Related Research Articles
Nabil Ayouch is a Franco-Moroccan television and film director, producer, and writer. His films have screened at international film festivals including the Cannes Film Festival and Montreal World Film Festival.
Cinema of Belgium refers to the film industry based in Belgium. Belgium is essentially a bi-lingual country divided into the Flemish (Dutch-speaking) north and the French-speaking south. There is also a small community of German speakers in the border region with Germany. Belgium is further a federal country made up of three regions and three language communities . Due to these linguistic and political divisions it is difficult to speak of a national, unified Cinema of Belgium. It would be more appropriate to talk about Flemish or Dutch-language cinema of Belgium and Walloon or French-language cinema of Belgium.
The sleeping child, according to Moroccan and the wider Maghrebian folk belief, is a fetus which has been rendered dormant by black or white magic and may eventually wake up and be born after the normal pregnancy term. This belief, supported by the concept that God's will controls everything and that no event should be considered truly impossible, is used by local communities to deal with occasional cases of pregnancy in women with absentee husbands, a frequent situation in the modern era due to the large number of males working as immigrant labor in Europe. This folk belief is used to dismiss an accusation of adultery and the consequences that such an accusation would bring.
Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema.
Danielle Arbid is a French filmmaker of Lebanese origin who has been directing films since 1997.
Raymond Depardon is a French photographer, photojournalist and documentary filmmaker.
The Sleeping Child is a 2004 Belge-Moroccan movie written and directed by Yasmine Kassari. The film has obtained several prizes like Trophée du Premier Scénario, from CNC.
A sleeping child, according to a folk belief of the Maghreb region, is a fetus that has been rendered dormant by magic.
Farida Benlyazid is a Moroccan scriptwriter, producer, production manager, novelist, and director. She began working in the field of cinema and cinematic production in the seventies. According to Sandra Gayle Carter, author of What Moroccan Cinema? : A Historical and Critical Study, Benlyazid continues to be one of the few Moroccan women in the field. From the start of her career up until 2003, she was the only female filmmaker in Morocco. Benlyazid's films, novel adaptations, documentaries and scripts have garnered much international recognition. She has become known for representing the struggles and obstacles faced by Moroccan women and incorporating her own personal experiences into her scripts and films.
Viola Shafik is an Egyptian-German film theorist, curator, and filmmaker.
Hala Khalil is an Egyptian film director, producer, and screenwriter. Her work includes short films, documentaries, TV series, and feature films. Her films The Kite (1997) and The Best of Times (2004), have received awards from the Arab Film Festival, Rotterdam Arab Camera Festival, and the Rabat Film Festival.
Narjiss Nejjar is a Moroccan filmmaker and screenwriter. Her film Les Yeux Secs was screened at Cannes in 2003.
Kadiatou Konaté is a Malian film director and screenwriter. Her most notable work is L'Enfant terrible, an animated short based on African myths. She has also produced several documentaries, often focusing on the issues of women and children in Mali.
Djamila Sahraoui is an Algerian filmmaker.
The Central African Republic is one of the world's poorest countries and the film industry is correspondingly small. The first film made in CAR appears to have been Les enfants de la danse, a short French-made ethnographic documentary of 1945. Joseph Akouissone was the first Central African to make a film in the country, with his 1981 documentary Un homme est un homme; he was followed by the documentaries made in the 1980s by Léonie Yangba Zowe. Since then a series of ongoing conflicts and economic crises have severely limited the potential growth of film-making in the country. The first feature-length drama made in the country was Le silence de la forêt, a 2003 CAR-Gabon-Cameroon co-production about the Biaka people.
Maryam Touzani is a Moroccan filmmaker and actress. She is best known as the director of the critically acclaimed film Adam (2019), Morocco's entry for the 92nd Academy Awards for Best International Feature Film, and The Blue Caftan (2022), the country's submission for the same award for the 95th Academy Awards.
Imane Mesbahi is a Moroccan actress and filmmaker.
Latif Lahlou is a Moroccan filmmaker.
Quand les hommes pleurent is a 1999 documentary film directed by Yasmine Kassari.
Chiens errants is a 1995 short film directed by Yasmine Kassari. It was screened at multiple international film festivals including the London and Sydney film festivals, the Bruxelles International Film Festival, and the International Francophone Film Festival of Namur, where it won a prize for Best Short Film.
References
- 1 2 Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema . Indiana University Press. pp. 161–182.
- ↑ Hillauer, Rebecca (2005). "Kassari, Yasmine (1972–)". Encyclopedia of Arab Women Filmmakers. Cairo: American Univ. in Cairo Press. pp. 355–357. ISBN 977-424-943-7.
