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Locking is a style of funk dance, which is today also associated with hip hop. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
Locking was originally danced to traditional funk music, such as that produced or performed by James Brown. Funk music is still commonly favored by locking dancers and used by many competitions such as the locking divisions of Juste Debout and Summer Dance Forever. Locking movements create a strong contrast towards the many fast moves that are otherwise performed quite continuously, combined with mime style performance and acting and other dancers. Locking includes many acrobatics and physically demanding moves, such as landing on one's knees and the split. These moves often require knee protection.
The beginning of Locking can be traced to Don Campbell. In the late 1960s he put together several fad dances adding moves of his own (known as the "Lock") when performing. The original lock was created by accident: Campbell couldn't do a move called the 'chicken dance ' and stopped at a particular point whilst moving his arms, creating a 'locking' effect. [1] [2] He wasn't able to perform it fluently, for he couldn't remember which step to take next. (Even the acting towards the audience was spontaneous: when people started laughing at Don because of his unfamiliar moves, he responded by pointing at them.) These halts soon became popular as Don added them into his performances. The resulting dance was called Campbellocking, which was later shortened to Locking. In the early 1970s this set off a movement of Locking dance groups, notably Campbell's group The Lockers. Other lockers Jimmy "Scoo B Doo" Foster, Greggory "Campbellock Jr." Pope, Tony "GoGo" Lewis, Fred "Mr Penguin" Berry (a.k.a. Rerun), Leo "Fluky Luke" Williamson, Damita Jo Freeman and others also helped set the foundation for the locking dance and clothes style.
Clothes style can consist of loud striped socks, pegged pants that stopped at the knees, bright colorful satin shirts with big collars, big colorful bow ties, gigantic Apple Boy hats, and white gloves.
Locking may be done in solo two or more dancers doing steps or handshakes together. A locker may smile while performing to emphasize the comical nature of the dance; other times, a serious demeanor will be maintained to place emphasis on technique. Other important stylistic features are waving of arms, pointing, walking stationary and grabbing and rotating the cap or hat. Don Campbell created the original freezes, incorporating his unique rhythm and adding gestures such as points and handclaps. Other dancers also adapted this style while creating other steps and moves.
Locking is by nature an improvisational dance but also consists of a set of signature moves of locking pioneers, However, many lockers alter or blend these with other moves or create their own variations. In general, Lockers will often put a small pause and move up on the second and fourth beats to emphasize the locking.
Up Lock (Muscle man)
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina, Finland ("jenkka"), France, Italy, Norway ("reinlender"), Portugal and Brazil, Spain (chotis), Sweden, Denmark ("schottis"), Mexico, and the United States, among other nations. The schottische is considered by The Oxford Companion to Music to be a kind of slower polka, with continental-European origin.
Popping is a street dance adapted out of the earlier Boogaloo cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s. Popping would be eventually adapted from earlier Boogaloo movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a pose, pop or a hit. This is done continuously to the rhythm of a song in combination with various movements and poses. It was popularized by a Fresno & Long Beach-based dance group called the Electric Boogaloos that mixed popping techniques to boogaloo. Closely related illusory dance styles and techniques are often integrated into popping to create a more varied performance. These dance styles include the robot, waving and tutting. However, popping is distinct from breaking and locking, with which it is often confused. A popping dancer is commonly referred to as a popper.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century.
Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. This article covers the various pins, stretches and transition holds used in the ring. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. Moves are listed under general categories whenever possible.
A strike is a directed, forceful physical attack with either a part of the human body or with a handheld object, intended to cause blunt or penetrating trauma upon an opponent.
Strikes can be offensive moves in professional wrestling, that can sometimes be used to set up an opponent for a hold or for a throw. There are a wide variety of strikes in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Don "Campbellock" Campbell was an American dancer and choreographer who was best known for having invented the "locking" dance, and for his work with The Lockers. Born in Saint Louis, Missouri in January 1951, Campbell discovered dance while studying commercial art at Los Angeles Trade–Technical College.
An armlock in grappling is a single or double joint lock that hyperextends, hyperflexes or hyperrotates the elbow joint or shoulder joint. An armlock that hyper-extends the elbow is known as an armbar, and it includes the traditional armbar, the shoulder triangle armbar, and the shotgun armbar. An armlock that hyper-rotates the arm is known as an armcoil, and includes the americana, kimura, and omaplata. Depending on the joint flexibility of a person, armcoils can either hyper-rotate only the shoulder joint, only the elbow joint, or both the elbow joint and shoulder joint.
A leglock is a joint lock that is directed at joints of the leg such as the ankle, knee or hip joint. A leglock which is directed at joints in the foot is sometimes referred to as a foot lock and a lock at the hip as a hip lock. Leglocks are featured, with various levels of restrictions, in combat sports and martial arts such as Sambo, Brazilian Jiu-Jitsu, catch wrestling, mixed martial arts, Shootwrestling and submission wrestling, but are banned in some sports featuring joint locks such as judo. The technique has been seen across a wide range of different combat sports and is reportedly over 2,500 years old, having been seen in the lost art of Pankration in the original Olympic Games.
Footwork refers to dance technique aspects related to feet: foot position and foot action.
The Windmill is a popular b-boying move. The breaker rolls his torso continuously in a circular path on the floor, across the upper chest/shoulders/back, while twirling his legs in a V-shape through the air.
The float (turtle) is a b-boying move originally coming from basic Gymnastics alongside variants specifically the Turtle. Though it appears to demand great strength, the float actually requires balance above all because the breaker's weight is supported on the elbows which are firmly planted ("stabbed") into the lower abdomen near the anterior superior iliac spine.
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events.
The Lockers was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance. Don Campbell is the founder of the locking dance style, and originally, Locking was called The Campbellock—a style that was based on the dance and song that Don Campbell created. Toni Basil met Campbell at a club in 1971 and together they formed The Lockers as a dance group. Toni Basil, who became Campbell's girlfriend, also served as The Lockers' manager, and was responsible for staging the act. All the dancers contributed steps and choreography with their unique and individual styles. By 1975 they were "Dancing their way to stardom" on their own. Individual members' contributions to the dance style and group image coupled with their unique presentation in staging and concept broke down many barriers. It has been said on the reality dance competition So You Think You Can Dance that "The Lockers' emergence on the dance scene changed the face of dance not only for street dancers but for dance in general and has made street dance a true American art form."
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.