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The Evil Dead is a 1981 American supernatural horror film written and directed by Sam Raimi, produced by Robert Tapert and executive produced by Raimi, Tapert, and Bruce Campbell, who also starred alongside Ellen Sandweiss, Richard DeManicor, Betsy Baker and Theresa Tilly. The film focuses on five college students vacationing in an isolated cabin in a remote wooded area. After they find an audio tape that, when played, releases a legion of demons and spirits, four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
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A film – also called a movie, motion picture, moving picture, picture or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Women Are Better Diplomats is a 1941 German musical comedy film directed by Georg Jacoby and starring Marika Rökk, Willy Fritsch and Aribert Wäscher. It was based on a novel by Hans Flemming. The film was the first German feature film to be made in colour, and was one of the most expensive films produced during the Third Reich. The film met with a positive public response and was among the most popular German films of the early war years.
Cinema of Ghana also known as the Ghana Film Industry nicknamed Ghallywood, began when early film making was first introduced to the British colony of Gold Coast in 1923. At the time only affluent people could see the films, especially the colonial master of Gold Coast. In the 1950s, film making in Ghana began to increase. Cinemas were the primary venue for watching films until home video became more popular. The movie industry has no official name as yet since consultations and engagements with stakeholders has been ongoing when a petition was sent to the Ministry of Tourism, Arts and Culture which suspended the use of the name Black Star Films.
Nii Kwate Owoo is a Ghanaian academic and filmmaker, described by Variety as "one of the first Ghanaians to lense in 35mm". His name has also appeared in film credits as Kwate Nee-Owoo.
Cinema in Togo began with German colonial filmmakers visiting Togoland. The French attempted to suppress cinema in French Togoland. After the Togolese Republic gained independence in 1960, Togo's national government encouraged cinema, though government support for cinema lapsed when French funding was withdrawn in the 1990s. More recently, however, the film industry is once again growing in Togo.
Cinema of Zambia refers to the cinema and film industry of the country of Zambia.
Tom Ribeiro is a Ghanaian writer and director. He wrote and directed several Ghanaian movies made in the post-colonial era, mainly under the production rights of the Ghana Film Industry Corporation (GFIC), which was set up by Osagyefo Dr Kwame Nkrumah. These movies included Genesis Chapter X (1977), Dede (1992), Set on Edge (1999) The Visitor (1983), Out of Sight, Out of Love (1983), Rituals of Fire and The Village Court.
References
- 1 2 3 4 5 Haynes, Jonathan (2010). "What is to be done? Film studies and Nigerian and Ghanaian videos". In Mahir Saul and Ralph A. Austen (ed.). Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution. Ohio University Press. pp. 45–47. ISBN 978-0-8214-1931-1.
- ↑ Sutherland-Addy, Esi (2000). "The Ghanaian feature video phenomenon: Thematic concerns and aesthetic resources". In Kofi Anyidoho and James Gibbs (ed.). FonTomFrom: Contemporary Ghanaian Literature, Theatre and Film. Rodopi. p. 283. ISBN 90-420-1273-0.
- ↑ Ukadike, N. Frank (2003). "Video booms and the manifestations of 'first' cinema in anglophone Africa". In Wimal Dissanayake and Anthony Guneratne (ed.). Rethinking Third Cinema. Routledge. p. 222. ISBN 978-1-134-61323-6.
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