Yowie | |
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Background information | |
Origin | St. Louis, Missouri, United States |
Genres | Math rock, noise rock, jazz rock |
Years active | 2001–present |
Labels | Skin Graft |
Website | www |
Members |
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Yowie is an experimental rock band from St. Louis, Missouri, founded in 2000. The original lineup consisted of Jeremiah Wonsewitz on electric guitar, Jimbo "Moppy" or "Lil' Pumpkin" on electric guitar and Shawn "The Defenestrator" O'Connor on drums.
Yowie plays a complex style of unprocessed instrumental math rock, composed of meticulously arranged pieces that rely on compositional techniques that are seldom heard in rock based music. It is high-velocity music of intense discipline, rigid structure and focused force. [1] The music has been compared to math rock bands such as Hella, Tera Melos, Arab on Radar, Ahleuchatistas, Don Caballero and Zeuhl band Koenji Hyakkei. [2] [3]
Despite these attempts at reference points, the band's sound remains difficult to characterize. There have been many attempts at describing the uniqueness of Yowie's sound, such as by Diana Benanti of the Riverfront Times, saying that "Music like this can't be made by mere people and yet, you couldn't write a computer program capable of producing this kind of brain damage. It's so grand in composition but honed and microperfected until words like 'tempo,' 'rhythm' and 'melody' become meaningless abstractions." [4]
Yowie have been signed to Skin Graft Records since 2001, and spent three years writing and recording their debut album Cryptooology , released in 2004.
Yowie recorded a song for Sides 11-14 of the Skin Graft AC/DC series along with Colossamite, Pre, and Mule.
After many years of writing and some years of contention with one of the band members, they reformed and recorded their second album, Damning With Faint Praise at Key Club Studios in Michigan in July, 2011. Jimbo left the band upon completion of the recording, and was replaced by Christopher Trull (formerly of Grand Ulena). The group toured Europe extensively in 2012 to support Damning with Faint Praise.
Yowie recorded their third album Synchromysticism in August 2016. It was released in April 2017 on Skin Graft Records. [5]
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." It mainly consisted of material by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
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Dazzling Killmen was an American math rock band from the St. Louis, Missouri area. Formed in 1990, the group issued four singles and two full-lengths before officially ending in 1995, with a majority of it released through the independent label Skin Graft Records. Taking influence from hardcore punk and jazz music, the band has been noted by critics to have helped influence genres such as math rock and post-metal.
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Cryptooology is the debut studio album by American experimental rock band Yowie, released by Skin Graft Records on October 5, 2004. Yowie—a trio of two guitarists and a drummer—recorded the album earlier that year at a studio in their hometown of St. Louis. Yowie had written and refined the album's seven instrumental songs through four years of rehearsal, and devoted close attention to every part of their music, including segments that were only a few seconds long. Played in a technically demanding vein of math rock, the compositions sound chaotic and random, with little repetition. Critics have compared the album to works by other bands such as Ruins, U.S. Maple, DNA, and Mars. Cryptooology has received praise for its musical complexity and stylistic radicalism, but even positive reviews typically caution that the album is liable to strike listeners as ugly or baffling.