1673 in literature

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List of years in literature (table)

This article presents lists of the literary events and publications in 1673.

Contents

Events

New books

Prose

Drama

Poetry

Births

Deaths

Related Research Articles

Aphra Behn 17th century British playwright, poet, translator and fiction writer

Aphra Behn was an English playwright, poet, translator and fiction writer from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. She wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.

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This article contains information about the literary events and publications of 1674.

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This article contains information about the literary events and publications of 1670.

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This article contains information about the literary events and publications of 1666.

Mary Saunderson 17th-century English actress and singer

Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses.

Thomas Duffet, or Duffett, was an Irish playwright and songwriter active in England in the 1670s. He is remembered for his popular songs and his burlesques of the serious plays of John Dryden, Thomas Shadwell, Elkanah Settle, and Sir William Davenant.

Samuel Sandford was an English character actor, known for his roles as villains.

Mary Slingsby

Mary Slingsby, Lady Slingsby, d.1693, actress) was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time.

John Bowman (1651–1739) was a British stage actor. He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman.

Joseph Williams was an English stage actor of the seventeenth and early eighteenth century.

Matthew Medbourne was an English stage actor and occasional playwright of the Restoration era. A long-standing member of the Duke's Theatre, Medbourne was a victim of the Popish Plot scare and died in Newgate Prison.

George Bright was an English stage actor of the seventeenth and early eighteenth century. He specialised in playing "comic dullards, fops and bouncy servants". After beginning his career in Dublin he joined the Duke's Company at the Dorset Garden Theatre in 1679 and then became part of the merged United Company in 1682.

John Richards was an English stage actor of the seventeenth century. An early member of the Duke's Company in London, he was lured away to the new Smock Alley Theatre in Dublin by John Ogilby. He was back with the Duke's at the Dorset Garden Theatre from the mid-1670s, but while in Ireland he was able to play major roles his English performances were generally supporting parts.

Thomas Percival or Percivall was an English stage actor of the seventeenth century. He was a member of the Duke's Company from 1671 to 1682 and then the merged United Company until 1686. Throughout his career he was confined to playing supporting roles, never graduating to major parts. He was the father of the actress Susanna Verbruggen. In 1693, following his retirement from the stage, he was arrested for coin clipping, a capital crime, for which he was sentenced to hang at Tyburn. The intercession of his daughter with Mary II saw his sentence commuted to transportation, but before he reached Portsmouth he died of natural causes.

Henry Harris (actor) English actor and theatre manager

Henry Harris was an English stage actor and theatre manager. Initially a painter he was a founder member of the new Duke's Company in 1660 following the Restoration which established itself at the old Salisbury Court Theatre before moving to the new Lincoln's Inn Fields Theatre shortly afterwards. Due to his background Harris may have been a set designer and painter during his early years with the company. However, by 1661 he was acting, and his first recorded role was in William Davenant's The Siege of Rhodes that summer. He quickly established himself as the second actor in the troupe after Thomas Betterton.

John Crosby was an English stage actor of the Restoration Period. He first recorded performance is in 1662 when he appeared in Ignoramus at Whitehall Palace, likely as a child actor. It was further eight years before he was solidly established in the Duke's Company in 1670 beginning with The Forc'd Marriage by Aphra Behn. He became a regular with the company over the following decade, often playing young lover roles. He retired from the stage in 1679 and later became a justice of the peace for Middlesex. He died on 8 April 1724 and was buried in St Sepulchre.

References

  1. "The Imaginary Invalid". The Encyclopædia Britannica. Retrieved 24 February 2019.
  2. DNB entry. Accessed 28 February 2013
  3. Poetry Foundation: John Dryden. Accessed 28 February 2013
  4. Copeland, Nancy (2003). "Review of The Theatre of Aphra Behn". The Journal of English and Germanic Philology. 102 (3): 442–444. JSTOR   27712366.
  5. "Margaret Cavendish". The British Library. Retrieved 26 March 2019.