Xander Harris | |
---|---|
Birth name | Justin Sweatt |
Born | Austin, Texas |
Genres | |
Occupation(s) | record producer |
Years active | 2000s-present |
Labels |
|
Justin Sweatt, known under the alias Xander Harris, is an American electronic musician. Hailing from Austin, Texas, his musical style incorporates elements of darkwave, Italo disco and the soundtracks of 1980s horror films. [1] As explained by Tiny Mix Tapes , Harris creates music with an entirely digital setup consisting largely synthesisers, sequencers and laptop. [2] The pseudonym Xander Harris is named for a character from television series Buffy the Vampire Slayer . [2] Andrew Ryce of Resident Advisor wrote in 2013 how Harris' music, along with that of Steve Moore, represented the growing appearance of new age elements in electronic dance music, describing Harris' work as an example "of this kind of trance-not-trance". [3]
He had been involved with shoegaze and noise acts since the 2000s. [1] His debut album Urban Gothic (2011) drew praise from Fact , who named it one of the year's best albums, [4] and Bloody Disgusting . [5] Reviewing the track "Vultures of Tenderness" (2013) for Pitchfork , Larry Fitzmaurice praised how the track "[opens] with a cavernous boom-beat rhythm as it eventually hits a steady 4/4 groove, accumulating electronic detritus along the way as arpeggiated synths drop in menacingly." [6] He released the double A-side single "Cry Havoc"/"Heaven Birth" on Mogwai's label Rock Action in 2014; the former song was praised by The Quietus for being a "fine retro-futuristic drum machine pounder, which slowly immerses itself in a pool of lapping analogue synth waves." [7] In 2017, he supported Mogwai in New York. [8]
The album California Chrome (2016) continued the horror soundtrack motif was praised by The Line of Best Fit , who praised how "[i]n Xander Harris' musical metropolis, you may never find what it is you're afraid to face", [9] and AllMusic's Paul Simpson, who noted how Harris' music avoids novelty status. [10] It was also reviewed positively by Mojo , The Wire , and more lukewarmly by Uncut and Record Collector . [11] Harris recorded the album in a home studio. [12]
In 2016, Harris wrote an article for Clash Music describing and promoting Autisn's growing music scene. [13] However, also around this period, he criticised local audiences, describing them as an "entitled tech bro playground", which drew attention from Vice . [14]
VNV Nation is an Irish alternative electronic project led by Ronan Harris in the roles of singer, songwriter, and producer. VNV Nation's sound combines lyrics with sounds that ranges from melodic industrial dance anthems, to haunting ballads and post-classical soundtrack pieces. Their 2015 album Resonance: Music For Orchestra Vol. 1 achieved #4 Classical & #3 Classical CrossoverBillboard chart positions in the US. The "VNV" in the name stands for "Victory Not Vengeance," in keeping with the group's motto, "One should strive to achieve, not sit in bitter regret."
Karl Bartos is a German musician and composer known for his contributions to the electronic band Kraftwerk.
Mogwai are a Scottish post-rock band, formed in 1995 in Glasgow. The band consists of Stuart Braithwaite, Barry Burns, Dominic Aitchison, and Martin Bulloch (drums). Mogwai typically compose lengthy guitar-based instrumental pieces that feature dynamic contrast, melodic bass guitar lines, and heavy use of distortion and effects.
Zuckerzeit is the third studio album by German band Cluster, released in 1974 on Brain Records. It was co-produced by Michael Rother, their bandmate in side-project Harmonia. The music on Zuckerzeit marks a shift from Cluster's abrasive early work toward a more rhythmic, pop-oriented sound. Pitchfork ranked the album at number 63 on its list of the top 100 albums of the 1970s, while writer and musician Julian Cope included Zuckerzeit in his "Krautrock Top 50" list.
Orchestral Manoeuvres in the Dark is the debut studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 22 February 1980 by Dindisc. Recorded at the group's Liverpool studio, it showcased their minimal synth-pop style and peaked at number 27 on the UK Albums Chart. "Electricity" and "Red Frame/White Light" were released as singles; a re-recorded version of "Messages" provided OMD with their first hit in the UK, reaching number 13.
Brian Wayne Transeau, known by his initials as BT, is an American musician, DJ, singer, songwriter, record producer, composer, and audio engineer. An artist in the electronic music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines. He creates music within a myriad of styles, such as classical, film composition, and bass music.
Jason W. Chung, better known as Nosaj Thing, is an American artist, record producer, and DJ based in Los Angeles, California. He has produced tracks for Kendrick Lamar, Chance the Rapper, Kid Cudi, Julianna Barwick, and is the founder of Timetable Records.
Replica is the fifth studio album by American electronic musician Daniel Lopatin under the stage name Oneohtrix Point Never, released on November 8, 2011 via Mexican Summer and Software. It features co-production by Joel Ford and Al Carlson, and was Lopatin's first work to be recorded in a studio. Stylistically, the album marks a shift away from Lopatin's previous synth-based works under the alias, instead showcasing a sample-based approach utilizing audio from 1980s and 1990s television advertisements.
Paul Rose, usually known as Scuba, is a British electronic musician, now based in Berlin. Described as 'one of dance music's most inventive producers', he has released five albums, numerous singles and EPs, and a handful of compilation and mix albums. His style has been described as dubstep with a later 'shift toward a brighter and more eclectic approach to production'. In 2013, he won an award for Best Live Act from DJ Mag.
A Wrenched Virile Lore is a remix album by Scottish post-rock band Mogwai consisting of tracks from their 2011 album Hardcore Will Never Die, But You Will remixed by various artists. It was released on 19 November 2012 by Rock Action Records, apart from the USA where it was released on 4 December by Sub Pop. The album was offered in a limited edition of 2500 vinyl albums, and on CD and digital download.
Rifts is a 2009 compilation album by Oneohtrix Point Never, the solo alias of Brooklyn electronic musician Daniel Lopatin. The album collects Lopatin's early synth-based recordings under the moniker dating back to 2003, including the three limited-run LPs Betrayed in the Octagon (2007), Zones Without People (2009) and Russian Mind (2009), as well as several additional cassette and CD-R releases. It was originally released on No Fun Productions in 2009 as a 2 disc set.
TRST is the debut studio album by Canadian electronic music project TR/ST. Self-produced by the band, it was released on February 28, 2012, by Arts & Crafts Productions. The record features "gloomy synth-pop" and "fully-fleshed dark wave" sounds that have been described as "a combination of gothic rock and trance pop."
Third Law is the third album by British electronic music producer Roly Porter. It was released on 22 January 2016 by Tri Angle. The album received positive reviews from music critics. "4101" was released as the first single from the album.
The Glowing Man is the fourteenth studio album by American experimental rock band Swans, released on June 17, 2016 on Young God and Mute. It is considered the third and final part of a three-album "trilogy", the other two parts being The Seer and To Be Kind, respectively.
Chinese Nü Yr is an extended play (EP) by producer Seamus Malliagh, known by his stage name Iglooghost, released on the Brainfeeder label on 30 October 2015. Containing elements of footwork, bass, grime and 2-step garage, the EP's sound is represented by a worm who goes through several nonsensical lands. To make Chinese Nü Yr, Malliagh first designed the cover art and then developed songs with structures and sound to fit the artwork. Upon release, the EP garnered generally favorable reviews from critics, a common praise being its unique style.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
"Bipp" is a song by Scottish, LA-based producer SOPHIE. It was released as a single on 17 June 2013 as SOPHIE's first release on the label Numbers, backed by the B-side "Elle". Upon release, the song became a critical success, appearing on numerous end-of-year single polls and bringing Sophie early attention.
Keith Rankin is an American electronic musician who records under the alias Giant Claw, a largely vaporwave and psychedelic music project. He is also known for the vaporwave project Death's Dynamic Shroud, which he joined in 2014.
Essaie pas is a Canadian electronic music group formed in 2010. Based in Montreal, Quebec, the group consists of wife-and-husband duo Marie Davidson and Pierre Guerineau.
Xeno & Oaklander is an American electronic music group formed in 2004, consisting of musicians Sean McBride and Liz Wendelbo. Originating from Brooklyn, the band is considered to be among the cold wave revival scene of the 2000s and 2010s.