A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
New Musical Express (NME) is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a free publication, before becoming an online brand which includes its website and radio stations.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
Music journalism is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events.
Maximumrocknroll, often written as Maximum Rocknroll and usually abbreviated as MRR, is a not-for-profit monthly online zine of punk subculture and radio show of punk music. Based in San Francisco, MRR focuses on punk rock and hardcore music, and primarily features artist interviews and music reviews. Op/ed columns and news roundups are regular features as well, including submissions from international contributors. By 1990, it "had become the de facto bible of the scene". MRR is considered to be one of the most important zines in punk, not only because of its wide-ranging coverage, but because it has been a consistent and influential presence in the ever-changing punk community for over three decades. From 1992 to 2011, it published a guide called Book Your Own Fuckin' Life.
Q was a popular music magazine. Originally published in print in the UK from 1986 to 2020, it was inactive from 2020 until 2023. In 2023, Q was revived as an online publication. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series The Old Grey Whistle Test. Q's final printed issue was published in July 2020, but began posting new articles to their website in 2023 before being fully relaunched in 2024.
Philadelphia City Paper was an alternative weekly newspaper in Philadelphia, Pennsylvania. The independently owned paper was free and published every Thursday in print and daily online at citypaper.net. Staff reporters focused on labor issues, politics, education and poverty. Critics reviewed the city's arts, entertainment, literary and restaurant scene. Listings of concerts, art exhibits, dance performances and other events were carried in the paper and in a comprehensive online events calendar.
Mirah is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington, in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (2000) and Advisory Committee (2002). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
Justin Duerr is an American artist, musician, and writer. A fixture of both the underground punk rock and outsider art scenes in Philadelphia for decades, Duerr is best known for his research into the Toynbee tile phenomenon as depicted in the 2011 documentary film Resurrect Dead: The Mystery of the Toynbee Tiles. His musical and artistic output includes albums with various groups and numerous artworks.
Handsome Furs was a Montreal-based indie rock duo which consisted of Dan Boeckner and Alexei Perry, who were married at the time. Boeckner is best known for his time in the bands Wolf Parade and Atlas Strategic. The band announced its breakup on May 17, 2012 via Facebook.
Burnt Toast Vinyl is an independent record label based in Philadelphia, Pennsylvania.
PMtoday was a progressive post-hardcore band from Jacksonville, Arkansas, formerly signed to Rise Records. They released two EPs as well as two full-length albums, And Then the Hurricane in 2007 and In Medias Res in 2010. The band consisted of brothers Connor, Ryan, and Cuinn Brogan, as well as Jerrod Morgan.
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.
All Things Possible is the seventh studio album by contemporary Christian musician Mark Schultz. The album is the first with Columbia Records and Fair Trade Services. This album was released on September 4, 2012, and the producers were Pete Kipley and Seth Mosley.
Reckless is contemporary Christian musician Jeremy Camp's ninth studio album, and the producers are Camp and Andy Dodd. The album was released on February 12, 2013, which all of his album has been released on BEC Recordings label, and this is his eighth album with the label. The first single from the album is entitled "Reckless", which was released on November 16, 2012, and has achieved chart success. Lastly, this album marks the ninth album of Camp's career that includes his first independent release. For the week of March 2, 2013, the album was the No. 31 most sold album in the nation via the Billboard 200 chart, which the album was the No. 10 most popular Rock album in the same week, and it was the most popular Christian album, as well.
Made is the sixth studio album by Christian rock band Hawk Nelson, which was produced by Seth Mosley and guitarist Jonathan Steingard. It was released on April 2, 2013 on the Fair Trade Services record label.
We Won't Be Shaken is the eighth studio album by Christian rock band, Building 429 and their sixth with a major label in Essential Records. The producers on the album are Rob Hawkins and Jason Ingram. It was released June 4, 2013 through Provident Music Group distribution. It was nominated for "Best Contemporary Christian Music Album" at the 56th Annual Grammy Awards. It lost to Overcomer by Mandisa.
Restart is the sixteenth studio album by Christian rock band the Newsboys, released on 10 September 2013 by Sparrow Records and produced by David Garcia, Seth Mosley, Joshua Silverberg, and Christopher Stevens.
We as Human is the second and final overall studio album by Christian rock band We as Human, released on June 25, 2013 by Atlantic Records. The album was produced by Howard Benson. It was their only album released on a major record label.
