New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
The Durutti Column are an English post-punk band formed in 1978 in Manchester, England. The band is a project of guitarist and occasional pianist Vini Reilly who is often accompanied by Bruce Mitchell on drums and Keir Stewart on bass, keyboards and harmonica. They were among the first acts signed to Factory Records by label founder Tony Wilson.
James Martin Hannett was a British record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, A Certain Ratio, Magazine, John Cooper Clarke, New Order, Orchestral Manoeuvres in the Dark and Happy Mondays. His distinctive production style embraced atmospheric sounds and electronics.
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love.
The Haçienda was a nightclub and music venue in Manchester, England, which became famous during the Madchester years of the 1980s and early 1990s. It was run by the record label Factory Records.
Happy Mondays are an English rock band formed in Salford in 1980. The original line-up was Shaun Ryder (vocals), his brother Paul Ryder (bass), Gary Whelan (drums), Paul Davis (keyboard), and Mark Day (guitar). Mark "Bez" Berry later joined the band onstage as a dancer/percussionist. Rowetta joined as a second vocalist in 1990. They were initially signed to Tony Wilson's Factory Records label.
Peter Hook is an English musician, best known as the bassist and co-founder of the rock bands Joy Division and New Order. Hook often used the bass as a lead instrument, playing melodies on the high strings with a signature heavy chorus effect. In New Order, he would do this, leaving the actual basslines to keyboards or sequencers.
Bernard Sumner is an English musician. He is a founding member of the bands Joy Division, New Order, Electronic, and Bad Lieutenant. Sumner was an early force in several areas, including the post-punk, synth-pop, and techno music scenes, as well as their various related genres, and was an early influence on the Manchester music scene that presaged the Madchester movement of the late 1980s centred on Factory Records and The Haçienda club in Manchester.
Anthony Howard Wilson was a British record label owner, radio and television presenter, nightclub manager and impresario, and a journalist for Granada Television, the BBC and Channel 4.
Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile is the debut studio album by the English rock band Happy Mondays, which was released in mid-April 1987 by Factory Records. After finalising their line-up, the band began playing local venues in Manchester, toured with New Order, and released an EP and a single in 1985. Happy Mondays' debut album was recorded at Fire House in London in December 1986 with producer John Cale. Halfway through the two weeks of sessions, they scrapped all their recordings and began again. Cale and engineer Dave Young did not understand the band members' vision of the album, and found them difficult to work with. Deemed a punk-funk and post-punk album, most of its songs were lyrically akin to stories on The Twilight Zone.
Bummed is the second studio album by English rock band Happy Mondays, released on 21 November 1988 on Factory Records. During 1987 and early 1988, the band discovered house music and the rave drug ecstasy. Factory producer Martin Hannett was subsequently enlisted to produce the band's next album. Sessions were held at The Slaughterhouse recording studio in Driffield over three weeks. The period was noted for heavy drug use by the band and Hannett, with their manager later calling it the first "ecstasy-fuelled" album. Hannett moved recording to Strawberry Studios, where extra instrumentation was added. Bummed is a Madchester-style psychedelic funk album, where much of the lyrical content was influenced by the 1970 film Performance, with dialogue from the film sampled throughout.
Manchester's music scene produced successful bands in the 1960s including the Hollies, the Bee Gees and Herman's Hermits. After the punk rock era, Manchester produced popular bands including Joy Division, New Order, The Smiths and Simply Red. In the late 1980s, the ecstasy-fuelled dance club scene played a part in the rise of Madchester with bands like the Stone Roses, Inspiral Carpets and Happy Mondays. In the 1990s, Manchester saw the rise of Britpop bands, notably Oasis.
Alan Erasmus is a British actor best known for his involvement in the Manchester music scene starting in the 1970s. He co-founded Factory Records with Tony Wilson, which signed Joy Division and the Happy Mondays. He also co-founded The Haçienda with Wilson, Rob Gretton and New Order, a Manchester nightclub which closed down in the summer of 1997. As an actor, Erasmus appeared in several roles in the 1970s including ITV Playhouse and Play for Today, wherein he played minor roles.
Robert Leo Gretton was the manager of Joy Division and New Order. He was partner in and co-director of Factory Records and a founding partner of The Haçienda. For ten years until his death in 1999, Gretton ran his own label, Rob’s Records.
Control is a 2007 British biographical film about the life of Ian Curtis, singer of the late-1970s English post-punk band Joy Division. It is the first feature film directed by Anton Corbijn, who had worked with Joy Division as a photographer. The screenplay by Matt Greenhalgh, was based on the biography Touching from a Distance by Curtis's widow Deborah, who served as a co-producer on the film. Tony Wilson, who released Joy Division's records through his Factory Records label, also served as a co-producer. Curtis' bandmates Bernard Sumner, Peter Hook, and Stephen Morris provided incidental music for the soundtrack via their post-Joy Division incarnation New Order. Control was filmed partly on location in Nottingham, Manchester, and Macclesfield, including areas where Curtis lived, and was shot in colour and then printed to black-and-white. Its title comes from the Joy Division song "She's Lost Control", and alludes to the fact that much of the plot deals with the notion that Curtis tried to remain in control of his own life, and yet had no control over his epilepsy and pharmaceutical side effects.
The following is a list of items with recorded Factory Records numbers. The list primarily consists of music releases but also includes promotional graphics, film, etc. However, the list was not confined to creative output. A party, a lawsuit and a cat appear on the list along with other miscellany.
Central Station Design is a Mancunian design company founded by Pat Carroll, Karen Jackson, and Matt Carroll. It is usually associated with Factory Records and the Madchester scene of the early 1990s. The company created album cover artwork and posters for Factory artists including The Happy Mondays, Black Grape, and James. Their design for the Happy Mondays' Madchester Rave On E.P. in late 1989 became the iconic logo for the movement. Their work came to represent the movement so clearly that Factory Records owner and radio presenter Tony Wilson said, "The second half of the Factory story is best summed up by the painterly eccentricity of Central Station." Speaking about Manchester in the 1980s and 1990s, Karen Jackson said, "At some point you need an incubator and a home for all this energy, which for us became Factory Records, Dry Bar and The Haçienda. Tony Wilson articulated the value of this energy, people like Kevin Cummins photographed and documented it, the bands soundtracked it, and we tried to paint it."
The Festival of the Tenth Summer was a music and art festival that took place in Manchester in July 1986. The festival was organised by Factory Records to 'celebrate Manchester' specifically with reference to the first performance by the Sex Pistols at the Lesser Free Trade Hall in Manchester on 4 June 1976. It consisted of ten events, culminating in an all day music festival at the Greater Manchester Exhibition Centre on 19 July 1986. The festival has its own number in the Factory Records catalogue, FAC 151.
This is a timeline of music in Greater Manchester
