103-form Yang family tai chi

Last updated

103-form Yang family tai chi, also called the Traditional Form (or, Long Form), is a prescribed sequence of moves used to practice Yang-style tai chi.

Contents

Tai chi forms

The different slow motion solo form training sequences of tai chi are the best known manifestation of tai chi for the general public. In English, they are usually called the hand form or just the form; in Mandarin it is usually called quan (Chinese :; pinyin :quán; Wade–Giles :ch'üan2). They are usually performed slowly and are designed to string together an inventory of important techniques, and to promote relaxation, as well as other foundational principles.

Duration

This sequence of moves, when performed at its prescribed speed, usually takes approximately 25 to 30 minutes to complete.

Differences between schools

The following is an English translation from Chinese of the form list used by the current Yang family teachers. Other Yang style schools may have significantly different enumeration schemes. The moves can also add up to 85, 88, 108, 113 [1] or 150 [2] depending on how they are counted. The book called Yang Shi Taijiquan ("Yang-style tai chi"), by Fu Zhongwen, breaks the form into each of its discrete movements.

Yang-style 103-Form list of Postures

The 103 postures of the Yang family style of tai chi are as follows:

ChinesePinyinEnglish
第一段Section 1
1.预 备YùbèiPreparation Form
2.起式Qǐ shìBeginning
3.揽雀尾Lǎn què wěiGrasp the Bird's Tail
4.单鞭Dān biānSingle Whip
5.提手上势Tí shǒu shàng shìRaise Hands and Step Forward
6.白鹤亮翅Bái hè liàng chìWhite Crane Spreads its Wings
7.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
8.手挥琵琶Shǒu huī pípáHand Strums the Lute
9.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
10.右搂膝拗步Yòu lōu xī ǎo bùRight Brush Knee and Push
11.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
12.手挥琵琶Shǒu huī pípáHand Strums the Lute
13.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
14.进步搬拦捶Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
15.如封似闭Rú fēng shì bìApparent Close Up
16.十字手Shí zì shǒuCross Hands
第二段Section 2
17.抱虎归山Bào hǔ guī shānEmbrace the Tiger and Return to Mountain
18.肘底捶Zhǒu dǐ chuíFist Under Elbow
19.左倒撵猴Zuǒ dào niǎn hóuStep Back and Repulse the Monkey, Left
20.右倒撵猴Yòu dào niǎn hóuStep Back and Repulse the Monkey, Right
21.左倒撵猴Zuǒ dào niǎn hóuStep Back and Repulse the Monkey, Left
22.斜飞式Xié fēi shìDiagonal Flying
23.提手上势Tí shǒu shàng shìRaise Hands and Step Forward
24.白鹤亮翅Bái hè liàng chìWhite Crane Spreads its Wings
25.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
26.海底针Hǎi dǐ zhēnNeedle at Sea Bottom
27.扇通背Shàn tōng bèiFan Through the Back
28.转身撇身捶Zhuǎn shēn piē shēn chuíTurn Body and Chop with Fist
29.进步搬拦捶Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
30.上步揽雀尾Shàng bù lǎn què wěiStep Forward and Grasp the Bird's Tail
31.单鞭Dān biānSingle Whip
32.云手Yún shǒuCloud Hands (1)
33.云手Yún shǒuCloud Hands (2)
34.云手Yún shǒuCloud Hands (3)
35.单鞭Dān biānSingle Whip
36.高探马Gāo tàn mǎHigh Pat on Horse
37.右分脚Yòu fēn jiǎoRight Separation Kick
38.左分脚Zuǒ fèn jiǎoLeft Separation Kick
39.转身左蹬脚Zhuǎn shēn zuǒ dēng jiǎoTurn Body and Left Heel Kick
40.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
41.右搂膝拗步Yòu lōu xī ǎo bùRight Brush Knee and Push
42.进步栽锤Jìn bù zāi chuíStep Forward and Punch Down
43.转身撇身锤Zhuǎn shēn piē shēn chuíTurn Body and Chop with Fist
44.进步搬拦锤Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
45.右蹬脚Yòu dēng jiǎoRight Heel Kick
46.左打虎式Zuǒ dǎ hǔ shìLeft Strike Tiger
47.右打虎式Yòu dǎ hǔ shìRight Strike Tiger
48.回身右蹬脚Huí shēn yòu dēng jiǎoTurn Body and Right Heel Kick
49.双峰灌耳Shuāng fēng guàn ěrTwin Fists Strike Opponents Ears
50.左蹬脚Zuǒ dēng jiǎoLeft Heel Kick
51.转身右蹬脚Zhuǎn shēn yòu dēng jiǎoTurn Body and Right Heel Kick
52.进步搬拦锤Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
53.如封似闭Rú fēng shì bìApparent Close Up
54.十字手Shí zì shǒuCross Hands
第三段Section 3
55.抱虎归山Bào hǔ guī shānEmbrace the Tiger and Return to Mountain
56.斜单鞭Xié dān biānDiagonal Single Whip
57.右野马分鬃Yòu yě mǎ fēn zōngParting Wild Horse's Mane, Right
58.左野马分鬃Zuǒ yě mǎ fēn zōngParting Wild Horse's Mane, Left
59.右野马分鬃Yòu yě mǎ fēn zōngParting Wild Horse's Mane, Right
60.揽雀尾Lǎn què wěiGrasp the Bird's Tail
61.单鞭Dān biānSingle Whip
62.玉女穿梭Yù nǚ chuān suōFair Lady Works at Shuttles
63.揽雀尾Lǎn què wěiGrasp the Bird's Tail
64.单鞭Dān biānSingle Whip
65.云手Yún shǒuCloud Hands (1)
66.云手Yún shǒuCloud Hands (2)
67.云手Yún shǒuCloud Hands (3)
68.单鞭Dān biānSingle Whip
69.下势Xià shìSnake Creeps Down
70.左金鸡独立Zuǒ jīn jī dú lìGolden Rooster Stands on One Leg, Left
71.右金鸡独立Yòu jīn jī dú lìGolden Rooster Stands on One Leg, Right
72.左倒撵猴Zuǒ dào niǎn hóuStep Back and Repulse the Monkey, Left
73.右倒撵猴Yòu dào niǎn hóuStep Back and Repulse the Monkey, Right
74.左倒撵猴Zuǒ dào niǎn hóuStep Back and Repulse the Monkey, Left
75.斜飞势Xié fēi shìDiagonal Flying
76.提手上势Tí shǒu shàng shìRaise Hands and Step Forward
77.白鹤亮翅Bái hè liàng chìWhite Crane Spreads its Wings
78.左搂膝拗步Zuǒ lōu xī ǎo bùLeft Brush Knee and Push
79.海底针Hǎi dǐ zhēnNeedle at Sea Bottom
80.扇通背Shàn tōng bèiFan Through the Back
81.转身白蛇吐信Zhuǎn shēn bái shé tǔ xìnTurn Body and White Snake Spits out Tongue
82.进步搬拦捶Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
83.上步揽雀尾Shàng bù lǎn què wěiStep Forward and Grasp the Bird's Tail
84.单鞭Dān biānSingle Whip
85.云手Yún shǒuCloud Hands (1)
86.云手Yún shǒuCloud Hands (2)
87.云手Yún shǒuCloud Hands (3)
88.单鞭Dān biānSingle Whip
89.高探马穿掌Gāo tàn mǎ chuān zhǎngHigh Pat On Horse with Palm Thrust
90.十字腿Shí zì tuǐCross Kick
91.进步指裆锤Jìn bù zhǐ dāng chuíStep Forward and Punch Groin
92.上步揽雀尾Shàng bù lǎn què wěiStep Forward and Grasp the Bird's Tail
93.单鞭Dān biānSingle Whip
94.下势Xià shìSnake Creeps Down
95.上步七星Shàng bù qī xīngStep Forward Seven Stars
96.退步跨虎Tuì bù kuà hǔStep Back and Ride the Tiger
97.转身摆莲Zhuǎn shēn bǎi liánTurn Body and Swing Over Lotus
98.弯弓射虎Wān gōng shè hǔBend the Bow and Shoot the Tiger
99.进步搬拦捶Jìn bù bān lán chuíStep Forward, Parry, Block, and Punch
100.如封似闭Rú fēng shì bìApparent Close Up
101.十字手Shí zì shǒuCross Hands
102.收式Shōu shìClosing
103.还原Huán yuánReturn to Normal

See also

Related Research Articles

<span class="mw-page-title-main">Neijia</span> Group of Chinese martial arts

Neijia is the collective name for the internal Chinese martial arts. It relates to those martial arts occupied with spiritual, mental or qi-related aspects, as opposed to an "external" approach focused on physiological aspects. The distinction dates to the 17th century, but its modern application is due to publications by Sun Lutang, dating to the period of 1915 to 1928. Neijin is developed by using neigong or "internal changes", contrasted with waigong or "external exercises".

<span class="mw-page-title-main">Tai chi</span> Chinese martial art

Tai chi is an ancient Chinese martial art. Initially developed for combat and self-defense, it has evolved into a sport and form of exercise. Tai chi is a gentle, low-impact form of exercise in which practitioners perform a series of deliberate, flowing motions while focusing on deep, slow breaths. Often referred to as "meditation in motion," tai chi aims to concentrate and balance the body's qi, providing benefits to mental and physical health.

<span class="mw-page-title-main">Cheng Man-ch'ing</span> Chinese martial artist (1902–1975)

Cheng Man-ch'ing or Zheng Manqing was a Chinese expert of tai chi, Chinese medicine, and the so-called three perfections: calligraphy, painting and poetry. He was born in Yongjia, Zhejiang Province, during the Qing dynasty. Cheng died March 26, 1975; his grave is near the city of Taipei in Taiwan.

<span class="mw-page-title-main">Wu (Hao)-style tai chi</span> Chinese martial art

Wu (Hao)-style tai chi is one of the five primary styles of tai chi. It was created in the mid-nineteenth century by Wu Yuxiang, a member of a wealthy and influential family in Yongnian, Hebei, China. Wu trained for approximately ten years with the founder of Yang-style tai chi, and then for over a month with a Chen-style master. Wu also obtained a manual on internal martial arts that formed the core of what are now known as the tai chi classics and include Wu's own writing on the subject. From these sources Wu and his family developed their own style, and may also have developed much of the cultural and intellectual foundation of tai chi as well.

<span class="mw-page-title-main">Yang-style tai chi</span> Chinese martial art

Yang-style tai chi is one of the five primary families of tai chi. Including its variations, it is the most popular and widely practised style of tai chi in the world today. It is second in terms of seniority, after Chen-style tai chi.

<span class="mw-page-title-main">Chen-style tai chi</span> Chinese martial art

The Chen-style tai chi is a Northern Chinese martial art and the original form of tai chi. Chen-style is characterized by silk reeling, alternating fast and slow motions, and bursts of power.

The 24-posture Simplified Form of tai chi, sometimes called the Beijing or Peking form for its place of origin, is a short version of tai chi composed of twenty-four unique movements.

108-Form Wu family tai chi, also known as Wu Jianquan-style tai chi, is a traditional form of tai chi that originated in China. It is named after its creator, Wu Jianquan, who developed this style of tai chi in the early 20th century.

<span class="mw-page-title-main">Taoist tai chi</span> Type of tai chi

Taoist tai chi is a form of tai chi which is taught in more than 25 countries by the non-profit International Taoist Tai Chi Society and associated national Taoist Tai Chi societies. It is a modified form of Yang-style tai chi developed by Taoist monk Moy Lin-shin in Toronto, Ontario, Canada. Moy incorporated principles of Liuhebafa and other internal arts to increase the health benefits of practising the form.

<span class="mw-page-title-main">Yang Shaohou</span>

Yang Shaohou was a Chinese martial arts master who, along with Yang Chengfu, represents the third generation of Yang-style tai chi. Grandmaster of his generation and known for his compact "small frame" techniques, he was a ferocious fighter and a demanding teacher.

<span class="mw-page-title-main">Wu Yinghua</span>

Wu Yinghua (1907–1996) was a famous Chinese teacher of Wu-style tai chi. She was born in Beijing and died in Shanghai. She was the eldest daughter of Wu Jianquan, the best known teacher of Wu-style tai chi. Her older brothers were Wu Gongyi and Wu Gongzao, also well-known tai chi practitioners.

<span class="mw-page-title-main">Single whip</span> Tai chi posture

Single Whip is a common posture found in most forms of tai chi. Typically at the end of the posture the left hand is in a palm outward push and the right hand held most commonly in the form of a hook or closed fist. Notable exceptions are the Single Whip forms found in Sun-style and Wu (Hao)-style, which finish with both hands open and palms outward.

The different slow-motion solo form training sequences of tai chi are the best-known manifestations of tai chi for the general public. In English, they are usually called the hand form or just the form. In Mandarin, it is usually called quan.

<span class="mw-page-title-main">Chen Wangting</span> Originator of his namesake form of tai chi

Chen Wangting (1580–1660), courtesy name Chen Zouting, was a Ming dynasty officer who may have founded Chen-style tai chi, one of the five major styles of the popular Chinese martial art. He reputedly devised his style of tai chi after his retirement following the fall of the Ming dynasty.

<span class="mw-page-title-main">Yang Jun (martial artist)</span>

Yang Jun is a Wushu master who was born in Taiyuan, Shanxi, China in 1968 into the famous Yang family of martial artists. A son of Yang Daofang and a grandson of Yang Zhenduo, he is a direct descendant of Yang Chengfu and of Yang Luchan, the creator of Yang-style tai chi. Yang Jun is a sixth-generation descendant of the Yang Family of tai chi, and is the fifth lineage-holder of the style.

<span class="mw-page-title-main">Dong Yingjie</span> Chinese martial artist

Dong Yingjie was a leading master of tai chi, and a top disciple of Yang Chengfu. Born in Ren County, Hebei, China, his given name was Wenke (文科). Famous in his time for defeating a foreign boxer in a public challenge match, he dedicated his life to the martial arts, training intensively in multiple styles, serving as chief assistant instructor for Yang Chengfu, and going on to found his own thriving tai chi legacy.

<span class="mw-page-title-main">Yang Luchan</span>

Yang Luchan, also known as Yang Fukui (1799–1872), was an influential Chinese practitioner and teacher of the internal style tai chi. He is known as the founder of Yang-style tai chi, the most popular and widely practised tai chi style in the world today.

<span class="mw-page-title-main">Dong Huling</span>

Dong Huling was a master of tai chi, known for teaching Yang style and Dong style, and an early leader in the spread of tai chi worldwide. Born in Ren County, Hebei, China, his father Dong Yingjie was a top disciple of Yang Chengfu and famous for his fighting skills. Also highly skilled and creative himself, Dong Huling taught in mainland China, Hong Kong, Macau, Southeast Asia, North America, and Europe. He then emigrated to Hawaii, founding a school in Honolulu, continued teaching workshops around the world, and carried on the Dong family legacy.

<span class="mw-page-title-main">Wu-style tai chi</span> Chinese martial art

Wu-style tai chi is one of the five main styles of tai chi. It is second in popularity after Yang-style, and the fourth-oldest of the five major tai chi styles. It was developed by Wu Quanyou and Wu Jianquan.

References

  1. Jwing-Ming, Yang. Taijiquan, Classical Yang Style: The Complete Form and Qigong. YMAA Publication Center (1999). ISBN   978-1-886969-68-1
  2. Muir, Gordon. Yang Style Traditional Long Form T'ai Chi Ch'uan: As Taught by T.T. Liang. Blue Snake Books (2008). ISBN   978-1-58394-221-5