Yifawn Lee is the founder of Asian Art Hong Kong (AAHK) and the publisher of Orientations magazine. [1] [2]
Lee earned her BA at Columbia University with a double major in East Asian languages and cultures and economics. She received her master's degree in Economics from the London School of Economics and Political Science before working in investment banking with Lehman Brothers in Hong Kong. She later took a further MA in East Asian art at Sotheby's Institute of Art. [3]
Bruce Lee was a Hong Kong and American martial artist, actor, director, and philosopher. He was the founder of Jeet Kune Do, a hybrid martial arts philosophy drawing from different combat disciplines that is often credited with paving the way for modern mixed martial arts (MMA). Lee is considered by critics, media, and other martial artists to be the most influential martial artist of all time and a pop culture icon of the 20th century, who bridged the gap between East and West. He is credited with promoting Hong Kong action cinema and helping to change the way Asians were presented in American films.
The Four Asian Tigers are the developed East Asian economies of Hong Kong, Singapore, South Korea, and Taiwan. Between the early 1950s and 1990s, they underwent rapid industrialization and maintained exceptionally high growth rates of more than 7 percent a year.
The University of Hong Kong is a public research university in Pok Fu Lam, Hong Kong. Founded in 1887 as the Hong Kong College of Medicine for Chinese, it is the oldest tertiary institution in Hong Kong.
Coco Lee is a Chinese-American singer-songwriter, record producer, dancer, and actress. Lee's career began in Hong Kong and then expanded to Taiwan. Her single, "Do You Want My Love" also entered the US music charts. Her first full-length English-language album was Just No Other Way (1999). At the Oscars, she performed the Best Original Song nominated, "A Love Before Time" from the movie Crouching Tiger, Hidden Dragon.
Anson Maria Elizabeth Chan Fang On-sang, is a retired Hong Kong politician and civil servant who was the first ethnic Chinese and woman to serve as Chief Secretary, the second-highest position in both the British colonial government and the Hong Kong SAR government under the Chinese sovereignty from 1993 until she retired from the government in 2001, sparking speculations of her growing rift with Chief Executive Tung Chee-hwa.
Cyd Ho Sau-lan is a former member of the Legislative Council of Hong Kong (Legco) for the Hong Kong Island constituency.
Nancy Kwan Ka-shen is a Chinese-American actress, philanthropist, and former dancer. In addition to her personality and looks, her career was benefited by Hollywood's casting of more Asian roles in the 1960s, especially in comedies.
Wendi Deng Murdoch is a Chinese-born American entrepreneur, investor, movie producer, media mogul, and collector of Chinese contemporary art.
Starry Lee Wai-king, SBS, JP is a Hong Kong politician, chairperson of the largest pro-establishment Beijing-loyalist party, the Democratic Alliance for the Betterment and Progress of Hong Kong (DAB). She is a Legislative Councillor for the Kowloon Central geographical constituency and a Kowloon City District Councillor. From 2012 to 2016, she was a member of the Executive Council.
Lesbian, gay, bisexual, transgender (LGBT) persons in Hong Kong, may face legal challenges not experienced by non-LGBT residents.
Jeannie Cho Lee is a Hong Kong-based, Korean-American wine critic, author, journalist, consultant, wine educator and Master of Wine, the first ethnic Asian to achieve this accreditation. She was 25th on Decanter's Power List 2013.
Fang Zhaoling, also known as Lydia Fong, was a Chinese painter and calligrapher.
Sarah Lee Wai-sze, BBS, MH is a Hong Kong professional track cyclist.
Orientations is a bimonthly print magazine published in Hong Kong and distributed worldwide since 1969. It is an authoritative source of information on the many and varied aspects of the arts of East and Southeast Asia, the Himalayas, the Indian subcontinent and the Middle East, from the latest scholarly research to market analysis and current news. The articles are contributed by leading academics and curators around the world and its readers are collectors, gallerists, academics and students. It is an essential addition to any art library.
Phoebe Man is a conceptual artist, media sculptor and independent curator based in Hong Kong. Her works have been shown in local and international art exhibitions, including Venice Biennale, Shanghai Biennale, Gwangju Biennale, and European Media Art Festival. Her works were included in Asian Art, The Art of Modern Chinaand Hong Kong Eye: Hong Kong Contemporary Art.
Tseng Yu-ho, who is also known as Betty Ecke, was an artist, art historian and educator.
Kitty Ko Sin Tung is a visual artist from Hong Kong. She is a graduate from the Department of Fine Arts at The Chinese University of Hong Kong. Her art explores the relationship with the urban environment, domestic space, and impact of condition. She is represented by Edouard Malingue Gallery in Hong Kong.
Jaffa Lam is a Chinese visual artist. She is known for her mixed-media sculptures and site-specific works that inquire into Hong Kong culture and history. Lam often uses recycled materials such as found fabric or wood from construction sites. She began focusing on community engagement and socially responsible art at the time of the SARS outbreak in Hong Kong in 2003. And since then, she has created many community-driven projects in Hong Kong and abroad. In 2006, she received the Asian Cultural Council's Desiree and Hans Michael Jebsen Fellowship. Her works have been acquired by public institutions, including Hong Kong Museum of Art, Hong Kong Heritage Museum, and Chinese University of Hong Kong. Lam is also known as an educator. She is currently Academic Head at the Hong Kong Art School.
Sir Joseph Edward Hotung was a Hong Kong businessman, art collector, and philanthropist.
Rosa Lee (1957–2009) was a Hong Kong-born British painter, teacher and writer. She was known for her layered and textured paintings created using oil and wax and constructed using lace-like stencils and spray through paper doilies. “Lee’s paintings demand a shifting of critical categories towards a re-evaluation of the ‘merely’ decorative in painting.”