Wrights & Sites

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Wrights & Sites is a group of British artists who work with site-specific performance [1] [2] and walking art. [3] Founded in 1997, Wrights & Sites consists of artist researchers Stephen Hodge, Simon Persighetti, Phil Smith and Cathy Turner. [4] Their work is inspired by the Letterist and Situationist Internationals, particularly the practice of dérive. [5] [6] [7]

Contents

in 1998, Wrights & Sites produced a three-week site specific festival, The Quay Thing (1998) that resulted in six new performance works, as well as a variety of smaller performances throughout the site. [8] Professor Deirdre Heddon has identified this as her introduction to site-specific performance, and an influence on her future work. [9] Subsequently, the group began to explore walking as their primary mode of artistic exploration. Phil Smith has noted, Wrights & Sites walking 'began as an anti-theatrical act' and 'the site-based performances of Wrights & Sites revealed places to be as performed as the performances in them.' [10]

Wrights & Sites walking practices are best known through their 'Misguides', a series of texts they published with contributions from Tony Weaver. The 'Misguides' provide instructions to make familiar places unfamiliar and inspire the reader to playfully subvert the city through walking. [4]

Selected works and exhibitions

Selected publications

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References

  1. ↑ Hunter, Victoria, ed. (2015-03-31). Moving Sites: Investigating Site-Specific Dance Performance. Routledge. pp. 15–16. ISBN   9780415713252.
  2. ↑ Wilkie, Fiona (2002-05-01). "Mapping the Terrain: a Survey of Site-Specific Performance in Britain". New Theatre Quarterly. 18 (2): 140–160. doi:10.1017/S0266464X02000234. ISSN   1474-0613.
  3. ↑ Heddon, Deirdre; Turner, Cathy (2012-05-01). "Walking Women: Shifting the Tales and Scales of Mobility" (PDF). Contemporary Theatre Review. 22 (2): 224–236. doi:10.1080/10486801.2012.666741. ISSN   1048-6801. S2CID   143812276.
  4. 1 2 Wilkie, Fiona (2007). "Wri(gh)ting Walking". PAJ: A Journal of Performance and Art. 29 (2): 108–112. doi:10.1162/pajj.2007.29.2.108. S2CID   57561971.
  5. ↑ Smith, Phil (2010-01-01). "The contemporary dérive: a partial review of issues concerning the contemporary practice of psychogeography". Cultural Geographies. 17 (1): 103–122. doi:10.1177/1474474009350002. ISSN   1474-4740. S2CID   55861501.
  6. ↑ Darby, Kris (2013-02-01). "Framing the Drift and Drifting the Frame: Walking with Wrights & Sites". New Theatre Quarterly. 29 (1): 48–60. doi:10.1017/S0266464X13000055. ISSN   1474-0613. S2CID   145705436.
  7. ↑ Hancox, Simone (2012-05-01). "Contemporary Walking Practices and the Situationist International: The Politics of Perambulating the Boundaries Between Art and Life". Contemporary Theatre Review. 22 (2): 237–250. doi:10.1080/10486801.2012.666737. ISSN   1048-6801. S2CID   143171873.
  8. ↑ "Wrights & Sites: The Quay Thing (Main Season)". www.mis-guide.com. Retrieved 2016-07-08.
  9. ↑ Heddon, Deirdre (May 2007). "One Square Foot: Thousands of Routes". PAJ: A Journal of Performance and Art. 29 (2): 40. doi:10.1162/pajj.2007.29.2.40. ISSN   1537-9477. S2CID   57570664.
  10. ↑ Mock, Roberta (2009). Walking, Writing and Performance. Bristol: Intellect Books. p. 82.
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