6-step

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A 6-step. 6-step.JPG
A 6-step.

The 6-step is the basic sequence of breakdancing footwork. [1] The dancer uses their arms to support their body above the floor while moving their legs in a circle.

Breakdancing style of street dance

Breaking, also called breakdancing or b-boying/b-girling, is an athletic style of street dance. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns.

Contents

Description

The 6-step.

The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The breaker stays low and in contact with the ground, which places him in perfect position for performing other moves. Each of the six distinct steps puts the body in a different position which can be used as starting points for other moves. Steps 1/2 and 3/4 (described below) are most often used for launching other moves. Conversely, any move which ends on the ground can be transitioned smoothly back into the 6-step.

Rotation around a fixed axis

Rotation around a fixed axis or about a fixed axis of revolution or motion with respect to a fixed axis of rotation is a special case of rotational motion. The fixed axis hypothesis excludes the possibility of an axis changing its orientation, and cannot describe such phenomena as wobbling or precession. According to Euler's rotation theorem, simultaneous rotation along a number of stationary axes at the same time is impossible. If two rotations are forced at the same time, a new axis of rotation will appear.

Momentum conserved physical quantity related to the motion of a body

In Newtonian mechanics, linear momentum, translational momentum, or simply momentum is the product of the mass and velocity of an object. It is a vector quantity, possessing a magnitude and a direction in three-dimensional space. If m is an object's mass and v is the velocity, then the momentum is

The body position after step (2) and step (4) are mirror images of each other. Six step often involves looking straight ahead constantly and placing the feet in the same place for each rotation, but can be done with your body facing a different direction for each rotation.

While the basic 6-step resembles walking in a circle on the ground, there are many variations of footwork or "techs" that can reverse the direction of rotation, interlock limbs, incorporate minor flares, twists, powermoves, freezes, tweaks, and much more.

Variants

Out of the many 6-step variations, a few have a defined, repeatable pattern like the 6-step itself and therefore are recognized as footwork sequences in their own right. The most widely recognized ones are listed below. Experimenting breakers commonly invent their own footwork sequences and casually refer to them as "their 9-step" or some similar term, but these sequences are not widely recognized. Moreover, some moves like the 2-step are relatively unrelated to the 6-step even though they have similar nomenclature.

The 2-step also known as Mini Swipe or Baby Swipe is a footwork sequence in breakdance.

5-Step

A simplified variation of the 6-step. The only difference is that the initial two steps are merged into one. The dancer jumps into step two with his/her front leg slightly more extended.

7-Step

Also a simple variation on the 6-step. The first step is the same, but at the second step the left leg steps over the right. From here the right leg is kicked forward to a position halfway through the third step of the 6-step. The right leg is tucked back in and you continue the fifth step.

Head Step

A 6-step variation wherein the bboy uses his head as a platform instead of his hands.

Related Research Articles

In some types of partner dance, lead and follow are designations for the two dancers comprising a dance couple. In the case of mixed-sex couples, the male is traditionally the Lead and the female is the Follow. The Lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The Lead communicates choices to the Follow and directs the Follow by means of subtle physical and visual signals, thereby allowing the couple to be smoothly coordinated.

Charleston (dance) dance

The Charleston is a dance named for the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 29 October 1923 through 28 June 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.

The Balboa is a swing dance that originated in Southern California during the 1920s and enjoyed huge popularity during the 1930s and 1940s. The term Balboa originally referred to a dance characterized by its close embrace and full body connection. It emphasizes rhythmic weight shifts and lead-follow partnership. Different dancers in the same region at the same time also danced "swing," a dance characterized by twists, turns, and open-position movement. Over time, these two dances merged and became collectively known as Balboa. The original Balboa dance is now referred to as Pure Balboa, and the original "Swing" dance is now referred to as Bal-Swing or L.A. Swing to differentiate it from other types of swing. Because of its emphasis on subtlety and partnering rather than flashy tricks, Balboa is considered more of a "dancer's dance" than a "spectator's dance."

Salsa (dance) Dance form

Salsa is a popular form of social dance originating in Eastern Cuba. The Salsa we hear now is said to be born in New York to a mixture of Afro Cuban folk dances with Jazz. Evidence shows that the “Salsa” sound was already developed in Cuba before being brought up to New York. The movements of Salsa are a combination of the Afro-Cuban dances Son, cha-cha-cha, Mambo, Rumba, and the Danzón. The dance, along with salsa music, saw major development in the mid-1970s in New York. Different regions of Latin America and the United States have distinct salsa styles of their own, such as Cuban, Puerto Rican, Cali Colombia, L.A. and New York styles. Salsa dance socials are commonly held in night clubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival.

This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.

Chassé dance step

The chassé is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology.

The Swipe is one of the most recognizable power moves in b-boying. The b-boy or b-girl leans back, whips his or her arms to one side to touch the ground, and his or her legs follow closely behind, twisting 360 degrees to land on the ground once again. An example many might remember is the swipe performed by the character Samir in the movie Office Space.

Flare (acrobatic move) acrobatic move

The flare is an acrobatic move in which the performer alternates balancing the torso between either arm while swinging the legs beneath in continuous circles. It is a fundamental b-boying power move, and in gymnastics it may be performed on a pommel horse or during the floor exercise. The move is commonly spelled flair in gymnastics and further may be called a "Thomas flair" after its originator, Kurt Thomas.

Footwork (martial arts)

Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting. Footwork involves keeping balance, closing or furthering the distance, controlling spatial positioning, and/or creating additional momentum for strikes.

Float (b-boy move) b-boying move

The float (turtle) is a b-boying move originally coming from basic Gymnastics alongside variants specifically the Turtle. Though it appears to demand great strength, the float actually requires balance above all because the breaker's weight is supported on the elbows which are firmly planted ("stabbed") into the lower abdomen near the anterior superior iliac spine.

Spin (b-boy move) b-boying move

A spin is a b-boying move that involves rotation of the breaker's body about some axis in contact with the ground. It is possible to perform a spin on virtually any part of the body, but bare skin often causes painful and spin-killing friction with the floor. To solve this problem, many breakers employ pieces of cloth or wear long clothing, pads, or caps. When the dancer uses his hands to aid in speeding up the spin, it is called tapping. A dancer may tap for a few rotations and then glide for subsequent rotations. Spins form an integral part of many breakers' routines, while others eschew them in favor of more complex-looking repeated movements, back and forth, after each rotation in a given direction.

Pair skating discipline of figure skating

Pair skating is a figure skating discipline. The International Skating Union (ISU) defines pair skating as "the skating of two persons in unison who perform their movements in such harmony with each other as to give the impression of genuine Pair Skating as compared with independent Single Skating". The ISU also states that a pairs team must consist of "one Lady and one Man". Pair skating, along with men's and women's single skating, has been an Olympic discipline since figure skating, the oldest Winter Olympic sport, was introduced at the 1908 Olympic Games in London. The ISU World Figure Skating Championships introduced pair skating in 1908.

Some poi tricks include: reels, weaves, fountains, crossovers and windmills.

Contra body movement (CBM) is a term used in ballroom dances, such as Waltz, Foxtrot, Tango, Quickstep. It describes a specific coordination of the movement of a dancer's body when doing or preparing to do a step which involves rotation.

Bachata is a style of social dance from the Dominican Republic which is now danced all over the world. It is connected with bachata music.

Competition elements in ice dance

Ice dance, a discipline of figure skating, has required elements that make up a well-balanced skating program and must be performed during competitions. They include: the dance lift, the dance spin, the step sequence, twizzles, and choreographic elements. The elements must be performed in specific ways, as described by published communications by the International Skating Union (ISU), unless otherwise specified. Choreographic elements are judged differently; they are considered complete if the minimum requirements defining the element are met.

References

  1. Corsica, Joey. "Learn Breakdancing Footwork". About.com. Archived from the original (video) on 1 June 2009. Retrieved 6 November 2009.