturdier forms were used as overshoes and the sabatons of the era's armor were often done in poulaine style.

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<span class="mw-page-title-main">Bast shoe</span> Traditional bast fiber footwear of Europe

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<span class="mw-page-title-main">Forensic footwear evidence</span> Crime scene analysis

Forensic footwear evidence can be used in legal proceedings to help prove that a shoe was at a crime scene. Footwear evidence is often the most abundant form of evidence at a crime scene and in some cases can prove to be as specific as a fingerprint. Initially investigators will look to identify the make and model of the shoe or trainer which made an impression. This can be done visually or by comparison with evidence in a database; both methods focus heavily on pattern recognition and brand or logo marks. Information about the footwear can be gained from the analysis of wear patterns which are dependent on angle of footfall and weight distribution. Detailed examination of footwear impressions can help to link a specific piece of footwear to a footwear imprint as each shoe will have unique characteristics.

<span class="mw-page-title-main">Prehistoric medicine</span> Medicine in the time before the invention of writing

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<span class="mw-page-title-main">SONS Museum</span> Belgian shoe-related contemporary art museum

SONS Museum (Shoes or No Shoes) is a Belgian museum dedicated to contemporary art connected to shoes as the subject. The museum is located at Kruishoutem, Belgium.

<span class="mw-page-title-main">Armadillo shoe</span> 2010 platform shoe by Alexander McQueen

The armadillo shoe is a high fashion platform shoe created by British fashion designer Alexander McQueen for his final collection, Plato's Atlantis. Only 24 pairs exist: 21 were made during the initial production in 2009, and three were made in 2015 for a charity auction. The shoes are named for their unusual convex curved shape, said to resemble an armadillo. Each pair is approximately 12 inches (30 cm) from top to sole, with a 9-inch (23 cm) stiletto heel; this extreme height caused some models to refuse to walk in the Plato's Atlantis show. American singer Lady Gaga famously wore the shoes in several public appearances, including the music video for her 2009 single "Bad Romance".

References

  1. 2007 Guinness Book of World Records
  2. "Belangrijke mensen versieren hun voeten - Consument - RD.nl". Refdag.nl. 2013-09-10. Retrieved 2016-02-01.
  3. "SONS - Shoes Or No Shoes?". Shoesornoshoes.com. Retrieved 2016-02-01.
  4. "William Boy Habraken- Shoesornoshoes? SonS - Opening of the shoemuseum 2009". YouTube. 2010-12-04. Retrieved 2016-02-01.
  5. Kanamura, Yuniya (28 January 2016). Sneakers: Fashion, Gender, and Subculture. Bloomsbury Publishing. p. 22. ISBN   978-1-4742-6292-7.
  6. "Did the Gods wear shoes?". Archived from the original on 17 December 2014. Retrieved 21 February 2016.
  7. ISBN   9 789081 807937
  8. ISBN   9 789081 807944
  9. ISBN   9 789081 807968
  10. ISBN   9 789081 807975
  11. ISBN   9789081 807975
  12. "Expo Human Migration" (PDF).
  13. "Exposition Human Migration". Quefaire.be (in French). Retrieved 2018-02-28.
  14. Groote, Stefaan De. "Werk van striptekenaar Gilbert Declercq prominent in expo 'Human migration'". Het Nieuwsblad (in Flemish). Retrieved 2018-02-28.
  15. "Schoenenverzamelaar Habraken wint Gouden Koe 2013". Fashionunited.nl. 17 December 2013. Retrieved 2016-02-01.