This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Working Daze | |
---|---|
Author(s) | John Zakour |
Illustrator(s) | Andre Noel (late 1990s–2003) Kyle Miller (2003–2008) Scott Roberts (2008–present) |
Website | GoComics.com/working-daze |
Current status/schedule | Current |
Launch date | late 1990s; entered syndication December 17, 2001 |
Alternate name(s) | Modern Daze |
Syndicate(s) | United Feature Syndicate (2001–2011) GoComics (2011–present) |
Genre(s) | Humor |
Working Daze is a comic strip written by John Zakour and illustrated by a series of artists (currently Scott Roberts) that centers around the working relationships of a group of mostly geeks who work for MMM (which stands for either MicroMacroMedia or MacroMicroMedia [1] ), a D list giant, impersonal software/tech company.
Working Daze was co-created by Zakour and artist Andre Noel in the late 1990s. It began as 2KTOONS and they did a few black and white samples under that name. The panels were picked up by intranetjournal.co and were run occasionally under the title Modern Daze. [2] Picked up by United Feature Syndicate, it began its full color run under the current title on December 17, 2001. Noel left in 2003, and Kyle Miller replaced him starting April 20 of that year, drawing the strip until June 14, 2008. Many new characters were introduced during Miller's time on the strip and readership increased. Scott Roberts took over on June 16, 2008, and continues to draw it today. All three artists delivered different, personal styles to the comic.
During the Noel period with the United Features Syndicate, Working Daze appeared six days a week in color online and in black-and-white in a handful of newspapers. At first it was a single panel gag with a caption beneath. During Noel's run, it changed format to employ word balloons, freeing it to have two or more panels as needed. It fell more in line with the traditional definition of a comic strip, although it retained its original dimensions. Noel experimented with different methods of coloring the strip, initially going for a hand-colored look. Later on, brighter, flatter colors were used, indicating that it was being computer colored. The art was fairly detailed, with a good deal of emphasis on backgrounds. The offices of MacroMicroMedia seemed to be located in a large city high-rise, probably an older building. The style was closer to The New Yorker cartoons than to newspaper strips.
Rather than seek an artist who would mimic Noel's style, Zakour went with Kyle Miller, who brought a whole new look to the strip. Miller's style was clean and spare, more cartoony, and the characters were redesigned to reflect that look. Several new characters made their debut during Miller's time, including Carolina, Kathy, and Medusa.
Miller used backgrounds sparingly, often they were only dashes of color. Some readers resisted the change at first, but in time many new readers came on board, and Miller was embraced as a full partner, his style as the true look of the strip.[ citation needed ] He stayed on much longer, ending a five-year run in 2008. His departure came as an upset to many readers, who were even less willing to accept the change than when he came on.[ citation needed ] Zakour announced the change well in advance of the actual event, but many were caught by surprise. Miller is a video game designer, and left to concentrate more time on that work.[ citation needed ]
Roberts had been working with Zakour since they were both a part of the Rugrats comic strip, and contributors to Nickelodeon Magazine . Zakour was hired to write gags for the Rugrats in its final year. Roberts had been writing gags and drawing the feature for five years, originally rotating with other artists and later providing all the penciling. Zakour and Roberts also collaborated on some comic stories for Nick Mag. After the strip folded, they started seeking other projects they could work on together, and peddled a strip that failed to sell. All this laid the groundwork for Zakour asking Roberts to become the new Working Daze artist.[ citation needed ]
Even so, there was a great deal of resistance on the part of longtime readers. Once again, no effort was made to continue the established look. As negative reactions came in, Roberts altered and experimented, trying to find an approach that suited his own view of the characters.[ citation needed ]
But new readers continued to come on board, and the newest were not familiar with the Miller or Noel strips. These readers accepted the Roberts style as the look of the strip. Roberts drew the characters with more attention to anatomic reality, but still cartoony and caricatured, and put far more emphasis on backgrounds. By now it was clear that the company had relocated to an office park somewhere in the suburbs. A key change came in his second year, with use of photo backgrounds. This consists usually of scenes outside the windows of the office, but it can also include outdoor settings, props and set pieces, or images on computer screens. This multimedia approach met with a mixed reaction, some readers disturbed by it, others embracing it.[ citation needed ]
The comments on the Comics.com website increased.[ citation needed ] The gags occasionally touched upon real issues of the workplace or the economy. Sometimes older gags were dusted off, and reworked by Roberts in the new style. These were never meant to be improvements, but simply, a fresh way to look at the same idea. Roberts continues as the artist, and occasionally contributes to the writing as well.
MMM began its corporate life as Dundaley Industrial. It became Micro-Macro-Media (MMM) in 1967, "selling computer services to companies that could never afford to own one [a computer]." [3] The characters were inspired by real prototypes the creators knew in the workaday world.[ citation needed ]
Roy and Dana were minor characters at first but grew to be the most popular.[ citation needed ]
Dennis the Menace is a daily syndicated newspaper comic strip originally created, written, and illustrated by Hank Ketcham. The comic strip made its debut on March 12, 1951 in 16 newspapers and was originally distributed by Post-Hall Syndicate. It is now written and drawn by Ketcham's former assistants, Marcus Hamilton, Ron Ferdinand, and son Scott Ketcham, and distributed to at least 1,000 newspapers in 48 countries and in 19 languages by King Features Syndicate. The comic strip usually runs for a single panel on weekdays and a full strip on Sundays.
Pibgorn is a webcomic by Brooke McEldowney begun in early 2002. The title character is a fairy whose adventures span the fantasy and real worlds. McEldowney also creates the syndicated comic strip 9 Chickweed Lane, occasionally crossing over to Pibgorn, which explores stronger themes of sexuality and violence.
Ernest Paul Bushmiller Jr. was an American cartoonist, best known for creating the comic strip character Nancy in 1933, now in print for 90 years. His work is noted for its simple graphic style. In 1976, he received the Reuben Award from the National Cartoonists Society for his work on Nancy.
Funky Winkerbean was an American comic strip by Tom Batiuk. Distributed by North America Syndicate, a division of King Features Syndicate, it appeared in more than 400 newspapers worldwide.
King Features Syndicate, Inc. is an American content distribution and animation studio, consumer product licensing and print syndication company owned by Hearst Communications that distributes about 150 comic strips, newspaper columns, editorial cartoons, puzzles, and games to nearly 5,000 newspapers worldwide. King Features Syndicate also produces intellectual properties, develops new content and franchises, like The Cuphead Show!, which it produced with Netflix, and licenses its classic characters and properties.
Jump Start is a daily comic strip drawn by cartoonist Robb Armstrong. It portrays the trials and tribulations of a young African American couple as they try to balance the demands of work and raising their young children.
Nancy is an American comic strip, originally written and drawn by Ernie Bushmiller and distributed by United Feature Syndicate and Andrews McMeel Syndication. Its origins lie in Fritzi Ritz, a strip Bushmiller inherited from its creator Larry Whittington in 1925. After Fritzi's niece Nancy was introduced in 1933, Fritzi Ritz evolved to focus more and more on Nancy instead of Fritzi. The new strip took the old one's daily slot, while Fritzi Ritz continued as a Sunday, with Nancy taking the Sunday slot previously filled by Bushmiller's Phil Fumble strip beginning on October 30, 1938.
Non Sequitur is a comic strip created by Wiley Miller starting February 16, 1992 and syndicated by Andrews McMeel Syndication to over 700 newspapers. It is also published on gocomics.com and distributed via email.
9 Chickweed Lane is an American comic strip written and drawn by Brooke McEldowney for over 30 years, which follows the fortunes of the women of three generations of the Burber family: Edna, Juliette, and Edda. 9 Chickweed Lane is the address of the characters' former family home. There is occasional overlap of characters between 9 Chickweed Lane and another comic by McEldowney, Pibgorn.
Brooke McEldowney is a writer and musician, known as the creator of the comics 9 Chickweed Lane and Pibgorn.
United Media was a large editorial column and comic strip newspaper syndication service based in the United States, owned by the E. W. Scripps Company, that operated from 1978 to 2011. It syndicated 150 comics and editorial columns worldwide. Its core businesses were the United Feature Syndicate and the Newspaper Enterprise Association.
Over the Hedge is an American syndicated comic strip, written by Michael Fry, and drawn by T. Lewis. It tells the story of a raccoon, a turtle, a squirrel, and their friends, who come to terms with their woodlands being taken over, by suburbia, trying to survive the increasing flow of humanity and technology while becoming enticed by it at the same time. The strip debuted June 12, 1995.
Pooch Café is a Canadian-American gag-a-day comic strip written and illustrated by Paul Gilligan. It was also made into a series of online shorts with RingTales.
Sam's Strip was a humorous comic strip created and produced by Mort Walker and Jerry Dumas. It was distributed by King Features Syndicate from October 2, 1961 to June 1, 1963. The series depended heavily on metahumor and appearances by famous comic-strip characters.
Tank McNamara is a daily syndicated comic strip written and illustrated by Bill Hinds. The strip debuted on August 5, 1974, with Jeff Millar as writer and Hinds as illustrator. Hinds took over writing after the death of Millar in late November 2012 due to bile duct cancer.
Arthur B. "Chip" Sansom III is an American comic strip cartoonist.
Liō is a daily comic strip created by American artist Mark Tatulli and distributed by Universal Press Syndicate/Universal Uclick/Andrews McMeel Syndication since May 15, 2006. As a pantomime strip, it has an international appeal. In 2008, the strip brought Tatulli a National Cartoonists Society Newspaper Comic Strip Award.
Herb and Jamaal is a comic strip by Stephen Bentley syndicated by Creators Syndicate. It is published daily and centers on the eponymous friends who own and run a diner together, inspired by the illustrator's experience at a high school reunion, and a desire to provide increased representation for black people in comics. According to Bentley, "Some of the characters in 'Herb and Jamaal' partially come from myself and people that I know but the full story is just a fantasy..."
John Zakour is an American science-fiction and humor writer.
Rugrats was a daily comic strip based on the Nickelodeon animated television series Rugrats. Like the program, the comic strip was written to be humorous to both children and adults. The strip ran from April 5, 1998 to May 3, 2003.