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Wallace Henry Thurman was an American novelist and screenwriter active during the Harlem Renaissance. He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals. He is best known for his novel The Blacker the Berry: A Novel of Negro Life (1929), which explores discrimination within the black community based on skin color, with lighter skin being more highly valued.
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The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and interior are New York City landmarks.
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The James Earl Jones Theatre, originally the Cort Theatre, is a Broadway theater at 138 West 48th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City, United States. It was built in 1912 and designed by architect Thomas W. Lamb for impresario John Cort. An annex to the west of the theater, built between 2021 and 2022, was designed by Kostow Greenwood Architects. The Jones has 1,092 seats across three levels and is operated by the Shubert Organization. Both the facade and interior of the theater are New York City designated landmarks.
The Stephen Sondheim Theatre, formerly Henry Miller's Theatre, is a Broadway theater at 124 West 43rd Street in the Theater District of Midtown Manhattan in New York City. Owned by the Durst Organization and managed by the Roundabout Theatre Company, the modern 1,055-seat theater opened in 2009 at the base of the Bank of America Tower. The current theater is mostly underground and was designed by Cookfox, architects of the Bank of America Tower. It retains the landmarked facade of the original Henry Miller's Theatre, which was built in 1918 by Henry Miller, the actor and producer.
"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
Harold Jackman was a British-born teacher, model, and patron of the arts with emphasis on African American art and literature. Raised in Harlem, Jackman was known for his involvement in the Harlem Renaissance and his dedication to preserving African American cultural artifacts. He founded the Countee Cullen Memorial Collection at Atlanta University and contributed to the James Weldon Johnson Collection of Yale University, the Literary Collection of Fisk University, and to the Schomburg Collection at the Harlem branch of the New York Public Library. Along with Regina M. Anderson and Dorothy Randolph Peterson, he was also a co-founder of the Harlem Experimental Theater.
References
- ↑ "William Jourdan Rapp (Writer)". Playbill.
- 1 2 "William Rapp, Playwright born". African American Registry.
- ↑ Wallace Thurman's Harlem Renaissance. Rodopi. 1994. ISBN 9789051836929.
- ↑ Rapp, William Jourdan (September 6, 1925). "FRENCH ROYALISTS STILL LIVE IN HOPE; " Camelots du Roi," Militant Supporters of the Pretender, Have Gained in Influence Since the War" – via NYTimes.com.
- 1 2 "William J. Rapp papers - Archives West". archiveswest.orbiscascade.org.
- ↑ "Death of William Jourdan Rapp, 1942". Poughkeepsie Journal. August 13, 1942. p. 15 – via newspapers.com.
- ↑ "William Jourdan Rapp – Broadway Cast & Staff | IBDB". www.ibdb.com.
- ↑ Atkinson, J. Brooks (December 4, 1929). "THE PLAY:Love Comes to the Parson". The New York Times . p. 40. ISSN 0362-4331. ProQuest 104719414.
- ↑ "NEWS OF THE STAGE:' Substitute for Murder' Descends This Evening on The Ethel Barrymore Theatre". The New York Times . October 22, 1935. p. 16. ISSN 0362-4331. {{Proquest|101317343}.
- ↑ Daniel M. Scott, I. I. I. (September 22, 2004). "Harlem shadows: re-evaluating Wallace Thurman's The Blacker the Berry". MELUS. 29 (3–4): 323–340. doi:10.2307/4141858. JSTOR 4141858 – via go.gale.com.
