The Women's Circus, a feminist not for profit organisation, provides circus performance training and social arts projects for women, trans, and non-binary people in the western region of Melbourne, Victoria, Australia. Training programs focus on the physical and imaginative potential of the human body, self-awareness and self-esteem. It has a history of original productions with social, educational, and health themes related to women's lives.
The inspiration for the Women's Circus was built on the work of an earlier Wimmins Circus, Australia's first women's circus established in Melbourne, which ran from 1978 to 1981.[1][2]
The Women's Circus began in 1991, as an initiative of the Footscray Community Arts Centre,[3] offering training and performance projects.[4] Women recognised as founders include Donna Jackson, director; Sally Forth, trainer; and Elizabeth Walsh, director of the Footscray Community Arts Centre.[5] Jean Taylor, who joined the Women's Circus in 1991, went on to establish the Performing Older Women's Circus in 1995.[6]
In addition to intermediate and advanced training programs, the circus offers a program for people who have no experience in circus training. Participants learn a range of skills, including hula-hooping, juggling, trapeze, swings, acro-balance (making pyramids), climbing and tumbling.[8]
Publications
Women's Circus (Footscray Community Arts Centre) (1996), Newsletter, Footscray Community Arts Centre, retrieved 5 September 2024
↑ Black, Ollie (May 2001). "Circus and physical theatre in Australia: an introduction". In Repertoire(PDF). RealTime. p.41-43. ISBN0642 47237 8. Retrieved 27 October 2025. Produced by RealTime for the Australia Council
↑ Black, Ollie (1991). "Newsletter". Newsletter Women's Circus (Footscray Community Arts Centre). Women's Circus. OCLC657304876.
↑ Women's Circus: leaping off the edge. Spinifex Press. 1997. pp.x, 17. ISBN1875559558.
↑ Taylor, Jean (1 January 2007). "Lesbian Feminist Culture Is Alive and Doing Well! A Report from Australia". Off Our Backs. 37 (2/3): 33–34. JSTOR20838812.
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