Yellow Caesar | |
---|---|
Directed by | Alberto Cavalcanti |
Written by | Adrian Brunel (dialogue) Frank Owen (uncredited) Michael Foot (uncredited) [1] |
Cinematography | John Taylor |
Edited by | Charles Crichton |
Music by | Walter Leigh |
Production company | |
Release date |
|
Running time | 24 minutes |
Country | United Kingdom |
Language | English |
Yellow Caesar is a 1941 propaganda film produced by Ealing Studios and Michael Balcon and directed by Alberto Cavalcanti. The screenwriters were Michael Foot, later leader of the Labour party, and Frank Owen credited under the pseudonym Michael Frank. [1]
Yellow Caesar is billed as an "assessment" of the life and rise to power of the self-styled Il Duce, Italian dictator Benito Mussolini. Writing for the Screenonline website, Mark Duguid comments that the 24 minute short "is an unusually direct piece of agit-prop and probably the most striking of the 30-odd propaganda shorts released by Ealing Studios during WWII." [1] [2] The film traces Mussolini's years as a trade unionist thug and his role as a fascist demagogue. [3]
Whilst generally well received by British audiences, there were doubts about the film's reception in neutral Eire, where censors had previously refused to pass Charlie Chaplin's The Great Dictator . [4]
The Great Dictator is a 1940 American anti-war political satire black comedy film written, directed, produced, scored by, and starring British comedian Charlie Chaplin, following the tradition of many of his other films. Having been the only Hollywood filmmaker to continue to make silent films well into the period of sound films, Chaplin made this his first true sound film.
Joan Mary Waller Greenwood was an English actress. Her husky voice, coupled with her slow, precise elocution, was her trademark. She played Sibella in the 1949 film Kind Hearts and Coronets, and also appeared in The Man in the White Suit (1951), Young Wives' Tale (1951), The Importance of Being Earnest (1952), Stage Struck (1958), Tom Jones (1963) and Little Dorrit (1987).
Passport to Pimlico is a 1949 British comedy film made by Ealing Studios and starring Stanley Holloway, Margaret Rutherford and Hermione Baddeley. It was directed by Henry Cornelius and written by T. E. B. Clarke. The story concerns the unearthing of treasure and documents that lead to a small part of Pimlico to be declared a legal part of the House of Burgundy, and therefore exempt from the post-war rationing or other bureaucratic restrictions active in Britain at the time.
Kind Hearts and Coronets is a 1949 British crime black comedy film directed by Robert Hamer. It features Dennis Price, Joan Greenwood, Valerie Hobson and Alec Guinness; Guinness plays eight characters. The plot is loosely based on the novel Israel Rank: The Autobiography of a Criminal (1907) by Roy Horniman. It concerns Louis D'Ascoyne Mazzini, the son of a woman disowned by her aristocratic family for marrying out of her social class. After her death, Louis decides to take revenge on the family and take the dukedom by murdering the eight people ahead of him in the line of succession to the title.
Quatermass and the Pit is a British television science-fiction serial transmitted live by BBC Television in December 1958 and January 1959. It was the third and last of the BBC's Quatermass serials, although the chief character, Professor Bernard Quatermass, reappeared in a 1979 ITV production called Quatermass. Like its predecessors, Quatermass and the Pit was written by Nigel Kneale.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Rudolph Cartier was an Austrian television director, filmmaker, screenwriter and producer who worked predominantly in British television, exclusively for the BBC. He is best known for his 1950s collaborations with screenwriter Nigel Kneale, most notably the Quatermass serials and their 1954 adaptation of George Orwell's dystopian novel Nineteen Eighty-Four.
Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by ABC Weekend TV. Its successor Thames Television took over from mid-1968.
Basil Dearden was an English film director.
Associated British Picture Corporation (ABPC), originally British International Pictures (BIP), was a British film production, distribution and exhibition company active from 1927 until 1970 when it was absorbed into EMI. ABPC also owned approximately 500 cinemas in Britain by 1943, and in the 1950s and 60s owned a station on the ITV television network. The studio was partly owned by Warner Bros. from about 1940 until 1969; the American company also owned a stake in ABPC's distribution arm, Warner-Pathé, from 1958. It formed one half of a vertically integrated film industry duopoly in Britain with the Rank Organisation.
Red Ensign is a 1934 film directed by British filmmaker Michael Powell. It is an early low-budget "quota quickie".
Alberto de Almeida Cavalcanti was a Brazilian-born film director and producer. He was often credited under the single name "Cavalcanti".
Charles Herbert Frend was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as Scott of the Antarctic (1948) and The Cruel Sea (1953).
Whisky Galore! is a 1949 British comedy film produced by Ealing Studios, starring Basil Radford, Bruce Seton, Joan Greenwood and Gordon Jackson. It was the directorial debut of Alexander Mackendrick; the screenplay was by Compton Mackenzie, an adaptation of his 1947 novel Whisky Galore, and Angus MacPhail. The story—based on a true event, the running aground of the SS Politician—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of wartime rationing. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local Customs and Excise men.
The Big Blockade is a 1942 British black-and-white war propaganda film in the style of dramatised documentary. It is directed by Charles Frend and stars Will Hay, Leslie Banks, Michael Redgrave and John Mills. It was produced by Michael Balcon for Ealing Studios, in collaboration with the Ministry of Economic Warfare.
Frederick Penrose "Pen" Tennyson was a British film director whose promising career was cut short when he died in a plane crash. Tennyson gained experience as an assistant director to Alfred Hitchcock in several of his British films during the 1930s. Tennyson directed three films between 1939 and his death in 1941.
"Fable" is a British television play, shown on 27 January 1965 as an episode of The Wednesday Play series on BBC 1. Written by John Hopkins, the play is set in a parallel totalitarian Britain where those in authority are black people, and white people are their social underdogs - a reversal of the situation in contemporary apartheid South Africa.
Turned Out Nice Again is a 1941 British comedy film directed by Marcel Varnel and starring the Lancashire-born comedian George Formby.
Sailors Three is a 1940 British war comedy film directed by Walter Forde and starring Tommy Trinder, Claude Hulbert and Carla Lehmann. This was cockney music hall comedian Trinder's debut for Ealing, the studio with which he was to become most closely associated. It concerns three British sailors who accidentally find themselves aboard a German ship during the Second World War.
The White Ship is a 1941 Italian war film directed by Roberto Rossellini. Its cast was made up entirely of amateur actors, many of them the real crew of a hospital ship of the Italian navy. The production was a work of propaganda intended to support the war aims of the Fascist Italian regime during the Second World War. It was made with the close co-operation of the Italian Navy, particularly Francesco De Robertis. Vittorio Mussolini, the son of the Italian dictator, was also a supporter of the project.