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A Trilogia das Barcas (The Trilogy of the Barges or The Trilogy of Ships, in English) is a series of one-act dramatic plays with allegorical characters by Portuguese playwright and poet Gil Vicente. [1] Specialists classify them as morality plays even though they resemble more closely farces. They give a glimpse of the Lisboan society in the early 16th century.
The Act of the Ship of Hell, also known as Act of Morality (Auto da Barca do Inferno or "Auto da Moralidade", in Portuguese) is an allegorical play by Gil Vicente premiered in 1517. It is the first part of the Trilogy of the Ships. Despite the fact there are two ferries in the play, it's called "of the Ship of Hell" because this is the destination of most of its characters after the judgement around which it is centered.
The first two characters are allegorical and biblical in origin, while the others are stereotypical representations of social classes and professions. Their traits and demeanor show their lives and sins.
The play takes place in an imaginary port where two ferries await for their passengers. Each character argues with the Devil and the Angel about which ship they deserve to board. There is a pattern in which every character heads first to the Ship of Hell (which is more richly decorated), realize that this boat goes to Hell and then go to the Ship of Heaven. The characters that are not admitted in this boat, return to the Ship of Hell.
At the end only the four knights board the Ship of Heaven. All the other characters go to hell. To the Jew who refuses to give up his earthly possessions - a goat - is denied entrance even on the Ship of Hell (a rope is thrown to him and he is dragged in the water). The fool remains in the port, what is meant to say that he is a common and humble man but still has sins to atone. He helps the angel to judge the other characters and acts like a second voice to the author. His fate is not shown.
Three kinds of humour are present on the play:
There are several allusions to the mythological Charon. For instance, the usurer claims to not have money to pay the ferryman's fee.
The Act of the Ship of Purgatory (Auto da Barca do Purgatorio, in Portuguese) is an allegorical play written in 1518 by Gil Vicente. It is the second part of the Trilogy of the Ships.
The play presents characters and characters with a more uniform social status than the previous "Ship play": The Angel. The Devil. The Devil's companion. Three minor angels. A ploughman, who carries a plow on his back, exploited by all and whose labors and sacrifices prevent his condemnation; Marta Gil, a saleswoman who practiced small faults; A shepherd who, though a believer, yielded to temptation; A shepherdess, who also will have to atone some minor faults. A young boy. A gambler.
All the deceased want to embark on the Angel's ship. These people are condemned to expiate their sins in Purgatory. In the end, only the boy boards the Ship of Heaven and only the gambler goes to hell. The others remain in purgatory.
The Act of the Ship of Heaven (Auto da Barca da Glória, in Portuguese) is an allegorical play written in 1519 by Gil Vicente. It is the third and final part of the Trilogy of the Ships.
The characters of the play are the Devil, Death and several religious and secular authorities: a count, a duke, a king, an emperor, a bishop, an archbishop and, finally, the pope. In this order, they are all condemned to the Ship of Hell for their lives of sin and oppression of the poor.
The Divine Comedy is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Purgatorio is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil – except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
Gil Vicente, called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus," often referred to as the "Father of Portuguese drama" and as one of Western literature's greatest playwrights. Also noted as a lyric poet, Vicente worked in Spanish as much as he worked in Portuguese and is thus, with Juan del Encina, considered joint-father of Spanish drama.
Autos sacramentales are a form of dramatic literature which is unique to Spain and Hispanic America, though in some respects similar in character to the old Morality plays of England.
Vítor Norte is a Portuguese actor. He won the Portuguese Golden Globe award for best actor three times.
The Devil, appears frequently as a character in literature and various other media. In Abrahamic religions, the figure of the Devil, Satan personifies evil.
In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punitive suffering, most often through torture, as punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld.
In Christian theology, Hell is the place or state into which, by God's definitive judgment, unrepentant sinners pass in the general judgment, or, as some Christians believe, immediately after death. Its character is inferred from teaching in the biblical texts, some of which, interpreted literally, have given rise to the popular idea of Hell. Theologians today generally see Hell as the logical consequence of rejecting union with God and with God's justice and mercy.
In Christianity, the Devil is the personification of evil. He is traditionally held to have rebelled against God in an attempt to become equal to God himself. He is depicted as a fallen angel, who was expelled from Heaven at the beginning of time, before God created the material world, and is in constant opposition to God. The devil is conjectured to be several other figures in the Bible including the serpent in the Garden of Eden, Lucifer, Satan, the tempter of the Gospels, Samael, and the dragon in the Book of Revelation.
The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries. Works are included here if they have been described by scholars as relating substantially in their structure or content to the Divine Comedy.
In Dante Alighieri's The Divine Comedy, the City of Dis encompasses the sixth through the ninth circles of Hell.
Dante's Inferno is a 2010 action-adventure hack and slash video game developed by Visceral Games and published by Electronic Arts. The game was released for PlayStation 3, Xbox 360 and PlayStation Portable in February 2010. The PlayStation Portable version was developed by Artificial Mind and Movement.
Inferno is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Purgatory is a passing intermediate state after physical death for purifying or purging a soul. A common analogy is dross being removed from metal in a furnace.
The Hebrew term mammon, personifying money in the New Testament, has led to many adaptations in literature, film, and popular culture.
Bonconte I da Montefeltro was an Italian Ghibelline general. He led Ghibelline forces in several engagements until his battlefield death. Dante Alighieri featured Montefeltro as a character in the Divine Comedy.
The first circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of hell ordered into nine circles corresponding to classifications of sin. The first circle is Limbo, the space reserved for those souls who died before baptism and for those who hail from non-Christian cultures. They live eternally in a castle set on a verdant landscape, but forever removed from heaven.
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust, where the lustful are punished by being buffeted within an endless tempest.
In the Village of Guaraparim is the title given to the longest play by Joseph of Anchieta, canonized in 2014, written exclusively in the Tupi language, a now dead language.