Related Research Articles
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer, written by Tirso de Molina. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Da Ponte's libretto was billed as a dramma giocoso, a common designation of its time that denotes a mixing of serious and comic action. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements.
Don Pasquale is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera Ser Marcantonio written in 1810 but, on the published libretto, the author appears as "M.A."
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Giuditta Angiola Maria Costanza Pasta was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas.
Ferdinando Paer was an Italian composer known for his operas and oratorios. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër.
The year 1678 in music involved some significant events.
Beatrice di Tenda is a tragic opera in two acts by Vincenzo Bellini, from a libretto by Felice Romani, after the play of the same name by Carlo Tedaldi Fores.
Don Sanche, ou Le château de l'amour, S.1, is an opera in one act composed in 1824–25 by Franz Liszt in his early teen years, with French libretto by Théaulon and de Rancé, based on a story by Jean-Pierre Claris de Florian. For 30 years it was believed to be lost until it was rediscovered in 1903. The first modern performance took place in 1977, 74 years after its rediscovery.
Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France.
Theater am Kärntnertor or Kärntnertortheater was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries. Its official title was Kaiserliches und Königliches Hoftheater zu Wien.
Giulio Marco Bordogni, usually called just Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris.
Giuseppina Ronzi de Begnis was an Italian soprano opera singer famous for the roles written for her by the prominent composers of the 1820s and 1830s. Her father, Gaspare, was a prominent ballet dancer and choreographer, and her mother, Antonia, a ballerina. Her brothers Stanislao and Pollione were opera singers. As a singer, she made her debut in Naples at the Teatro dei Fiorentini in 1814 in Giovanni Cordella's L'Avaro, followed by important engagements in Bologna in 1816, also appearing in Genoa, Florence; in 1817 as Giulia La Vestale, and in Bergamo. She married Italian bass Giuseppe de Begnis (1793–1849) when she was only 16. The marriage lasted only a few years and the two separated in 1825.
Leonora, ossia L’amore coniugale is an opera in two acts by the Italian composer Ferdinando Paer. The libretto, by Giovanni Schmidt, is based on Léonore, ou L’amour conjugal (1794) by Jean-Nicolas Bouilly, which was also the source of Beethoven's Fidelio. Beethoven himself owned a score of Paer's opera and it is believed to have had some influence on his work. Leonora was first performed at the Kleines Kurfürstliches Theater, Dresden, on 3 October 1804 with the composer's wife singing the title role.
Giovanni Battista Verger was an Italian operatic tenor and impresario. He particularly excelled in the operas of Gioachino Rossini and Gaetano Donizetti.
Agnese is a given name and a variant of Agnes.
Giuseppe de Begnis was an Italian operatic bass singer. Born in Lugo di Romagna, he started his musical education when he was 7 years old, under Padre Bongiovanni, and sang soprano in the church. At age 15 he had serious problems with his voice and began studying acting under Mandini, a famous actor of the time. His father did not want Giuseppe to become a comedian and in due course the young man became a pupil of the composer Giovanni Morandi, the husband of the singer Rosa Morandi.
Giuseppe Ambrogetti was an Italian opera singer of the type basso buffo.
Agnese Schebest, néeAgnese Šebesta, also Agnese Schebesta was an Austrian operatic mezzo-soprano. She lived as a singing teacher in Munich and Stuttgart.
Claudio Bonoldi was an Italian tenor.
References
 | This article about an opera or opera-related subject is a stub. You can help Wikipedia by expanding it. |