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| Zolo | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1960s |
Zolo is a music genre coined by radio DJ Terry Sharkie [1] [2] [3] around 1989 [2] and popularized through his live radio show The Zany Zolo Musik Hour [1] which premiered on June 25, 1995. [1] [3]
The genre, as codified by Sharkie, encompasses obscure music from different time periods which nonetheless shares certain similarities. [1] Zolo is characterized by "hyper jerky rhythms and cacophonous/ harmonious bleeps and boings." [1] Zolo artists played on The Zany Zolo Musik Hour included Perrey and Kingsley, [1] Godley & Creme, [1] the Residents, [1] [3] XTC, [1] [3] Pere Ubu, [1] Gentle Giant, [1] [3] Bill Nelson, [1] Fred Frith, [1] and others. [1]
Zolo is characterized by "hyper jerky rhythms and cacophonous/ harmonious bleeps and boings," [1] as well as by "boingy guitars, wobbly keyboards, polka dot percussions, hiccupping falsettos, jerky/staccoto beats, and lopsided rhythms." [4] It is a "crystallization" of different styles from the twentieth century "theatrical/ art rock/ cabaret tradition." [4] Terry Sharkie considers XTC, Bill Nelson, and Godley & Creme to be of special importance to the genre. [4]
A 1997 article by Terry Sharkie, called Zolo Synthesis: A Discography, outlines the "thematic history" of Zolo. [4] [5] Sharkie claims that Zolo music had existed in "scattered forms" for "many years" by the time of writing, but had not had a name. [4] The artists discussed in the article "present puzzle pieces in the formation of Zolo as a musical style." [4]
Sharkie traces Zolo music back primarily to the late 1960s, when advancements in technology took place simultaneously with experimentation and the blurring of boundaries between music genres. [4]