"1, 2, 3, Red Light" | ||||
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Single by 1910 Fruitgum Company | ||||
from the album 1, 2, 3, Red Light | ||||
B-side | "Sticky Sticky" | |||
Released | July 1968 | |||
Genre | ||||
Length | 1:55 | |||
Label | Buddah | |||
Songwriter(s) | Sal Trimachi, Bobbi Trimachi | |||
Producer(s) | Super K Productions | |||
1910 Fruitgum Company singles chronology | ||||
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"1, 2, 3, Red Light" is a song written by Sal Trimachi and Bobbi Trimachi and was recorded by 1910 Fruitgum Company for their 1968 album, 1, 2, 3, Red Light . [2] The song charted highest in Canada, going to number 1 on the RPM 100 national singles chart in 1968. [3] In the same year in the US, it went to number 5 on the Billboard Hot 100 and was on the charts for 13 weeks. [4]
The song went to number 2 in South Africa, [5] number 3 on the New Zealand charts, and in Australia it reached number 7. It was named the number 39 song of 1968 on the Cashbox charts. The song was certified as a gold disc in September 1968. [6]
"I'm a Believer" is a song written by Neil Diamond and recorded by American band the Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number-one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966, and remained there for seven weeks becoming the last number-one hit of 1966 and the biggest-selling single for all of 1967. Billboard ranked the record as the number-five song for 1967. While originally published by Screen Gems-Columbia Music (BMI), it is now published by Stonebridge Music/EMI Foray Music (SESAC), with administration passed to Sony Music Publishing and Universal Music Publishing Group.
"One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste first recorded it in 1969 for both the TA label and its parent Bell label.
"Emma" is a 1974 song by the British soul band Hot Chocolate. Written by band members Errol Brown (vocals) and Tony Wilson (music), the song address themes of suicide, early death and lost childhood. Brown's lyrics celebrate his recently deceased mother. Their rawness was developed after the producer Mickie Most asked him for further "depth and darkness".
"She's Not There" is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent. It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964. In Canada, it reached No. 2.
"I Saw the Light" is a song written and performed by American musician Todd Rundgren that was released as the opening track from his 1972 album Something/Anything? In the album's liner notes, Rundgren states that he intended the song to be the hit of the album, and copied the Motown tradition of putting hit songs at the beginning of albums.
"Oh Girl" is a song written by Eugene Record and recorded by American soul vocal group the Chi-Lites, with Record on vocals and also producing. It was released as a single on Brunswick Records in 1972. Included on the group's 1972 album A Lonely Man, "Oh Girl" centers on a relationship on the verge of break-up.
"Yummy Yummy Yummy" is a song by Arthur Resnick and Joey Levine, first recorded by Ohio Express in 1968. Their version reached No. 4 on the U.S. Pop Singles chart in June and No. 5 on the UK Singles Chart. It has since been covered by many artists. Ohio Express was a studio concoction and none of the "official" members appear on the record. Joey Levine sang lead vocals.
"Bend Me, Shape Me" is a song written by Scott English and Larry Weiss. It was first recorded by The Outsiders as a track on their album In in 1966. The best-known version in the US is the 1967 single released by The American Breed that peaked at No. 5 on the US Billboard Hot 100 in early 1968, No. 3 in South Africa, and No. 24 on the UK Singles Chart.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
"Elenore" is a 1968 song by the Turtles, originally included on The Turtles Present the Battle of the Bands. Although written by Howard Kaylan, its writing was co-credited to all five members of the band: Kaylan, Mark Volman, Al Nichol, Jim Pons, and John Barbata. The song was written as a satire of their biggest pop hit "Happy Together."
"When Will I Be Loved" is a popular song written by Phil Everly of the Everly Brothers, who had a US top-ten hit with it in 1960. Linda Ronstadt covered the song in 1975, and her version was an even bigger hit in the US, peaking at No. 2. Vince Gill also covered it in 1994 on the soundtrack of the film 8 Seconds.
"My Baby Loves Lovin'" was first released by the British pop group White Plains. The song was written and produced by Roger Cook and Roger Greenaway, recorded on 26 October 1969, and released on 2 January 1970 on the Decca Records imprint, Deram Records. It is a world-wide chart success and the top selling single for White Plains.
"Gimme Dat Ding" is a 1970 popular UK song, of the novelty type, sung by "one-hit wonder" The Pipkins, and written and composed by Albert Hammond and Mike Hazlewood. Released as a single, it is the title selection of an album which The Pipkins recorded and released on the EMI Columbia Records label. It also appeared on a compilation album of the same name, which The Pipkins shared with another up-and-coming UK group, The Sweet. It has also been included on many other compilation albums. "Gimme Dat Ding" was arranged by Big Jim Sullivan.
"Hello It's Me" is a song written by American musician Todd Rundgren. It was the first song he wrote, and was recorded by his group Nazz as a slow ballad, released as the B-side of the band's first single, "Open My Eyes", in 1968. A mid-tempo version of "Hello It's Me", recorded for Rundgren's 1972 solo album Something/Anything?, was issued as a single in 1973, reaching No. 5 on the Billboard Hot 100 chart.
"Simon Says" is a bubblegum pop song written by Elliot Chiprut and originally recorded in 1967 by the 1910 Fruitgum Company, becoming their most successful chart hit.
"An American Dream" is a song written by Rodney Crowell. He recorded it under the title "Voilá, An American Dream" on his 1978 album Ain't Living Long Like This, and released it as the B-side to that album's single "(Now and Then There's) A Fool Such as I".
"Indian Giver" is a song written by Bobby Bloom, Ritchie Cordell, and Bo Gentry. It was first recorded by 1910 Fruitgum Company for their 1969 album, Indian Giver. Its B-Side, "Pow Wow", was actually a song called "Bring Back Howdy Doody" deliberately pressed backwards as a way of deterring radio stations from playing the B-Side, which was later recorded by another Buddah bubblegum music group produced by Jerry Kasenetz and Jeffry Katz called Flying Giraffe.
"Did It in a Minute" is a song performed by American duo Hall & Oates. Written by Daryl Hall with Sara and Janna Allen, the song was released as the third of four singles from the duo's tenth studio album Private Eyes in March 1982. Daryl Hall performs lead vocals, while John Oates provides backing harmony vocals.
"Gimme Gimme Good Lovin'" is a song written by Joey Levine and Ritchie Cordell and performed by Crazy Elephant. It reached #12 on both the Billboard Hot 100 and the UK Singles Chart in 1969, and was featured on their 1969 album, Crazy Elephant.
"Moonflight" is a song written and originally recorded by Vik Venus in 1969. It is a 'break-in' song, with popular hits of the day interspersed at humorous points throughout the song in response to spoken-word prompts, in the style of Dickie Goodman, who had many such hits. "Moonflight" became a hit during the summer of '69, reaching #38 U.S. Billboard and #23 Cash Box. It also charted in Canada, where it reached #20. It did best in South Africa, however, where it reached #7.