Executive Editor | Elizabeth Pulsinelli |
---|---|
Executive Director | Shana Lutker |
Managing Editor | Poppy Coles |
Online Editor | Travis Diehl |
Categories | Art magazine, visual art |
Frequency | Quarterly |
Circulation | est. 28,000 |
Publisher | Project X Foundation for Art and Criticism |
Founder | Stephen Berens, Ellen Birrell |
Year founded | 1997 |
First issue | Spring 1997 |
Company | Project X Foundation for Art and Criticism |
Country | USA |
Based in | Los Angeles |
Language | English |
Website | x-traonline.org |
ISSN | 1937-5069 |
X-TRA Contemporary Art Quarterly (X-TRA) is an independent visual arts journal that focuses on criticism and conversation about contemporary art. [1] X-TRA was founded in Los Angeles in 1997 by artists Stephen Berens and Ellen Birrell and is published quarterly by the non-profit Project X Foundation for Art and Criticism. [1] [2] The magazine is the longest running art publication in Los Angeles. [3]
X-TRA journal publishes features, reviews, columns, interviews, and artist projects. [1] [4] The artist-driven magazine produces exclusive online content and public programs [5] [6] in addition to its print publication. [1] X-TRA’s audience includes a broad range of practicing artists, art curators, art dealers, critics and writers, the general art audience, and students.
In Los Angeles in the late '90s, friends and artists Stephen Berens and Ellen Birrell formed Project X, an art curatorial collective. [1] [2] To accompany each exhibition organized by Project X, the group printed newsprint exhibition catalogs that documented the exhibitions and included additional essays and images of interest. [1] [2]
Noticing the lack of lasting art publications in Los Angeles and limited sources of art criticism outside of the mainstream, [7] Berens and Birrell evolved the scope of Project X to include X-TRA, a publication intended to diversify and broaden the dialogue around contemporary art in LA. [2] Berens and Birrell published the first issue of X-TRA in spring of 1997 with co-founders Jan Tümlir and Jérôme Saint-Loubert Bié. [1] [2] From its initiation, X-TRA has worked collaboratively through an editorial board of volunteer artists and writers. [1] [2]
In 2002, artist and X-TRA publisher Jeff Beall helped create the Project X Foundation for Art and Criticism, a 501c3 non-profit organization, to fund and publish the quarterly magazine. [1] Artist Shana Lutker currently serves as the Executive Director of Project X.
Once surviving on little to no budget, X-TRA is now the recipient of grants from foundations and organization including the Andy Warhol Foundation for the Visual Arts (2007), [8] [9] National Endowment of the Arts, [10] City of Los Angeles Department of Cultural Affairs, [11] Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, Mike Kelley Foundation for the Arts, the Getty Foundation, and the Pasadena Art Alliance. [12]
According to Birrell, the magazine's unique spelling of "extra" stems from an idea of only publishing "an issue when [the editors] had a great piece of writing to run, that it would be an extra edition to a publication that didn’t otherwise exist." [2]
X-TRA hosts a range of events, supplementing the journal with programming to enhance community building. Some examples include:
Uta Barth is a contemporary German-American photographer whose work addresses themes such as perception, optical illusion and non-place. Her early work emerged in the late 1980s and 1990s, "inverting the notion of background and foreground" in photography and bringing awareness to a viewer's attention to visual information with in the photographic frame. Her work is as much about vision and perception as it is about the failure to see, the faith humans place in the mechanics of perception, and the precarious nature of perceptual habits. Barth's says this about her art practice: “The question for me always is how can I make you aware of your own looking, instead of losing your attention to thoughts about what it is that you are looking at." She has been honored with two National Endowments of the Arts fellowships, was a recipient of the John Simon Guggenheim Fellowship in 2004‑05, and was a 2012 MacArthur Fellow. Barth lives and works in Los Angeles, California.
Harry Gamboa Jr. is a Chicano essayist, photographer, director and performance artist. He was a founding member of the influential Chicano performance art collective ASCO.
Pope.L is an American visual artist best known for his work in performance art, and interventionist public art. However, he has also produced art in painting, photography and theater. He was included in the 2002 Whitney Biennial and is a Guggenheim Fellow and a recipient of the Creative Capital Visual Arts Award. Pope.L was also included in the 2017 Whitney Biennial.
The Getty Foundation, based in Los Angeles, California at the Getty Center, awards grants for "the understanding and preservation of the visual arts". In the past, it funded the Getty Leadership Institute for "current and future museum leaders", which is now at Claremont Graduate University. Its budget for 2006–07 was $27.8 million. It is part of the J. Paul Getty Trust.
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership.
Chitra Ganesh is a visual artist based in Brooklyn, New York. Ganesh's work across media includes: charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh draws from mythology, literature, and popular culture to reveal feminist and queer narratives from the past and to imagine new visions of the future.
Thomas Joshua Cooper is an American photographer of Jewish and Cherokee descent. He is considered among the premier contemporary landscape photographers.
Mira Schor is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism.
David Schafer is an American visual and sound artist based in Los Angeles, whose practice integrates aural, textual, graphic and sculptural elements to create installations, public art and individual works that critics describe as immersive, spatial experiments. His approach combines self-consciously formalist aesthetics, a Pop Art sensibility, and postmodern Deconstructionist intent, often appropriating and reframing cultural motifs in order to investigate systems of historical and cultural memory, built space, and language. Schafer has exhibited nationally and internationally in museums, galleries and public spaces, including the Whitney Museum of American Art, MoMA PS1, The Drawing Center, MASS MoCA, Baltimore Museum of Art, Long Beach Museum of Art, SculptureCenter, and Vleeshal Middelburg. He has received awards from the Pollock-Krasner Foundation and National Endowment for the Arts, among others, as well as public commissions from the Public Art Fund of New York and the Los Angeles County Arts Commission. Los Angeles Times critic Leah Ollman describes his work as a "heady jumble" producing collisions, contradictions and convergences at the intersection of architecture, sound, sculpture, language and theory in order to "disrupt communication intentionally, incisively, through strategies of fragmentation and interruption." Schafer has taught sculpture, art theory, digital media and sound at institutions on the East and West coasts since 1985, and is currently on the Fine Arts faculty at Art Center College of Design in Los Angeles.
Kim Stringfellow is an American artist, educator, and photographer based out of Joshua Tree, California. She is an associate professor at the San Diego State School of Art, Design, and Art History and received her MFA in Art and Technology from the School of the Art Institute of Chicago. Stringfellow is notable as an artist for her transmedia documentaries of landscape and the economic effects of environmental issues on humans and habitat. Stringfellow's photographic and multimedia projects engage human/landscape interactions and explore the interrelation of the global and the local.
Suzanne Muchnic is an art writer who was a staff art reporter and art critic at the Los Angeles Times for 31 years. She has also written books on artists, collectors, and museums.
Connie Samaras is a Los Angeles-based artist who works mostly in photography and video.
Anne Walsh is an American visual artist who works with video, performance, audio, photography, and text.
Jennifer Bolande is an American artist whose work employs various media—primarily photography, sculpture, film and site-specific installations to explore the affinities between particular sets of objects and images and the mercurial meanings they manufacture.
Cassils is a performance artist, body builder and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming and transmasculine, and goes by singular they pronouns.
Leslie Dick is an American artist, writer, editor, and educator, based in Los Angeles. Her work explores feminist themes, especially in relation to queer theory and Lacanian discourse. Dick has published two novels, a collection of short stories, and several critical essays. She is a member of the editorial board of X-TRA Contemporary Art Quarterly, a Los Angeles-based, internationally distributed journal of art. She has been faculty at the California Institute of the Arts (CalArts) since 1992, and is currently co-director of the CalArts Program in Art. Since 2012 she has also held a position as a critic in the sculpture program at the Yale School of Art.
Elana Mann is a contemporary artist who lives and works in Los Angeles, California.
Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).
Farrah Karapetian is an American visual artist. She works primarily in cameraless photography, incorporating multiple mediums in her process including sculpture, theatre, drawing, creative nonfiction, and social practice. She is especially known for her work that "marries two traditions in photography — that of the staged picture and of the image made without a camera." Recurrent concerns include the agency of the individual versus that of authority and the role of the body in determining that agency.