1968 Cannes Film Festival

Last updated
1968 Cannes Film Festival
CFF68poster.jpg
Official poster of the 21st Cannes Film Festival, an original illustration by Beaugendre. [1]
Opening film Gone with the Wind
Closing film Rocky Road to Dublin
(Final film screened)
Location Cannes, France
Founded1946
AwardsNo awards given
Hosted by Grace Kelly
No. of films28 (In Competition) [2]
4 (Out of competition)
11 (Short Film)
Festival date10 May 1968 (1968-05-10) – 24 May 1968 (1968-05-24)
Website festival-cannes.com/en
Cannes Film Festival

The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France. [3] [4]

Contents

Background

This edition was marked by the previous controversy around the Langlois affair. On February 9, 1968 a meeting of the board of directors of the Cinémathèque Française (a non-profit organization), in which the representatives of the Ministry of Culture and of the Centre national du cinéma et de l'image animée (which depended on the latter) decided to remove Henri Langlois, director and co-founder of the Cinémathèque, from his position. Even though they were not a majority, Langlois supporters such as François Truffaut refused to cast their vote. [5] André Malraux, the French Minister of Culture, had prompted this decision because he wanted to implement managerial changes to gain more influence in the institution. After another vote Pierre Barbin, director of the Tours and Annecy film festivals, became the new director. [6]

Langlois was a very popular and beloved figure and this decision sparked a number of protests and demonstrations by filmmakers of the French New Wave, as well as actors, critics and fans who demonstrated in front of the Cinémathèque at the Palais de Chaillot on February 12. [7] Many internationally acclaimed film directors like Charles Chaplin, Stanley Kubrick, Roberto Rossellini, Orson Welles and Luis Buñuel also sent letters in support of Langlois and even threatened to retrieve the copies of their films previously given to the Cinemathéque. [8] On February 14, another demonstration took place but this time artists were joined by Sorbonne University students in what was a prelude of what was going to happen in the following months. French filmmakers decided to form the Committee for the Defense of the Cinémathèque. At this point, the issue was no longer cultural and had become political.

After long negotiations, on April 22, a special meeting of the general assembly of the Cinémathèque was called and voted to reinstate Langlois, with the approval of Malraux who also pulled the government's representatives from the assembly but in exchange cut public funding to a minimum. [9]

The Festival

The festival opened on May 10 with the 70 mm restored version of Gone with the Wind , directed by Victor Fleming. [10] American film actress and Princess of Monaco, Grace Kelly served as the host of the opening and closing ceremonies. [3]

Personalities of French cinema were sensitive to the demonstrations which were taking place in Paris. On the night of May 10 to May 11, violent clashes between students and the police took place in the Latin Quarter in what became the first night of the barricades. Following these incidents, the French Critics Association issued a statement asking the participants of the festival to join the demonstration of support for striking students scheduled on May 13 and called for the suspension of the festival and for those in Cannes to support the students in their "protest against the violent police repression which is an assault on the nation's cultural liberty, the secular traditions of its universities and its democratic principles". [11] However, the organization refused.

On May 17, in Paris the États généraux du cinéma, a general assembly of cinema professionals, called for the Cannes Festival to be stopped. Peter Lennon's documentary Rocky Road to Dublin was screened at the festival. It was the last film to be shown. [12] [13] [14]

The next day on May 18, a panel discussion of the members of the Committee for the Defense of the Cinémathèque was organized to discuss the Langlois affair, with the presence of directors Jean-Luc Godard, Jean-Gabriel Albicocco, Claude Berri and actor Jean-Pierre Léaud. The discussions were lively and François Truffaut, who had arrived from Paris the day before, explained that while the trains are blocked and the factories on strike, it would be ridiculous to continue the festival. Jean-Luc Godard believed that with this interruption, the cinema will show its solidarity with the student movements. Claude Lelouch, Jean-Claude Carrière, actress Macha Méril as well as jury members Louis Malle and Roman Polanski, joined them to announce in a press conference in the salle Jean Cocteau at the old Palais Croisette that, in solidarity with the workers and the students who were protesting across France, the festival had to be put to an end. [15] [16] Subsequently, Louis Malle, Monica Vitti, Roman Polanski, and Terence Young resigned from the international jury while Alain Resnais, Claude Lelouch, Carlos Saura, and Miloš Forman asked for the withdrawal of their films of the competition. Louis Malle announced that "the jury is out of state to work". [17]

Polanski was skeptical of these measures because those methods reminded him of what Communists did in his native Poland but ended up supporting the annulment of that year's festival. [3] Also, jury member Vsevolod Rozhdestvensky, a poet from the Soviet Union, considered the idea of cancelling the festival so heinous that he even refused to attend the emergency jury meeting. [18] Director Robert Favre Le Bret claimed: "We will close the festival tomorrow at midday". [19]

That same evening, Peppermint Frappé by Carlos Saura, was the only film pending to be screened. Saura, accompanied by his then girlfriend and protagonist of the film, Geraldine Chaplin, did not want his own film to be watched. [20] However, despite his total opposition the projection began. Saura and Chaplin jumped onstage and yelled asking not to start the projector to the audience's shock. As Favre Le Bret gave the order to open the big curtain that covered the screen, Saura and Chaplin decided to hung on from the curtains to prevent them from pulling back. At this point, they were joined by Truffaut and Godard. The film was not shown and this started a heated discussion and then a physical altercation with the audience who wanted to watch the film. [21] [22] [23]

As a punishment for all his actions, Truffaut was later declared persona non grata by the organization. [24] Finally on May 19 at 12 p.m. and five days before the established end of the festival, the board of directors led by Robert Favre Le Bret voted unanimously to cancel this edition, not awarding any prize. From the 28 films that were selected to compete for the Grand Prix du Festival International du Film, only 11 were screened. [25]

Jury

The following people were appointed as the Jury of the 1968 feature film competition: [26]

Feature films

Official selection

In competition - Feature film

The following films were due to compete for the Grand Prix du Festival International du Film: [2]

Films out of competition

The following films were selected to be screened out of competition: [2]

Parallel sections

International Critics' Week

The following feature films were selected to be screened for the 7th International Critics' Week (7e Semaine de la Critique): [27]

Not presented because of the interruption of the festival:

Aftermath

The protests that led to the cancelling of this edition of the festival also brought some changes. On June 14, 1968, French filmmakers like François Truffaut and Louis Malle, among others, took the opportunity to found the Société des Réalisateurs de Films (SRF) with the mission of "defending artistic, moral and professional and economic freedoms of cinematographic creation and participating in the development of new structures of the cinema". [28] In the next year's edition of the festival, it started to organize a parallel selection to the official one called Directors' Fortnight. [29]

In the 2008 edition, forty years later, some of the works that could not be screened at the time were restored: Peppermint Frappé by Carlos Saura, 24 Hours in the Life of a Woman by Dominique Delouche, Anna Karenina by Alexandre Zarkhi and The Long Day's Dying by Peter Collinson. 13 jours en France by Claude Lelouch and François Reichenbach was also shown even though it was not part of the official selection. [30]

See also

Related Research Articles

<span class="mw-page-title-main">François Truffaut</span> French film director (1932–1984)

François Roland Truffaut was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. With a career of more than 25 years, he is an icon of the French film industry.

<span class="mw-page-title-main">Cinema of France</span> Filmmaking industry in France

French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia.

<span class="mw-page-title-main">Jean-Luc Godard</span> French and Swiss film director (1930–2022)

Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).

<span class="mw-page-title-main">Jean-Louis Trintignant</span> French actor (1930–2022)

Jean-Louis Xavier Trintignant was a French actor. He made his theatrical debut in 1951, and went on to be regarded as one of the best French dramatic actors of the post-war era. He starred in many classic films of European cinema, and worked with many prominent auteur directors, including Roger Vadim, Costa-Gavras, Claude Lelouch, Claude Chabrol, Bernardo Bertolucci, Éric Rohmer, François Truffaut, Krzysztof Kieślowski, and Michael Haneke.

<span class="mw-page-title-main">Jean-Pierre Léaud</span> French actor

Jean-Pierre Léaud, ComM is a French actor best known for his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). Léaud is a significant figure of the French New Wave, having also worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.

<span class="mw-page-title-main">Louis Malle</span> French film director, screenwriter, and producer

Louis Marie Malle was a French film director, screenwriter, and producer who worked in both French cinema and Hollywood. Described as "eclectic" and "a filmmaker difficult to pin down", Malle made documentaries, romances, period dramas, and thrillers. He often depicted provocative or controversial subject matter.

<span class="mw-page-title-main">Henri Langlois</span> French film archivist

Henri Langlois was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.

<span class="mw-page-title-main">Jacques Rivette</span> French film director, screenwriter and film critic

Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.

<span class="mw-page-title-main">Jeanne Moreau</span> French actress, singer, screenwriter and director (1928–2017)

Jeanne Moreau was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Moreau began playing small roles in films in 1949, later achieving prominence with starring roles in Louis Malle's Elevator to the Gallows (1958), Michelangelo Antonioni's La Notte (1961), and François Truffaut's Jules et Jim (1962). Most prolific during the 1960s, Moreau continued to appear in films into her 80s. Orson Welles called her "the greatest actress in the world".

<span class="mw-page-title-main">Cinémathèque française</span> Film archive and screening venue in Paris, France

The Cinémathèque française, founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films.

Daniel Boulanger was a French novelist, playwright, poet and screenwriter. He has also played secondary roles in films and was a member of the Académie Goncourt from 1983 until his death. He was born in Compiègne, Oise.

<span class="mw-page-title-main">Charles Denner</span>

Charles Denner was a French actor born to a Jewish family in Tarnów, Poland. During his 30-year career he worked with some of France's greatest directors of the time, including Louis Malle, Claude Chabrol, Jean-Luc Godard, Costa-Gavras, Claude Lelouch and François Truffaut, who gave him two of his most memorable roles, as Fergus in The Bride Wore Black (1968) and as Bertrand Morane in The Man Who Loved Women (1977).

<span class="mw-page-title-main">Claude Miller</span>

Claude Miller was a French film director, producer and screenwriter.

The French Syndicate of Cinema Critics has, each year since 1946, awarded a prize, the Prix Méliès, to the best French film of the preceding year. More awards have been added over time: the Prix Léon Moussinac for the best foreign film, added in 1967; the Prix Novaïs-Texeira for the best short film, added in 1999; prizes for the best first French and best first foreign films, added in 2001 and 2014, respectively; etc.

<span class="mw-page-title-main">Alexandra Stewart</span> Canadian actress

Alexandra Stewart is a Canadian actress.

<span class="mw-page-title-main">1973 Cannes Film Festival</span> Film festival edition

The 26th Cannes Film Festival was held from 10 to 25 May 1973. The Grand Prix du Festival International du Film went to Scarecrow by Jerry Schatzberg and The Hireling by Alan Bridges. At this festival two new non-competitive sections were added: 'Étude et documents' and 'Perspectives du Cinéma Français'.

Letter in Motion to Gilles Jacob and Thierry Frémaux is a 2014 short film directed by Jean-Luc Godard.

<span class="mw-page-title-main">Pierre-André Boutang</span> French filmmaker (1937–2008)

Pierre-André Boutang was a French documentary filmmaker, producer and director. He was one of the leaders of the Franco-German channel Arte as well as of La Sept previously.

References

  1. "1968 The Festival Poster". festival-cannes.com. Archived from the original on 24 December 2013.
  2. 1 2 3 "Official Selection 1968: All the Selection". festival-cannes.fr. Archived from the original on 24 December 2013.
  3. 1 2 3 "Flashback: Cannes 1968". variety.com. Retrieved 25 May 2017.
  4. "1968 - Sous la plage, les pavés (Under the beach, the cobblestones)". cannes-fest.com (in French). Retrieved 3 June 2017.
  5. Lebovics, Herman (1999). Mona Lisa's Escort: Andre Malraux and the Reinvention of French Culture . New York City: Cornell University Press. p.  149. ISBN   0-8014-3565-X.
  6. de Baecque, Antoine; Toubiana, Serge (2001). François Truffaut. Folio. pp. 235–236. ISBN   978-2-07-041818-3.
  7. Bergan, Ronald (2008). Francois Truffaut: Interviews (Conversations With Filmmakers). Jackson, Mississippi: University Press of Mississippi. p. 13. ISBN   978-1-934110-13-3.
  8. "HENRI LANGLOIS, 62, HISTORIAN OF FILM". The New York Times . Paris. January 14, 1977. Retrieved April 30, 2020.
  9. Menand, Louis (October 13, 2003). "After the Revolution". The New Yorker . Retrieved April 30, 2020.
  10. "The History of Cannes". RTÉ News. 5 May 2013. Retrieved 25 May 2017.
  11. Roxborough, Scott (March 19, 2020). "Cannes: In 1968, It Took a Revolution, Not Coronavirus, to Close Down the Festival". The Hollywood Reporter . Retrieved April 25, 2020.
  12. "Rocky Road to Dublin". leonardo.info. Archived from the original on 24 December 2013. Retrieved 25 May 2017.
  13. "Righteous Eire". frieze.com. Archived from the original on 24 December 2013.
  14. X Eisen, Erica (June 18, 2018). "What do you do with your revolution? Rocky Road to Dublin versus 1968 Ireland". British Film Institute . Retrieved April 27, 2020.
  15. "Claude Lelouch, Jean-Luc Godard, and François Truffaut". sgtr.wordpress.com. Retrieved 25 May 2017.
  16. Chung, Justin (April 20, 2018). "In May 1968, the Cannes Film Festival ground to a halt. Fifty years later, it's still sparking controversy". Los Angeles Times . Retrieved March 11, 2020.
  17. Thomas, V.C. "1968 - Sous la plage, les pavés". Volute productions. Retrieved April 27, 2020.
  18. Grey, Tobias (May 8, 2008). "Second chance, 40 years later". Variety . Retrieved May 2, 2020.
  19. Belinchón, Gregorio (May 12, 2018). "Mayo del 68: el día en que se paró el festival de Cannes". El País (in Spanish). Cannes . Retrieved March 11, 2020.
  20. Boquerini (May 3, 2018). "Aquel Festival de Cannes de 1968". El Correo (in Spanish). Retrieved March 11, 2020.
  21. "1968 Cannes fest revisited". canada.com /news. Archived from the original on 21 August 2015.
  22. "Cannes 1968: Fighting on the Beaches". focusfeatures.com. Archived from the original on 24 December 2013.
  23. "Cannes 1968". sgtr.wordpress.com. Retrieved 25 May 2017.
  24. Wise, Damon (May 18, 2018). "Cannes 1968: The Year Jean-Luc Godard and François Truffaut Led Protests That Shut Down The Festival". Deadline . Retrieved March 11, 2020.
  25. Donadio, Rachel (May 17, 2017). "At Cannes, a Rich History of Capturing Politics, Mores and Film Icons". The New York Times . Paris . Retrieved March 11, 2020.
  26. "Juries 1968: Long film". festival-cannes.fr. Archived from the original on 4 March 2016.
  27. "7e Selecion de la Semaine de la Critique - 1968". archives.semainedelacritique.com. Retrieved 2 July 2017.
  28. "Qui sommes-nous?". SRF.fr. Retrieved April 28, 2020.
  29. Wong, Cindy H. (2011). Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, New Jersey: Rutgers University Press. p. 46. ISBN   978-0-8135-5065-7.
  30. "Cannes 2008 - Classics (40th Anniversary of the Movie)". festival-cannes.com. Retrieved April 28, 2020.

Media