Withering Roses | |
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Directed by | Harry A. Pollard |
Starring | Margarita Fischer Harry A. Pollard |
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Withering Roses is a 1914 American silent film directed by Harry A. Pollard. It stars Margarita Fischer and Pollard.
In addition to Pollard and Fischer, the cast included Joseph Harrisk, Adelaide Bronti, Kathie Discher, and Fred Gamble. [2]
Pictures and the Picturegoer called it "a 'beauty' film which strikes an entirely new note in film production." [3] The Moving Picture World said ""it fails to convince as a picture of life, but as a fairy tale it will get by and perhaps please many." [4]
Flora Finch was an English-born vaudevillian, stage and film actress who starred in over 300 silent films, including over 200 for the Vitagraph Studios film company. The vast majority of her films from the silent era are currently classified as lost.
Margarita Fisher was an American actress in silent motion pictures and stage productions. Newspapers sometimes referred to her as "Babe" Fischer.
Break, Break, Break is a 1914 American silent short film directed by Harry A. Pollard. A period drama written by Sydney Ayres, the film starred William Garwood and Louise Lester.
Harry A. Pollard was an American silent film actor and director. His wife was silent screen star Margarita Fischer.
Picturegoer was a fan magazine published in the United Kingdom between 1911 and 23 April 1960.
Shon the Piper is a 1913 American silent short historical romantic drama film directed by Otis Turner, starring Robert Z. Leonard and Lon Chaney. The film follows a Scottish Duke who disguises himself as a piper and falls in love with a woman by the name of Madge. The woman's father refuses to let the two marry because he wants his daughter to marry the Laird of the Isla. At the wedding, Shon steals Madge away and a battle ensues between the clans.
The American Film Manufacturing Company, also known as Flying “A” Studios, was an American motion picture production company. In 1915, the formal name was changed to the American Film Company.
Violet Hopson was an actress and producer who achieved fame on the British stage and in British silent films. She was born Elma Kate Victoria Karkeek in Port Augusta, South Australia on 16 December 1887. Violet Hopson was her stage name, while in childhood she was known as Kate or Kitty to her family.
Harold Marvin Shaw was an American stage performer, film actor, screenwriter, and director during the silent era. A native of Tennessee, he worked in theatrical plays and vaudeville for 16 years before he began acting in motion pictures for Edison Studios in New York City in 1910 and then started regularly directing shorts there two years later. Shaw next served briefly as a director for Independent Moving Pictures (IMP) in New York before moving to England in May 1913 to be "chief producer" for the newly established London Film Company. During World War I, he relocated to South Africa, where in 1916 he directed the film De Voortrekkers in cooperation with African Film Productions, Limited. Shaw also established his own production company while in South Africa, completing there two more releases, The Rose of Rhodesia in 1918 and the comedy Thoroughbreds All in 1919. After directing films once again in England under contract with Stoll Pictures, he finally returned to the United States in 1922 and later directed several screen projects for Metro Pictures in California before his death in Los Angeles in 1926. During his 15-year film career, Shaw worked on more than 125 films either as a director, actor, or screenwriter.
Motion Picture was an American monthly fan magazine about film, published from 1911 to 1977. It was lastly published by Macfadden Publications.
Slave of Desire is a 1923 American silent drama film directed by George D. Baker, produced and distributed by Goldwyn Pictures. It was based on the novel La Peau de chagrin by Honoré de Balzac, first published in 1831. The Balzac novel had previously been filmed in 1909 as The Wild Ass's Skin, which was more faithful to the original novel.
Three Who Paid is a 1923 American silent Western film directed by Colin Campbell, and starring Dustin Farnum, with Bessie Love and Frank Campeau. The film was based on the 1922 short story by George Owen Baxter, and was produced and distributed through Fox Film.
Nothing Shall Be Hidden is a 1912 American silent drama film. It was produced by the Independent Moving Pictures (IMP) Company of New York and is the earliest-known directorial effort of Harry A. Pollard, who also costars in the production with Margarita Fischer.
The Vampire is an American silent film drama, directed by Robert G. Vignola, based on the 1897 eponymous poem by Rudyard Kipling. It stars Alice Hollister and Harry F. Millarde. It is generally considered the first recognized film depicting the vamp character, also known as femme fatale.
Equitable Motion Picture Company was a short-lived but influential silent film company. It was launched in 1915. It was headed by Arthur Spiegel. It distributed its films through William A. Brady's World Film Company. It was acquired by World Film in 1916, with the agreement signed on January 29, 1916, afterwards it was consolidated under Brady's control.
Infatuation is a lost 1915 silent film directed by Harry A. Pollard and starring his wife Margarita Fischer. It was distributed through the Mutual Film Company.
Susie's New Shoes is a lost 1914 silent short film directed by and starring Harry A. Pollard and his wife Margarita Fischer. It was produced by the American Film Manufacturing Company and released by Mutual Film.
Dolores Rousse was an American film actress who performed under the name Gloria Roy later in her career.
K – The Unknown is a 1924 American silent mystery film directed by Harry A. Pollard and starring Virginia Valli, Percy Marmont, and Margarita Fischer. It is based on the 1915 novel K. by Mary Roberts Rinehart.
Adelaide Bronti was an American actor who appeared in 1900s theatre with The Beggar Prince Opera company and in films throughout the 1910s, primarily with the Biograph Company and the Lubin Manufacturing Company. Her theatre roles saw her frequently perform opera with her contralto voice, for which she was highly praised.