The rich and varied music of Sudan has traditional, rural, northeastern African roots and also shows Arabic, Western or other African influences, especially on the popular urban music from the early 20th century onwards. Since the establishment of big cities like Khartoum as melting pots for people of diverse backgrounds, their cultural heritage and tastes have shaped numerous forms of modern popular music. In the globalized world of today, the creation and consumption of music through satellite TV or on the Internet is a driving force for cultural change in Sudan, popular with local audiences as well as with Sudanese living abroad.
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.
The music of Greenland is a mixture of two primary strands, Inuit and Danish, mixed with influences from the United States and United Kingdom.
The music of Bhutan is an integral part of its culture and plays a leading role in transmitting social values. Traditional Bhutanese music includes a spectrum of subgenres, ranging from folk to religious song and music. Some genres of traditional Bhutanese music intertwine vocals, instrumentation, and theatre and dance, while others are mainly vocal or instrumental. The much older traditional genres are distinguished from modern popular music such as rigsar.
Though reggae music first developed in Jamaica, it has strong rhythmic and thematic associations with Africa and has been called "the quintessential African/third world/black musical form". There are many African reggae musicians with a wide fan base both on the continent and abroad. Well-known African reggae artists are Alpha Blondy, Pax Nindi aka Harare Dread, Majek Fashek, Tiken Jah Fakoly, Colbert Mukwevho,Thomani Tshikororo, Ismael Isaac, Radical Dread, Jambo, Soul Raiders, Lucky Dube, and Serges Kassy.
The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.
The diverse culture of Ivory Coast, a coastal West African country bordered by Ghana, Liberia, Mali, Burkina Faso, and Guinea, is exemplified by a multitude of ethnic groups, events, festivals, music, and art.
The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.
"Galang" is the debut single by British musician M.I.A. from her debut album Arular. It was released in 2003 on Showbiz Records which pressed 500 vinyl copies, gaining immediate international recognition via radio airplay, fashion shows, club rotations and internet filesharing. "Galang" was re-released on 1 November 2004 via XL Recordings as the second single from the album released by the label and was released for a third time as "Galang '05" on 11 October 2005 by the label and in the US by Interscope Records. It is written by Maya "M.I.A." Arulpragasam, Justine Frischmann, Ross Orton and Steve Mackey. It first appeared on M.I.A.'s six song demo tape in 2003, then on her official Myspace account on 9 June 2004 and was later reworked slightly by Orton and Mackey who received production credit for the song. "Galang" was the second song M.I.A. wrote on her Roland MC-505, intending for the piece to be performed by Frischmann's band Elastica. Inspired by her experiences and observations of life in London, M.I.A. wrote the song to encourage her friends in the band to continue to make music. However, after cowriting the song, Frischmann convinced M.I.A. to record "Galang" herself, complimenting the piece's lyrical narrative and music direction.
Mbalax is the urban dance music of Senegal, Mauritania and the Gambia. The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism. A cultural value proved by Wolof is their one's and respect of other cultural and musical practices. Therefore the origins of mbalax include a fusion of Wolof, Soce, and Serer music, rhythms, and instrumentation. The Wolof ability to include the diverse styles from Senegambian groups has allowed the sabar and its modern music formation to thrive. It is not uncommon, for example, for a sabar event to include music of the Serer such as the njuup, which is connected to sacred ndut rite ceremonies. In this way many ethnic groups may participate and the inclusion also increases the accessibilyt and popularity of the genre. In the 1970s, mbalax arose as Senegalese fused indigenous music styles with urban dance music from the African diaspora, the West, and the continent. These foreign sounds included U.S. soul, jazz, and salsa. Afro Cuban musics from the diaspora, Congolese rumba, and rock were also fused with the rhythms of sabar that were now played on the electric bass, guitar and keyboards.
Jaipongan, also known as Jaipong is a popular traditional dance of Sundanese people from Indonesia. The dance was created by Gugum Gumbira, based on the traditional Sundanese Ketuk Tilu music and pencak silat movements.
Baile folklórico, "folkloric dance" in Spanish, also known as ballet folklórico, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics – pointed toes, exaggerated movements, highly choreographed. Baile folklórico differs from danzas and regional bailes. Although it has some association from “danzas nationalists". Folk dances", that is, "dances that you will find in the villages, not on stage" were researched and disseminated by Alura Angeles de Flores. Each region in Mexico, the Southwestern United States and Central American countries is known for a handful of locally characteristic dances.
The Harlem shake is a style of hip-hop dance characterized by jerky arm and shoulder movements in time to music. The dance was created by Harlem resident Al B. in 1981; the dance was initially called "The Albee" or "The Al. B.". As indicated by the name, it is associated with the predominantly African American neighborhood of Harlem, in New York City. The dance became known as the Harlem Shake as its prominence grew beyond the neighborhood. In 2001 G. Dep's music video for the song "Let's Get It" introduced the dance to the mainstream.
The Boruca are the indigenous people living in Costa Rica. The tribe has about 2,660 members, most living on a reservation in the Puntarenas Province in southwestern Costa Rica, a few miles away from the Pan-American Highway following the Rio Terraba. The ancestors of the modern Boruca made up a group of chiefdoms that ruled most of Costa Rica's Pacific coast, from Quepos to what is now the Panamanian border, including the Osa Peninsula. Boruca traditionally spoke the Boruca language, which is now nearly extinct.
The culture of Assam is traditionally a hybrid one, developed due to cultural assimilation of different ethno-cultural groups under various political-economic systems in different periods of its history.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
"Swords" is a song by British recording artist M.I.A. The track was written by M.I.A., Jerry Leembruggen, Ruben Fernhout, Yo Yo Honey Singh, Tevin Plaate and Kaushal Sahil. Leembruggen and Fernhout are part of the Partysquad, who produced the song alongside M.I.A. and Spanker. The track is centred around the sound of clinging swords, recorded during filming the music video, and was completed overnight during the singer's stay in India.
The Indian state West Bengal has a rich cultural heritage. Due to the reign of many different rulers in the past, arts and crafts in West Bengal underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, terracotta, painting and carving, dances and music.
"Mia Khalifa" (originally titled "Mia Khalifa (Diss)", also known as "Hit or Miss", and sometimes stylized as "MiA KHALiFA") is a song by American hip hop group iLoveFriday (stylized as iLOVEFRiDAY). The duo of Atlanta-based rappers Aqsa Malik (also known as Smoke Hijabi) and Xeno Carr self-released the song on February 12, 2018, which was later re-released by Records Co and Columbia Records on December 14, 2018. It was included on their second EP, Mood (2019). The song was produced by Carr. The song is a diss track targeting Mia Khalifa, a Lebanese-American Internet celebrity and former pornographic actress. The decision to write a song dissing Khalifa arose over a misunderstanding. A faked screenshot, intended as a joke, seemed to show Khalifa, who once appeared in a pornographic film wearing a hijab, criticizing Malik for smoking while wearing a hijab in a music video. iLoveFriday thought the screenshot was legitimate.
Budots is an electronic dance music (EDM) genre that originated in Davao City, Philippines, and is considered as street style techno. It eventually spread in Bisaya-speaking regions. Based on techno and house music with Sama-Bajau tangonggo rhythms, it is regarded as the first "Filipino-fied" electronic music, characterized by its aggressive percussion, heavy use of sampling, off-beat basslines, high-pitched "tiw ti-ti-tiw" whistle hooks, and organic noises that surround the city. It is created to complement a form of freestyle street dance that bears the same name.
