Related Research Articles
Stuart Brisley is a British artist.
The International Poetry Incarnation was an event at the Royal Albert Hall in London on 11 June 1965.
Devised theatre - frequently called collective creation - is a method of theatre-making in which the script or performance score originates from collaborative, often improvisatory work by a performing ensemble. The ensemble is typically made up of actors, but other categories of theatre practitioner may also be central to this process of generative collaboration, such as visual artists, composers, and choreographers; indeed, in many instances, the contributions of collaborating artists may transcend professional specialization. This process is similar to that of commedia dell'arte and street theatre. It also shares some common principles with improvisational theatre; however, in devising, improvisation is typically confined to the creation process: by the time a devised piece is presented to the public, it usually has a fixed, or partly fixed form. Historically, devised theatre is also strongly aligned with physical theatre, due at least in part to the fact that training in such physical performance forms as commedia, mime, and clown tends to produce an actor-creator with much to contribute to the creation of original work.
Endurance art is a kind of performance art involving some form of hardship, such as pain, solitude or exhaustion. Performances that focus on the passage of long periods of time are also known as durational art or durational performances.
Hamish Fulton is an English walking artist. Since 1972 he has only made works based on the experience of walks. He translates his walks into a variety of media, including photography, illustrations, and wall texts. His work is contained in major museums collections, such as the Tate Britain and MoMA. Since 1994 he has begun practicing group walks. Fulton argues that 'walking is an artform in its own right' and argues for wider acknowledgement of walking art.
Lois Keidan is a British-born cultural activist and writer. She is currently the Director of the Live Art Development Agency which she co-founded with Catherine Ugwu in 1999. She was the former director of live arts at the Institute of Contemporary Arts (ICA) from 1992 to 1997. Prior to working at the ICA, she was responsible for national policy and provision for Performance Art and interdisciplinary practices at the Arts Council of Great Britain.
Petra Kuppers is a community performance artist and a disability culture activist. She is a Professor of English, Women's and Gender Studies, Theater and Dance, and Art and Design, teaching mainly in Performance Studies and Disability Studies, at the University of Michigan, Ann Arbor, and she serves on the faculty of Goddard College's MFA program in Interdisciplinary Arts. Her book Gut Botany was named one of New York Public Library's "Best Books of 2020."
Adrian Howells was a British performance artist associated with one-to-one performance and intimate theatre. He performed in the United Kingdom and internationally. He was a pioneer of one-to-one performance, in which an artist repeats and adapts a score for a performance for a single audience member, or audience-participant, and repeats the action serially across a run of several days. The process and outcomes in Howells' signature works were frequently modelled on activities associated with the service industries or the tertiary sector of the economy, such as washing the audience-participant's hair or clothes, or giving an audience-member a bath, replicating in some ways the labour of a hairdresser, laundry worker, or caregiver; or he appropriated and adapted intimate interpersonal experiences in carefully mediated situations, like talking around a script or score in a setting such as a Japanese rock garden in The Garden of Adrian (2009), or holding hands, listening to music, and spooning in silence in Held (2008).
Amy Sharrocks is a UK based live artist, sculptor, filmmaker and curator from London, England. Sharrocks' work focuses on collaboration and exchange, inviting people on journeys that they also help to create. She is known for large scale, live artworks in public places that use everyday activities, such as swimming or walking, in spectacular ways. Many of her artworks investigate the nature of cities, explore the importance of fluidity as a way of thinking, and question our constructs of city life. Her work has been supported by Arts Council England, The Live Art Development Agency and Artsadmin. Major works include SWIM (2007), a 50-person swim across London, and the ongoing Museum of Water (2013-Ongoing), a collection of over one thousand bottles of water from around the world.
Simone Kenyon is a performer, artist and producer born in Bradford, West Yorkshire. She works extensively with walking, and in collaboration with other artists and dancers. In 2006, with the dancer Tamara Ashley, she made 'The Pennine Way: The Legs that Make Us', a durational art project in the form of a walk, creating a performance lecture about the project for ROAM a weekend of walking at Loughborough University in 2008, and a book published by Brief Magnetics in 2007. With Andrew Brown and Katie Doubleday she instigated the 'Open City' project in 2006, exploring the organisation and control of behaviour in the public realm. Kenyon worked with Deveron Arts in Huntly, Aberdeenshire on the founding of their "Walking Institute" and completed a commission 'Hielan' Ways' - a long distance walk in the Cairngorms in 2013-14. She has also completed walking-based work Step by Step, 2013 for Dance4 in collaboration with Neil Callaghan. Kenyon is connected with the Walking Artists Network.
Clare Qualmann is a British multi-media performance artist based in London, UK. She is a senior lecturer in performing arts at the University of East London and also teaches at London Metropolitan University.
The Walking Artists Network (WAN) is an international network dedicated to walking as a critical and artistic practice; it reflects the growth and increased interest in walking art. It is based at the University of East London's Centre for Performing Arts Development and contains a network of over 600 members from across the globe, though predominantly based in the United Kingdom. The network maintains an active email discussion community through JISCmail.
Wrights & Sites is a group of British artists who work with site-specific performance and walking art. Founded in 1997, Wrights & Sites consists of artist researchers Stephen Hodge, Simon Persighetti, Phil Smith and Cathy Turner. Their work is inspired by the Letterist and Situationist Internationals, particularly the practice of dérive.
Walkwalkwalk (2005–2010) is a British artist collective consisting of Gail Burton, Serena Korda and Clare Qualmann. Based in London, their work focuses on their own routine walks in the Bethnal Green neighborhood of East London, as well as overlooked and forgotten spaces. Walkwalkwalk identify their move to walking as in part a response to monetary requirement and the financial restrictions present of living in London. Their work looks to bring attention to overlooked and forgotten spaces and create alternative modes of engagement with the city.
Cathy Turner is a British artist and researcher, specialising in dramaturgy, site-specific performance and walking art. She is a founder member of Wrights & Sites, and a Senior Lecturer in Drama at the University of Exeter. Turner's practice and research explore how one's life experience can influence one's perception of their environment.
Esther Pilkington is a British performance artist and researcher based in Hamburg, Germany. Pilkington, along with Daniel Ladnar, is a founding member of the performance collective Random People. Her work within the practice of walking art considers the role of the documented journey in performance and breaking the predominant character of immediacy in performance.
Monique Besten is a walking artist, writer, performer, historian and activist. She is known for her long-distance walking work, and is the subject of articles and publications discussing the use of walking as an art practice; she is a member of the Walking Artists Network. She has been cited by scholar Phil Smith as part of a new generation of artists engaging site-specific theatre through 'performative journeys'.
Nic Green is a performance maker and activist, brought up in Yorkshire, but based in Glasgow. Her work is based on the environment, social responsibility and relationships. She is well known for her use of nudity on stage, for example Trilogy (2009–2010), which is a two-hour show in three parts. It is a feminist, political statement on the body where she, three other women and a man are naked for the duration of it as well as asking members of the audience to take their clothes off too.
Susan Broadhurst is a performance art practitioner, writer and academic. She is Professor Emerita of Performance and Technology, and Honorary Professor, at Brunel University London. Formerly, she was the Head of Research in the Department of Arts and Humanities and also led the Division of Production and Performance.
Catherine Oliaku Ugwu is a British executive producer, artistic director, and consultant working in large-scale ceremonies and events, including for the Summer and Winter Olympics, the Summer Paralympics, the Asian, European, Islamic Solidarity, and Commonwealth Games, and the Millennium Dome.
References
- ↑ Heddon, Deirdre (19 November 2007). Autobiography and Performance: Performing Selves. Macmillan International Higher Education. ISBN 9781137163561.
- ↑ Heddon, Deirdre; Milling, Jane (12 October 2015). Devising Performance: A Critical History, 2nd Edition. London: Palgrave Macmillan. ISBN 9781137426772.
- ↑ "Histories and Practices of Live Art - Deirdre Heddon|Jennie Klein - Palgrave Higher Education". He.palgrave.com. Retrieved 25 October 2016.
- 1 2 Morris, Blake (2 September 2017). "The Walking Library : relating the landscape". Green Letters. 21 (3): 287–299. doi:10.1080/14688417.2017.1384322. ISSN 1468-8417. S2CID 148665485.
- ↑ Heddon, Deirdre, 1969- (2009). Walking, writing and performance : autobiographical texts. Lavery, Carl, 1969-, Smith, Phil, 1956-, Mock, Roberta. Bristol: Intellect Books. ISBN 9781841503370. OCLC 457057834.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ "Walking & Friendship" (PDF). Eprints.gla.ac.uk. Retrieved 26 October 2016.
- ↑ "Heddon, D., and Turner , C. (2010) Walking women: interviews with artists on the move. Performance Research, 15(4), pp. 14-22" (PDF). Eprints.gla.ac.uk. Retrieved 26 October 2016.
- ↑ "Walking women: shifting the tales and scales of mobility - Enlighten: Publications". Eprints.gla.ac.uk. Retrieved 26 October 2016.
- ↑ "The horizon of sound: soliciting the earwitness - Enlighten: Publications". Eprints.gla.ac.uk. Retrieved 26 October 2016.
- ↑ "Audio Play – 'Going for a Walk'". Walking Interconnections. Retrieved 25 October 2016.
- ↑ Heddon, Deirdre; Myers, Misha (2017). "The walking library: mobilising books, places, readers and reading". Performance Research. 22: 32–48. doi:10.1080/13528165.2017.1285560. ISSN 1352-8165. S2CID 191999043.
- ↑ "40 Walks Blog | Walking". 40walks.wordpress.com. Retrieved 25 October 2016.
