Too Many Crooks is a 1930 British comedy crime film directed by George King and starring Laurence Olivier, Dorothy Boyd and Arthur Stratton.
Open All Night is a 1934 British drama film directed by George Pearson and starring Frank Vosper, Margaret Vines, Gillian Lind, Geraldine Fitzgerald and Michael Shepley. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter. The film was produced as a quota quickie by Julius Hagen for distribution by RKO Pictures. It was later released in the United States until the alternative title Murder by Appointment.
Ebb Tide is a 1932 British drama film directed by Arthur Rosson and starring Dorothy Bouchier, Joan Barry, George Barraud, and Merle Oberon. It was shot at Elstree Studios and on location in London. The film's sets were designed by the art director Holmes Paul. It was produced and distributed by the British branch of Paramount Pictures as a quota quickie. It was based on the novel God Gave Me Twenty Cents by Dixie Willson, which had previously been made into a 1926 American silent film of the same title.
Excess Baggage is a 1933 British comedy film directed by Redd Davis and starring Claud Allister, Frank Pettingell, Sydney Fairbrother, Rene Ray, Gerald Rawlinson and Viola Compton. Its plot concerns a British army Colonel mistakenly who thinks he has killed his superior officer while hunting down a ghost. It was made at Twickenham Studios in west London as a quota quickie for distribution as a second feature by RKO Pictures.
Guilt is a 1931 British romance film directed by Reginald Fogwell and starring James Carew, Anne Grey, Harold Huth and James Fenton. In the film, the wife of a playwright has an affair with an actor.
The Roof is a 1933 British crime film directed by George A. Cooper and starring Leslie Perrins, Judy Gunn, Russell Thorndike and Michael Hogan. It was shot at Twickenham Studios in London as a quota quickie for release by RKO Pictures. The film's sets were designed by Twickenham's resident art director James A. Carter. It was based on the novel of the same title by David Whitelaw.
Puppets of Fate is a 1933 British crime film directed by George A. Cooper and starring Godfrey Tearle, Isla Bevan, Russell Thorndike, and Fred Groves. It was shot at Twickenham Studios in London as a quota quickie for release by United Artists. In the United States it was released under the title Wolves of the Underworld.
The Man Outside is a 1933 British crime film directed by George A. Cooper and starring Henry Kendall, Gillian Lind and Joan Gardner. It was shot at Twickenham Studios in London and features sets designed by the art director James A. Carter. Made as a quota quickie, it was distributed by RKO Pictures. It is unrelated to the play The Man Outside, which was not written until 1946.
The Silver Spoon is a 1933 British comedy crime film directed by George King and starring Ian Hunter, Garry Marsh and Cecil Parker. It was produced and distributed as a quota quickie by Warner Brothers and was shot at the company's Teddington Studios in London. The Silver Spoon is classed by the British Film Institute as a lost film.
High Finance is a 1933 British drama film directed by George King and starring Gibb McLaughlin and Ida Lupino, which was marketed as "the drama of a man overwhelmed by his own success". It is now classed as a lost film. It was produced and distributed by Warner Brothers and shot at Teddington Studios as a quota quickie.
Her Imaginary Lover is a 1933 British comedy film directed by George King and starring Laura La Plante and Percy Marmont. It was produced and distributed by Warner Brothers and shot at the company's Teddington Studios as a quota quickie.
Chelsea Life is a 1933 British drama film directed by Sidney Morgan and starring Louis Hayward, Molly Johnson and Anna Lee. It was shot at Elstree Studios as a quota quickie for release by the British subsidiary of Paramount Pictures.
The Pointing Finger is a 1933 British drama film directed by George Pearson and starring John Stuart, Viola Keats and Leslie Perrins. The screenplay concerns a man who plots to murder his half-brother so he can claim his earldom and an inheritance. The film was made by Twickenham Film Studios with sets designed by the art director James A. Carter. It was distributed by RKO Pictures as a quota quickie. Based on the novel The Pointing Finger (1907) by "Rita," it was a remake of the 1922 film of the same name.
Meet My Sister is a 1933 British comedy film directed by Jean Daumery and starring Clifford Mollison, Constance Shotter and Enid Stamp-Taylor. It was made at Welwyn Studios as a quota quickie by British International Pictures.
The Barton Mystery is a 1932 British crime film directed by Henry Edwards and starring Ursula Jeans, Ellis Jeffreys and Lyn Harding. It was based on the play The Barton Mystery by Walter C. Hackett.
Matinee Idol is a 1933 British crime film directed by George King and starring Camilla Horn, Miles Mander and Marguerite Allan. The screenplay concerns a young actress who is suspected of murder. It was shot at Wembley Studios in London. The film's sets were designed by the art director J. Elder Wills. It was a quota quickie distributed by United Artists.
Commissionaire is a 1933 British crime film directed by Edward Dryhurst and starring Sam Livesey, Barry Livesey and George Carney. It was shot at Cricklewood Studios as a quota quickie for release by MGM.
Two Wives for Henry is a 1933 British comedy film directed by Adrian Brunel and starring Garry Marsh, Dorothy Boyd and Jack Raine. A man decides to take a "substitute" wife with him for a vacation in Brighton, but things soon begin to go wrong.
Love's Option is a 1928 British silent adventure film directed by George Pearson and starring Dorothy Boyd, Patrick Aherne and James Carew. It was made at Cricklewood Studios based on the novel The Riddle by Douglas Newton. The film was distributed by Paramount Pictures' British subsidiary, enabling the company to meet its yearly quota set down by the British government. The film follows several rivals attempting to gain control of a valuable Spanish copper mine. It was known by the alternative title A Girl of Today.
Ticket of Leave is a 1936 British crime film directed by Michael Hankinson and starring Dorothy Boyd, John Clements and George Merritt. It was made as a quota quickie at British and Dominions Elstree Studios by the British subsidiary of Paramount Pictures. The screenplay concerns a woman who joins forces with a criminal after he robs her flat. The title refers to the ticket of leave given to prisoners when they were released from jail.
