Yvonne Wells

Last updated
Yvonne Wells
Yvonne Wells with Yesterday III at Realizing the Dream Concert (1990).jpg
Yvonne Wells with her quilt Yesterday: Civil Rights in the South III (1989) at the first Realizing the Dream concert in Tuscaloosa, AL on January 13, 1990.
Born (1939-12-26) December 26, 1939 (age 84)
Alma mater Stillman College
Occupations
  • Quiltmaker
  • Folk Artist
Years active1979–present

Yvonne Wells (born December 26, 1939, Tuscaloosa, Alabama) [1] is an African-American folk artist and quilter from Tuscaloosa, Alabama. She is best known for her self-taught style and her story quilts depicting scenes from the Bible and the Civil Rights Movement. Her work has been exhibited at the Smithsonian National Museum of African American History and Culture and at the International Quilt Museum.

Contents

Early life

Wells's mother was an elementary school teacher, and her father was a Presbyterian minister. As a child, she played sports competitively, including on a traveling softball team. [2] Wells was one of nine children. [1] Both her parents passed away before Wells had completed her bachelor's degree at Stillman College, where she studied Physical Education. Her siblings also studied at Stillman. [3]

After college, Wells worked as a physical education instructor at Druid High School in Tuscaloosa, her alma mater, until in 1970 she was hired to teach at Tuscaloosa High School, where she experienced firsthand the struggles of school integration in Alabama. [3] [1] In 2009, recalling the civil rights era, she told an interviewer that “During that time it was the most tense time that I have ever experienced between the races. You could just almost cut it." [3]

Wells retired from teaching in 2000. [4]

Arts career

Despite coming from a region renowned for African-American quilters like Mozell Benson, Nora Ezell, and the quilter's cooperative in Gee's Bend, Wells did not grow up in a tradition of quilting and did not began her craft until middle age. She made her first quilt in 1979. [1]

A self-taught artist, Wells describes her process as born originally from a utilitarian desire for a warm garment, which spurred a long artistic career making more creative quilts. In 2010, Wells told American Studies professor Stacy Morgan, "[W]hen I first got started I was piecingmy kind of piecing. There was no pattern. It was just fabric, or curtains, or clothes, or socks, or anything that I was using at the onset." [2] In 2011, Wells said that she had begun using a quilting frame, but that most of her work still took place sitting on the floor. [5]

In the mid-1980s, Wells began creating her signature "story" and "picture" quilts, incorporating a diverse range of found materials and sewing mostly by hand. Her 1986 quilt, "Crucifixion", which depicts the biblical scene, is the first example of a story quilt in her oeuvre. At her most prolific, Wells has said she produced "about twenty quilts a month," even while teaching full time. [2]

The first exhibition of Wells's quilts was in 1985, at the Kentuck Art Festival in Northport, Alabama, after her agent, a Tuscaloosa folk art dealer named Robert Cargo, convinced her to show her work in public. [2] That year, her quilts were awarded Best in Show, an award she went on to receive at the festival again in 1990, 1991, 1995, 1997, and 2004.

One of Wells's first exhibitions outside of Alabama was in the 1989 traveling quilt exhibit "Stitching Memories: African-American Story Quilts," shown, among other places, at Williams College of Art in Massachusetts. [6] Since then, Wells has exhibited quilts in galleries and museums including the Smithsonian National Museum of African American History and Culture, the International Quilt Museum, and the Flint African American Quilters Guild. [7] Wells's quilts have also appeared on Hallmark cards, and in 1993 she was invited to design an ornament for the White House Christmas Tree. [8]

In an interview, Wells said, "My work is not traditional. I like it that way. If people tell me to turn my ends under, I'll leave them raggedy. If they tell me to make my stitches small and tight. I'll leave them loose. Sometimes you can trip over my stitches they're so big. You can always recognize the traditional quilters who come by and see my quilts. They sort of cringe.” [9]

Wells has received the 1998 Alabama Arts and Visual Craftsmen award and the 2019 Governor's Arts Award from the Alabama State Council on the Arts., [10] [11] Her work is held in the permanent collections of the Montgomery Museum of Fine Art, The Birmingham Museum of Art, the Kentuck Arts Center, the National Museum of African American History, and the International Quilt Museum. [12] [13] [14] [15] [16]

In 2018 and 2019, Wells served as Creative Director for the Tuscaloosa 200 Bicentennial Project, where she oversaw the creation of a collaborative quilt commemorating the occasion. [17]

New York Times art critic Martha Schwendener called Wells's 1989 quilt "Yesterday: Civil Rights in the South III" an "epic quilt that shows the Mayflower arriving in North America, with a black man rowing a white man ashore." [18] Schwendener compared Wells's quilting practice to that of Harriet Powers, a 19th-century slave in Georgia who made quilts that told stories from the Bible. In 2024, Wells and her work were the subject of the book and catalogue raisonné The Story Quilts of Yvonne Wells. [19]

Noted works

Selected exhibitions

Book

Stacy I. Morgan and Yvonne Thomas Wells, The Story Quilts of Yvonne Wells (Tuscaloosa: University of Alabama Press, 2024).

Related Research Articles

<span class="mw-page-title-main">Quilting</span> Process of sewing layers of fabric together to make a padded material

Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.

<span class="mw-page-title-main">Quilt</span> Bedcover made of multiple layers of fabric sewn together, usually stitched in decorative patterns

A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".

<span class="mw-page-title-main">Northport, Alabama</span> City in Alabama, United States

Northport is a city in Tuscaloosa County in the west central part of the State of Alabama. Located on the Black Warrior River across from downtown Tuscaloosa, it is currently the 17th largest city in Alabama with a population of 31,125 in the 2020 US Census. It incorporated in 1871. It is part of the Tuscaloosa Metropolitan Statistical Area.

Jimmy Lee Sudduth was a prominent artist and blues musician from Fayette, Alabama, U.S.

Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art is typically hung or mounted.

<span class="mw-page-title-main">Quilts of Gee's Bend</span> Quilting tradition of Gees Bend, Alabama

The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.

Amalia K. Amaki is an African-American artist, art historian, educator, film critic and curator who recently resided in Tuscaloosa, Alabama, where she was Professor of Modern and Contemporary Art at the University of Alabama at Tuscaloosa from 2007 to 2012.

Yvonne Porcella was an American art quilter.

Wini "Akissi" McQueen is an American quilter based in Macon, Georgia. Her artistic production consists of hand-dyed accessories and narrative quilts. Her techniques for her well-known quilts include an image transferring process. In her work, she tackles issues of race, class, society, and women. Her quilts have featured in many museum exhibitions, including the Museum of African American Folk Art, the Taft Museum, the Bernice Steinbam Gallery, and the William College Art Museum. In 2020, her quilts were featured in a retrospective dedicated to her textile art at the Museum of Arts & Sciences in Macon, GA.

<span class="mw-page-title-main">Mary Lee Bendolph</span> American quilt maker

Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.

The Freedom Quilting Bee was a quilting cooperative based in Wilcox County, Alabama that operated from 1966 until 2012. Originally begun by African American women to generate income, some of the Bee's quilts were displayed in the Smithsonian Institution.

<span class="mw-page-title-main">Lucy Mingo</span> American quilt maker

Lucy Marie (Young) Mingo is an American quilt maker and member of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. She was an early member of the Freedom Quilting Bee, which was an alternative economic organization created in 1966 to raise the socio-economic status of African-American communities in Alabama. She was also among the group of citizens who accompanied Martin Luther King Jr. on his 1965 march from Selma to Montgomery, Alabama.

Chawne Monique Kimber is an African-American mathematician and quilter, known for expressing her political activism in her quilts. She was a professor at Lafayette College, where she headed the department of mathematics. Kimber is now the Dean of the College at Washington and Lee University.

Bisa Butler is an American fiber artist who has created a new genre of quilting that has transformed the medium. Although quilting has long been considered a craft, her interdisciplinary methods—which create quilts that look like paintings—have catapulted quilting into the field of fine art. She is known for her vibrant, quilted portraits celebrating Black life, portraying both everyday people and notable historical figures. Her works now count among the permanent collections at the Smithsonian National Museum of African American History and Culture, the Art Institute of Chicago, Pérez Art Museum Miami and about a dozen other art museums nationwide. She has also exhibited at the Smithsonian Museum of American History, the Epcot Center, the National Underground Railroad Freedom Center, and many other venues. In 2020, she was commissioned to quilt cover images for Time magazine, including the "Person of the Year" issue and its "100 Women of the Year" issue. With a multi-year wait list for private commissions, one of Butler's quilts sold at auction in 2021 for $75,000 USD.

<span class="mw-page-title-main">Willie Abrams</span> American artist and quilter

Willie Abrams (1897–1987), also known as Ma Willie, was an American artist. She was a member of the Freedom Quilting Bee, along with her daughter Estelle Witherspoon, and is associated with the Gee's Bend quilters. Some of “Ma” Willie’s quilts are in the permanent collection of The Metropolitan Museum of Art and the Fine Arts Museum of San Francisco.

Irene Williams (1920–2015) was an American artist. She is associated with the Gee's Bend quilting collective, although she made her quilts "in solitude" and "uninfluenced." Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art, the Indianapolis Museum of Art, the Museum of Fine Arts Boston, and the National Gallery of Art.

Magalene Wilson (1898–2001), also known as Magdalene Wilson, was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston, and is included in the collection of the Philadelphia Museum of Art.

Nettie Pettway Young (1916–2010) was an American artist. She is associated with the Gee's Bend quilting collective and was an assistant manager of the Freedom Quilting Bee. Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art and the Nasher Museum of Art.

<span class="mw-page-title-main">Polly Bennett</span> American artist

Polly Mooney Bennett (1922–2003) was an American artist. She is associated with the Gee's Bend quilting collective and was a member of the Freedom Quilting Bee. Her work has been exhibited in the Museum of Fine Arts, Houston.

Viola Canady was an African American quiltmaker. Canady discovered her passion for quilting through exposure to its processes as a child. She was the co-founder of the Daughters of Dorcas and Sons Quilting Guild of Washington, D.C. Canady created a wall hanging for the Charles Sumner school and it is exhibited at the Sumner museum. One of Canady's most notable pieces is the Cathedral Window Quilt.

References

  1. 1 2 3 4 "Yvonne Wells". Montgomery Museum of Fine Arts. Retrieved 26 August 2020.
  2. 1 2 3 4 Morgan, Stacy (2011). ""Anything I Can Stick a Needle In": An Interview with Yvonne Wells". Alif: Journal of Comparative Poetics (31): 63–104. ISSN   1110-8673. JSTOR   23216048 . Retrieved 26 August 2020.
  3. 1 2 3 Sartorius, Tara Cady (February 2009). "SOULFUL SURVIVOR SEWING". Art Across the Curriculum. 145 (1): 22–24. ISSN   0004-3931. OCLC   347192201 . Retrieved 26 August 2020.
  4. LACEY, TIFFANY (2 December 2003). "The Quilter: Yvonne Wells". Tuscaloosa News. Retrieved 26 August 2020.
  5. "International Quilt Study Center and Museum: Yvonne Wells Technique Q&A, 2011". YouTube . Retrieved 26 August 2020.
  6. Grudin, Eva Ungar. Stitching memories: African-American story quilts. Williams College Museum of Art. OCLC   741517322 . Retrieved 26 August 2020.
  7. Ketchem III, William (24 August 2012). "Yvonne Wells, more than 50 pieces to appear in Flint African American Quilters Guild exhibit". mlive. Retrieved 2 September 2020.
  8. Ketchum III, William (10 September 2012). "Master quilter Yvonne Wells talks Hallmark, White House, career history". mlive. Retrieved 2 September 2020.
  9. Sartorius, Tara Cady (2009). "SOULFUL SURVIVOR SEWING". Arts and Activities. 145 (1): 22–24. ISSN   0004-3931. OCLC   347192201 . Retrieved 2 September 2020.
  10. "Yvonne Wells – 2019 Governor's Arts Award Recipient". MMFA. 23 May 2019. Retrieved 2 September 2020.
  11. "Alabama State Council on the Arts". arts.alabama.gov. Retrieved 2 September 2020.
  12. "Yvonne Wells". Montgomery Museum of Fine Arts. Retrieved 2 September 2020.
  13. "Proverbs Quilt | Birmingham Museum of Art". artsbma.org. Retrieved 2 September 2020.
  14. "Meet the Artist: Yvonne Wells". Kentuck Art Center. 11 June 2020. Retrieved 2 September 2020.
  15. "Noah's Ark applique quilt made by Yvonne Wells". National Museum of African American History and Culture. Retrieved 2 September 2020.
  16. Carter-Lome, Maxine (6 August 2020). "Great Collections: Robert and Helen Cargo Collection of African-American Quilts at the International Quilt Museum". The Journal of Antiques and Collectibles. Retrieved 2 September 2020.
  17. "BICENTENNIAL QUILT". Tuscaloosa200. Retrieved 2 September 2020.
  18. Schwendener, Martha (15 November 2014). "The Practical Art of Quilting". The New York Times. Retrieved 2 September 2020.
  19. Morgan, Stacy I. and Yvonne Thomas Wells (September 2024). The Story Quilts of Yvonne Wells. Tuscaloosa: University of Alabama Press. ISBN   9780817361389 . Retrieved 7 July 2024.
  20. "African American Quilts from the Robert and Helen Cargo Collection". www.tfaoi.com. Retrieved 2 September 2020.
  21. "Elivs". QuiltIndex.org. Retrieved 2 September 2020.
  22. "Noah's Ark applique quilt made by Yvonne Wells". National Museum of African American History and Culture. Retrieved 2 September 2020.
  23. "Yesterday: Civil Rights in the South III". mmfa.org. Retrieved 2 September 2020.
  24. 1 2 "Yvonne Wells: Quilted Messages | International Quilt Museum - Lincoln, NE". www.internationalquiltmuseum.org. Retrieved 2 September 2020.
  25. Malarcher, Patricia (24 February 1991). "CRAFTS; A History Told in Patches and Patterns". The New York Times. Retrieved 2 September 2020.
  26. "The Clarion American Folk Art Museum". Issuu: 79. Fall 1991. Retrieved 2 September 2020.
  27. "International Exposure for Alabama's Visual Artists" (PDF). Alabama Arts: 16*22. Spring 2000. Retrieved 2 September 2020.
  28. Hales, Linda (4 October 2003). "They Come From Alabama With a Blanket Artistry". Washington Post. Retrieved 2 September 2020.
  29. Times, Special to The. "GMA celebrates Black History Month". Gadsden Times. Retrieved 2 September 2020.
  30. Ketchum III, William (24 August 2012). "Yvonne Wells, more than 50 pieces to appear in Flint African American Quilters Guild exhibit". mlive. Retrieved 2 September 2020.
  31. "Quilt artwork on display at Carnegie". Decatur Daily. Retrieved 2 September 2020.
  32. jim.hendricks@albanyherald.com, Jim Hendricks. "FROM HEART TO HAND: Albany Museum of Art features quilts by African-American women". Albany Herald. Retrieved 2 September 2020.
  33. "The Original Makers: Folk Art from the Cargo Collection". www.artsbma.org. June 2018. Retrieved 2 September 2020.
  34. "MutualArt.com - The Web's Largest Art Information Service". www.mutualart.com. Retrieved 2 September 2020.