Woodcutters of the Deep South | |
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Directed by | Lionel Rogosin |
Produced by | Lionel Rogosin |
Narrated by | Lionel Rogosin (uncredited) |
Cinematography | Lionel Rogosin, Louis Brigante |
Edited by | Louis Brigante |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
Woodcutters of the Deep South is the sixth and final feature-length film produced and directed by American independent filmmaker Lionel Rogosin. The film looks at the white and black American workers of the Gulf Coast Pulpwood Association who seek to overcome poor working conditions and "exploitation from pulpwood corporations". [1] [2]
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.
Rashomon is a 1950 Japanese jidaigeki film directed by Akira Kurosawa from a screenplay he co-wrote with Shinobu Hashimoto. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura, it follows various people who describe how a samurai was murdered in a forest. The plot and characters are based upon Ryūnosuke Akutagawa's short story "In a Grove", with the title and framing story taken from Akutagawa's "Rashōmon". Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.
Madeline Charlotte Moorman was an American cellist, performance artist, and advocate for avant-garde music. Referred to as the "Jeanne d'Arc of new music", she was the founder of the Annual Avant Garde Festival of New York and a frequent collaborator with Korean American artist Nam June Paik.
Jonas Mekas was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas's work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers' Cooperative, and the journal Film Culture. He was also the first film critic for The Village Voice.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
DRUM is a South African online family magazine mainly aimed at black readers, containing market news, entertainment and feature articles. It has two sister magazines: Huisgenoot and YOU.
The Bleecker Street Cinema was an art house movie theater located at 144 Bleecker Street in Manhattan, New York City, New York. It became a landmark of Greenwich Village and an influential venue for filmmakers and cinephiles through its screenings of foreign and independent films. It closed in 1990, reopened as a gay adult theater for a short time afterward, then again briefly showed art films until closing for good in 1991.
Come Back, Africa is a 1959 film, the second feature-length film written, produced, and directed by American independent filmmaker Lionel Rogosin. The film had a profound effect on African cinema, and remains historically and cultural importance as a document preserving the heritage of the townships in South Africa in the 1950s. It may be classified as reportage, documentary, historical movie or political cinema, since it portrays real events and people. It reveals an interpretation of meaningful social facts and a strong ethical assumption towards human behaviours like racism.
Friends is a 1912 film written and directed by D. W. Griffith and starring Mary Pickford, Henry B. Walthall, Lionel Barrymore, and Harry Carey. Walthall and Barrymore portray two old friends who each wind up involved with a beautiful girl (Pickford) who lives above a mining camp saloon.
Lionel Rogosin was an independent American filmmaker. He worked in political cinema, non-fiction partisan filmmaking and docufiction, influenced by Italian neorealism and Robert Flaherty.
Docufiction is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.
On the Bowery is a 1956 American docufiction film directed by Lionel Rogosin. The film, Rogosin's first feature was nominated for an Academy Award for Best Documentary Feature Film.
Good Times, Wonderful Times is a 1965 anti-war film, the third feature-length film written, produced, and directed by independent American filmmaker Lionel Rogosin. It was produced in London, and made with the support of James "Jimmy" Vaughan and Tadeusz Makarczynski, who assisted in an extensive multi-year search for archival footage detailing the atrocities of war.
Black Roots is a film produced and directed by American independent filmmaker Lionel Rogosin. The film gathers a number of African-American folk and blues musicians in a room, where they share stories and songs about the black experience in America. Film editor Carl Lerner is credited as an "associate producer"; and Alan Lomax, along with his daughter Anna, are credited as "musical consultants." Anna Lomax also has the credit of "assistant editor."
Black Fantasy is the fifth feature-length film produced and directed by American independent filmmaker Lionel Rogosin. It starred Jim Collier, who is credited also with "dialogue improvised by." Collier and Rogosin had previously worked together in Black Roots, produced two years earlier.
Arab Israeli Dialogue is the tenth and final film directed by American independent filmmaker Lionel Rogosin. It is a filmed debate between the Palestinian poet Rashid Hussein and Amos Kenan, shot in the basement of Rogosin's Bleecker Street Cinema by Louis Brigante.
Israel Rogosin was an American industrialist in the textile industry and a philanthropist.
Milestone Film and Video is an independent film distribution company, founded in 1990 in the United States by Dennis Doros and Amy Heller. The company researches and distributes cinematographic material from around the world, including silent film, post-war foreign film renaissance, contemporary American independent features, documentaries and foreign films.
The Film-Makers' Cooperative is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.
Ludwik Dutkiewicz was an Australian artist born in Poland. He was born in Stara Sil, Ukraine on 2 February 1921. He won the 1953 and 1954 Cornell Prize.