Author | Charlotte Perkins Gilman |
---|---|
Country | United States |
Language | English |
Genre | Utopian fiction |
Publisher | Charlton Co. (serial) Greenwood Press (book) |
Publication date | 1916 (serial) 1997 (book) |
Pages | 200 pp. (book) |
ISBN | 0313276145 |
With Her in Ourland: Sequel to Herland is a feminist novel and sociological commentary written by Charlotte Perkins Gilman. The novel is a follow-up and sequel to Herland (1915), and picks up immediately following the events of Herland, with Terry, Van, and Ellador traveling from Herland to "Ourland" (the contemporary 1915-16 world). The majority of the novel follows Van and Ellador's travels throughout the world, and particularly the United States, with Van curating their explorations through the then-modern world, while Ellador offers her commentary and "prescriptions" from a Herlander's perspective, discussing topics such as the First World War, foot binding, education, politics, economics, race relations, and gender relations.
Like Herland, With Her in Ourland was originally published as a serial novel in Gilman's self-published magazine, The Forerunner , in monthly installments starting in January 1916 (the final chapter of Herland was published in December 1915). Despite the fact that Herland and With Her in Ourland were both published serially and without interruption, With Her in Ourland was not re-published in a stand-alone book form until 1997, eighteen years after the re-publication of Herland. Though the majority of the novel takes place within the contemporary 1915-1916 world, due to its connection to Herland, it is often considered as part of a "Utopian Trilogy," along with Moving the Mountain (1911) and Herland, though Gilman herself never indicated a "trilogy" structure.
Following the conclusion of the Herland narrative in the December 1915 issue of The Forerunner, Gilman noted that: "A sequel to 'Herland,' called 'With Her in Ourland,' will appear serially in THE FORERUNNER for 1916."[sic] The twelve chapters of With Her in Ourland were published serially in the twelve monthly issues of The Forerunner starting in January 1916; the novel concluded in the final issue of Gilman's periodical, which ceased publication in December 1916.
Both Herland and Ourland lapsed into obscurity during the middle decades of the twentieth century. In 1968, the full run of The Forerunner was reprinted by Greenwood Reprints as part of the Radical Periodicals in the United States, 1890-1960, including the text of the Herland and With Her in Ourland. However, it was not until the re-printing of Gilman's short story, "The Yellow Wallpaper" in 1973, that interest in Gilman's work increased, leading to the re-publication of Herland as a stand-alone novel in 1979 by Pantheon Books. Despite the increased critical and scholarly work that Gilman's literary works received, With Her in Ourland remained relatively obscure. Ann J. Lane's Introduction to the 1979 Pantheon edition of Herland mentioned the existence of the sequel, and even quoted passages from With Her in Ourland. In her introduction, Lane suggested that Herland and With Her in Ourland constituted the second two books of a "Utopian Trilogy," along with Moving the Mountain (1911), which also published serially in The Forerunner several years earlier. Nevertheless, With Her in Ourland was not re-published in stand-alone book form until 1997, with an introduction by Mary Jo Deegan. [1] Since then, it has been re-printed several times, usually as a part of "Utopian Trilogy" anthologies.
Due to the large gap between the re-publication of Herland and With Her in Ourland, critical response to With Her in Ourland has been relatively light compared to that of Herland. In general, the critical reception to With Her in Ourland is that it is a weaker novel than its predecessor. The didactic structure of the narrative is often criticized as being less engaging than that of Herland, while some of the opinions offered by Gilman, usually in the form of Ellador's "prescriptions" are considered to be problematic by many scholars. [2] As such, With Her in Ourland is often ignored or overlooked in scholarship about Gilman's work.
Both Herland and Ourland are frequently included (along with Moving the Mountain ) in a "Utopian Trilogy" of serial novels written by Gilman and published in The Forerunner dealing with similar subject matter, and are generally accepted to belong to the genre of utopian and dystopian fiction, and participated in the major wave of utopian literature that characterized the later nineteenth and early twentieth centuries. [3] [4] [5] [6]
Though the majority of the narrative in With Her in Ourland takes place in the contemporary world of 1915-16, the novel uses characters and situations from Herland to draw contrasts between Gilman's idealized vision of a feminist society as depicted in Herland and the darker realities of real, outside, male-dominated world. The "Herlander" perspective is used to generate commentary and critique on "Ourland". Together, the two works comprise a "composite utopia." [7] Ultimately, the novel ends with the main characters returning to the utopian Herland, having determined that Ourland has not yet progressed enough for the Herlanders to re-join the rest of society, suggesting a challenge to readers to help establish a world in which the Herlanders would feel welcomed.
The 1997 reprint of With Her in Ourland is unusual in its emphasis on the novel's sociological aspects. Editor Mary Jo Deegan, a professor of sociology, notes in her Introduction that while most contemporary attention to Gilman's work comes from literary criticism and feminist studies, Gilman was a sociologist, recognized as such by her contemporaries, and that Ourland benefits from a reading as a work of sociology. [8]
With Her in Ourland begins where its predecessor Herland ends: Vandyck Jennings, his newlywed Herlandian wife Ellador, and the exiled Terry Nicholson proceed by airplane and motor launch away from Herland and back to the outside world. (Ourland is narrated by the Jennings character.) At an unnamed Eastern seaport, the three board a ship for the United States. Their craft is battered by a storm, however; the three travelers take alternative passage on a Swedish ship that is heading to Europe. This detour brings Van and Ellador into contact with World War I, then raging; and Ellador is devastated by the carnage and horrors of the conflict.
This new dark knowledge inaugurates Ellador's education in the nature of the male-dominated world beyond Herland. Van praises the quality of her intellect — though he regularly finds himself discomfitted as Ellador's penetrating mind examines the logical lapses and the moral and ethical failures of human society. Ellador pursues a detailed understanding of the world, interviewing and studying with historians and other experts (while keeping the existence of her own society secret). Van and Ellador take a long journey on their way to Van's home in the United States; they travel through the Mediterranean to Egypt, and then eastward through Persia and India, China and Japan. On the way, Ellador examines the differing customs of the cultures they visit.
By the middle of the book, Van and Ellador arrive in San Francisco, and Ellador begins her study of American conditions. Van is forced to confront and recognize many of the inadequacies and contradictions of American culture through Ellador's patient, objective, relentless scrutiny; in the process, Gilman can advocate her own feminist program of social reform. Van has to confront the fact that Ellador's view of America rattles his previously "unshaken inner conviction of our superiority." [9]
The novel concludes with the return of Ellador and Van to Herland; they settle there, and in time Ellador gives birth to a son.
Modern critics have found unsavory elements in Gilman's works: preoccupations with eugenics and euthanasia, plus "racism and nativism," [10] class biases and other prejudices. [2] Some portions of With Her in Ourland, especially the tenth installment, bear upon this subject matter. In the novel's tenth chapter, Ellador confronts a sociologist from the American South, and examines and exposes the illogical racist assumptions of his positions. [11] The same chapter in Ourland also considers the status of Jews, what was then called the "Jewish problem". Gilman advocates intermarriage and assimilation of the Jews into the modern societies in which they lived. [12]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
A utopia typically describes an imaginary community or society that possesses highly desirable or nearly perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, describing a fictional island society in the New World. However, it may also denote an intentional community. In common parlance, the word or its adjectival form may be used synonymously with "impossible", "far-fetched" or "deluded".
Utopian and dystopian fiction are genres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Charlotte Perkins Gilman, also known by her first married name Charlotte Perkins Stetson, was an American humanist, novelist, writer, lecturer, advocate for social reform, and eugenicist. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.
The Emerald City of Oz is the sixth of L. Frank Baum's fourteen Land of Oz books. It was also adapted into a Canadian animated film in 1987. Originally published on July 20, 1910, it is the story of Dorothy Gale and her Uncle Henry and Aunt Em coming to live in Oz permanently. While they are toured through the Quadling Country, the Nome King is assembling allies for an invasion of Oz. This is the first time in the Oz series that Baum made use of double plots for one of the books.
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. It is also lauded as an excellent work of horror fiction.
Herland may refer to:
Herland is a utopian novel from 1915, written by American feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who bear children without men. The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue. The book is often considered to be the middle volume in her utopian trilogy, preceded by Moving the Mountain (1911). It was not published in book form until 1979.
Mizora is a feminist science fiction utopian novel by Mary E. Bradley Lane, first published in 1880–81, when it was serialized in the Cincinnati Commercial newspaper. It appeared in book form in 1890. Mizora is "the first portrait of an all-female, self-sufficient society," and "the first feminist technological Utopia."
Women and Economics – A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: “the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.”
The Forerunner was a monthly magazine produced by Charlotte Perkins Gilman, from 1909 through 1916. During that time, she wrote all of every issue — editorials, critical articles, book reviews, essays, poems, stories, and six serialized novels. Gilman's drive for social change was the inspiration for Forerunner and its controversial articles. She succeeded in administering progressive ideas for change to the magazine's readers, growing support for her desires during the women's suffrage movement. The magazine was based in New York City.
Originating in New England, one particular Beecher family in the 19th century was a political family notable for issues of religion, civil rights, and social reform. Notable members of the family include clergy, educators, authors and artists. Many of the family were Yale-educated and advocated for abolitionism, temperance, and women's rights. Some of the family provided material or ideological support to the Union in the American Civil War. The family is of English descent.
Demonic Males: Apes and the Origins of Human Violence is a 1996 book by Richard Wrangham and Dale Peterson examining the evolutionary factors leading to human male violence.
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Unveiling a Parallel: A Romance is a feminist science fiction and utopian novel published in 1893. The first edition of the book attributed authorship to "Two Women of the West." They were Alice Ilgenfritz Jones and Ella Robinson Merchant, writers who lived in Cedar Rapids, Iowa.
Moving the Mountain is a feminist utopian novel written by Charlotte Perkins Gilman. It was published serially in Perkins Gilman's periodical The Forerunner and then in book form, both in 1911. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. The novel was also the first volume in Gilman's utopian trilogy; it was followed by the famous Herland (1915) and its sequel, With Her in Ourland (1916).
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