Zierscheibe (German for "ornamental disk") in archaeology is the term for a kind of metal jewellery dating to the European Iron Age. They are found in graves and are thought to have been worn as pendants attached to the tunica, or as part of a belt pouch.
Early examples date to the Late Bronze Age (ca. 800 BC). They develop into characteristic designs notably attested from Alamannic graves from the migration period.
Jewellery or jewelry consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used.
A brooch is a decorative jewelry item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.
The Hallstatt culture was the predominant Western and Central European culture of Late Bronze Age from the 12th to 8th centuries BC and Early Iron Age Europe from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic populations. Older assumptions of the early 20th century of Illyrians having been the bearers of especially the Eastern Hallstatt culture are indefensible and archeologically unsubstantiated.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century, of the pseudo-penannular type. It is made from bronze, silver and gold, with a head formed from a circular ornate ring that is intricately decorated on both sides. Its upper half is hollow while the lower half is solid with fused terminals. The brooch was constructed from numerous individually made pieces, and its front and reverse sides are both decorated with around 50 inserted cast panels containing highly ornate filigree. The borders and terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind, and would have been commissioned to be worn as a fastener for the cloak of a high ranking cleric or as ceremonial insignia of high office for a High King of Ireland in Irish Early Medieval society.
A Luckenbooth brooch is a Scottish heart-shaped brooch. These brooches often have a crown above one heart, or two intertwined hearts. They are typically made of silver and may be engraved or set with stones.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.
The quoit brooch is a type of Anglo-Saxon brooch found from the 5th century and later during the Anglo-Saxon settlement of Britain that has given its name to the Quoit Brooch Style to embrace all types of Anglo-Saxon metalwork in the decorative style typical of the finest brooches. The brooches take their modern name from the rings thrown in the game of quoits, and have the form of a broad ring, or circle with an empty centre, usually in bronze or silver, and often highly decorated. The forms are in a very low relief, so contrasting with other early Anglo-Saxon styles, with detail added by shallow engraving or punching within the main shapes. Dots or dashes are often used to represent fur on the animal forms, as well as lines emphasizing parts of the body. They are fixed with a single, straight hinged pin like those of other Anglo-Saxon ring or Celtic brooches and are further defined by the presence of a slot and pin-stops on the ring.
Cumwhitton is a small village and civil parish close to Carlisle in Cumbria, England. It lies just east of the M6 and the nearest train station is located in Wetheral, 3 miles away. Cumwhitton is often confused with the nearby village of Cumwhinton in Wetheral parish. The population of the civil parish as taken at the 2011 Census was 310.
The Pictish Beast is an artistic representation of an animal depicted on Pictish symbol stones.
The Mace of the United States House of Representatives, also called the Mace of the Republic, is a ceremonial mace and one of the oldest symbols of the United States government. It symbolizes the governmental authority of the United States, and more specifically, the legislative authority of the House of Representatives.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period. For a period of several centuries, people in many countries dressed differently depending on whether they identified with the old Romanised population, or the new populations such as Franks, Anglo-Saxons, Visigoths. The most easily recognisable difference between the two groups was in male costume, where the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume, coming below the knee, and often to the ankles. By the end of the period, these distinctions had finally disappeared, and Roman dress forms remained mainly as special styles of clothing for the clergy – the vestments that have changed relatively little up to the present day.
The Canterbury Cross is one of the crosses that are used to symbolise the Christian faith. It is so called because it was designed after a Saxon brooch, dating c. 850 that was found in 1867 in Canterbury, England.
The Celtic brooch, more properly called the penannular brooch, and its closely related type, the pseudo-penannular brooch, are types of brooch clothes fasteners, often rather large; penannular means formed as an incomplete ring. They are especially associated with the beginning of the Early Medieval period in Ireland and Britain, although they are found in other times and places—for example, forming part of traditional female dress in areas in modern North Africa.
The Street House Anglo-Saxon cemetery is an Anglo-Saxon burial ground, dating to the second half of the 7th century AD, that was discovered at Street House Farm near Loftus, in the unitary authority of Redcar and Cleveland, England. Monuments dating back as far as 3300 BC are located in the vicinity of the cemetery, which was discovered after aerial photography revealed the existence of an Iron Age rectangular enclosure. The excavations, carried out between 2005 and 2007, revealed over a hundred graves dating from the 7th century AD and the remains of several buildings. An array of jewellery and other artefacts was found, including the jewels once worn by a young high-status Anglo-Saxon woman who had been buried on a bed and covered by an earth mound.
The Tangendorf disc brooch is an Iron Age fibula from the 3rd century AD, which was dug up in 1930 from the sand of a Bronze Age tumulus near Tangendorf, Toppenstedt, Harburg, Lower Saxony, Germany. The front of the elaborately crafted garment fibula is decorated with a rear-facing four-legged animal, probably a dog or a deer. It is one of Harburg's most important finds from the period of the Roman Empire, and is in the permanent exhibition of the Archaeological Museum Hamburg in Harburg, Hamburg.
A disc fibula or disc brooch is a type of fibula, that is, a brooch, clip or pin used to fasten clothing that has a disc-shaped, often richly decorated plate or disc covering the fastener. The terms are mostly used in relation to the Middle Ages of Europe, especially the earlier part of the period. They were the most common style of Anglo-Saxon brooches.
The Pliezhausen brooch is a gold disc decorated with figures that was discovered in 1928 during excavations in Pliezhausen, in the county of Reutlingen in Germany, in the grave of a wealthy Alemannic woman dating to the early 7th century and which was the front of a disc fibula. It is one of the few artifacts of the Early Middle Ages which portrays the figures of people.
Anglo-Saxon brooches are a large group of decorative brooches found in England from the fifth to the eleventh centuries. In the early Anglo-Saxon era, there were two main categories of brooch: the long (bow) brooch and the circular (disc) brooch. The long brooch category includes cruciform, square-headed, radiate-headed, and small-long brooch brooches. The long brooches went out of fashion by the end of the sixth century.
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