Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing. Light double lines in perimeter walls indicate glazed windows. Dashed lines show the ribs of the vaulting overhead. By convention, ecclesiastical floorplans are shown map-fashion, with north to the top and the liturgical east end to the right.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
The nave is the central part of a church, stretching from the main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts. Either way, the nave is distinct from the area reserved for the choir and clergy.
The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or vestibule, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper.
A triforium is an interior gallery, opening onto the tall central space of a building at an upper level. In a church, it opens onto the nave from above the side aisles; it may occur at the level of the clerestory windows, or it may be located as a separate level below the clerestory. Masonry triforia are generally vaulted and separated from the central space by arcades. Early triforia were often wide and spacious, but later ones tend to be shallow, within the thickness of an inner wall, and may be blind arcades not wide enough to walk along. The outer wall of the triforium may itself have windows, or it may be solid stone. A narrow triforium may also be called a "blind-storey", and looks like a row of window frames.
In architecture, a clerestory is a high section of wall that contains windows above eye-level. Its purpose is to admit light, fresh air, or both.
An auditorium is a room built to enable an audience to hear and watch performances. For movie theatres, the number of auditoria is expressed as the number of screens. Auditoria can be found in entertainment venues, community halls, and theaters, and may be used for rehearsal, presentation, performing arts productions, or as a learning space.
A transept is a transverse part of any building, which lies across the main body of the building. In cruciform ("cross-shaped") churches, in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave. Each half of a transept is known as a semitransept.
The Cathedral Church of St. James is an Anglican cathedral in Downtown Toronto, Ontario, Canada. It is the location of the oldest congregation in the city, with the parish being established in 1797. The church, with construction beginning in 1850 and opening for services on June 19, 1853, was one of the largest buildings in the city at that time. It was designed by Frederick William Cumberland and is a prime example of Gothic Revival architecture.
Rayonnant was a very refined style of Gothic Architecture which appeared in France in the 13th century. It was the defining style of the High Gothic period, and is often described as the high point of French Gothic architecture. French architects turned their attention from building cathedral of greater size and height towards bringing greater light into the cathedral interiors and adding more extensive decoration. The architects made the vertical columns and supports thinner, made extensive use of pinnacles and moldings. They combined the triforium gallery and the clerestory into single space and filled it with stained glass. They made extensive use of moldings and bar tracery to decorate the exteriors and interiors.
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature.
A hall church is a church with a nave and aisles of approximately equal height. In England, Flanders and the Netherlands, it is covered by parallel roofs, typically, one for each vessel, whereas in Germany there is often one single immense roof. The term was invented in the mid-19th century by Wilhelm Lübke, a pioneering German art historian. In contrast to an architectural basilica, where the nave is lit from above by the clerestory, a hall church is lit by the windows of the side walls typically spanning almost the full height of the interior.
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire. Some of the styles have become associated with the particular traditions of one specific autocephalous Eastern Orthodox patriarchate, whereas others are more widely used within the Eastern Orthodox Church.
The Cathedral of Cefalù is a Roman Catholic basilica in Cefalù, Sicily. It is one of nine structures included in the UNESCO World Heritage Site known as Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale.
French architecture consists of architectural styles that either originated in France or elsewhere and were developed within the territories of France.
An aisleless church is a single-nave church building that consists of a single hall-like room. While similar to the hall church, the aisleless church lacks aisles or passageways on either side of the nave and separated from the nave by colonnades or arcades, a row of pillars or columns. However, there is often no clear demarcation between the different building forms, and many churches, in the course of their construction history, developed from a combination of different types.
Catalan Gothic is an artistic style, with particular characteristics in the field of architecture. It occurred in the Principality of Catalonia within the Crown of Aragon between the 13th and 15th centuries, which places it at the end of the European Gothic period and at the beginning of the Renaissance. The term Catalan Gothic is confined to Barcelona and its area of influence, which has its own characteristics.
The Romanesque style of architecture was introduced in Portugal between the end of the 11th and the beginning of the 12th century. In general, Portuguese cathedrals have a heavy, fortress-like appearance, with crenellations and few decorative elements apart from portals and windows. Portuguese Romanesque cathedrals were later extensively modified, among others the Old Cathedral of Coimbra, although it only had some minor changes.
