Al Stewart | |
---|---|
Background information | |
Birth name | Alastair Ian Stewart |
Born | Greenock, Scotland | 5 September 1945
Origin | Wimborne, England |
Genres | |
Occupation(s) | Musician, songwriter |
Instrument(s) |
|
Years active | 1966–present |
Labels | |
Website | alstewart |
Alastair Ian Stewart (born 5 September 1945) is a Scottish-born [1] [2] singer-songwriter and folk-rock musician who rose to prominence as part of the British folk revival in the 1960s and 1970s. He developed a unique style of combining folk-rock songs with tales of characters and events from history. [3]
Stewart is best known for his 1976 hit single "Year of the Cat", from the platinum album of the same name. Though Year of the Cat and its 1978 platinum follow-up Time Passages brought Stewart his biggest worldwide commercial successes, earlier albums such as Past, Present and Future from 1973 are often seen as better examples of his intimate brand of historical folk-rock, a style to which he returned in later albums. [4]
Stewart appears throughout the musical history of the folk revivalist era. He played at the first-ever Glastonbury Festival in 1970, knew Yoko Ono before she met John Lennon, shared a London flat with a young Paul Simon (who was collaborating with Bruce Woodley of The Seekers), and hosted at the Les Cousins folk club in London in the 1960s. [5]
Stewart has released 16 studio and three live albums since his debut album Bed-Sitter Images in 1967, and continues to tour extensively in the US, Canada, Europe, and the UK. His most recent release, Uncorked , was released on Stewart's independent label, Wallaby Trails Recordings, in 2009. [6]
Stewart has worked with Peter White, Alan Parsons, Jimmy Page, Richard Thompson, Rick Wakeman, Francis Monkman, Tori Amos, and Tim Renwick, and more recently has played with Dave Nachmanoff and former Wings lead-guitarist Laurence Juber.
Although born in Greenock, [7] Al Stewart grew up in the town of Wimborne, Dorset, England, after moving from Scotland with his mother, Joan Underwood. His father, Alastair MacKichan Stewart, who served as a flight lieutenant in the Royal Air Force volunteer reserve, died in a plane crash during a 1945 training exercise before his son Al was born. [8] Stewart attended Wycliffe College, Gloucestershire as a boarder. After that, according to the song "Post World War II Blues" (from Past, Present and Future ): "I came up to London when I was 19 with a corduroy jacket and a head full of dreams."
Having bought his fourth guitar from future Police guitarist Andy Summers, Stewart traded in his electric guitar for an acoustic guitar when he was offered a weekly slot at Bunjies Coffee House in London's Soho in 1965. From there, he went on to serve as master of ceremonies at the Les Cousins folk club on Greek Street, where he played alongside Cat Stevens, Bert Jansch, Van Morrison, Roy Harper, Ralph McTell and Paul Simon, with whom he shared a flat in Dellow Street, Stepney, London. [5]
Stewart's first recording was on Jackson C. Frank's debut album, 1965's Jackson C. Frank , playing guitar on "Yellow Walls". His first record was the single "The Elf" (backed with a version of The Yardbirds' "Turn into Earth"), which was released in 1966 on Decca Records and included guitar work from Jimmy Page (later of the Yardbirds and Led Zeppelin). Stewart then signed to Columbia Records (CBS in the UK), for whom he released six albums. Though the first four of these attracted relatively little commercial interest, Stewart's popularity and cult following grew steadily through albums that contain some of Stewart's most incisive and introspective songwriting.
Stewart's debut album, Bedsitter Images , was released in 1967. A revised version appeared in 1970 as The First Album (Bedsitter Images) with a few tracks changed, and the album was reissued on CD in 2007 with all tracks from both versions.
Love Chronicles (1969) was notable for the 18-minute title track, an anguished autobiographical tale of sexual encounters that was the first mainstream record release ever to include the word "fucking". [9] It was voted "Folk Album of the Year" by the UK music magazine Melody Maker and features Jimmy Page and Richard Thompson on guitar.
His third album, Zero She Flies , followed in 1970 and included a number of shorter songs which ranged from acoustic ballads and instrumentals to songs that featured electric lead guitar. These first three albums (including The Elf) were later released as the two-CD set To Whom it May Concern: 1966–70.
In 1970, Stewart and fellow musician Ian A. Anderson headed to the small town of Pilton, Somerset. There, at Michael Eavis's Worthy Farm, Stewart performed at the first-ever Glastonbury Festival to a field of 1,000 hippies, who had paid just £1 each to be there.
On the back of his growing success, Stewart released Orange in 1972. It was written after a tumultuous breakup with his girlfriend and muse, Mandi, and was very much a transitional album, combining songs in Stewart's confessional style with more intimations of the historical themes that he would increasingly adopt (e.g., "The News from Spain" with its progressive rock overtones, including dramatic piano by Rick Wakeman).
The fifth release, Past, Present and Future (1973), was Stewart's first album to receive a proper release in the United States, via Janus Records. It echoed a traditional historical storytelling style and contained the song "Nostradamus," a long (9:43) track in which Stewart tied into the rediscovery of the claimed seer's writings by referring to selected possible predictions about 20th century people and events. While too long for mainstream radio airplay at that time, the song became a hit on many US college/university radio stations, which were flexible about running times.
Such airplay helped the album to reach No. 133 on the Billboard album chart in the US. Other songs on Past, Present and Future characterized by Stewart's "history genre" mentioned American President Warren G. Harding, World War II, Ernst Röhm, Christine Keeler, Louis Mountbatten, and Joseph Stalin's purges.
Stewart followed Past, Present and Future with Modern Times (1975), in which the songs were lighter on historical references and more of a return to the theme of short stories set to music. Significantly, though, it was the first of his albums to be produced by Alan Parsons.
In a highly positive retrospective review of Modern Times, AllMusic senior editor Stephen Thomas Erlewine described the album as "exquisite". Erlewine wrote that the album "establishes Stewart's classic sound of folky narratives and Lennonesque melodies, all wrapped up in a lush, layered production from Alan Parsons. The production gives epics like the title track a real sense of grandeur that makes their sentiments resonate strongly." [10]
Modern Times produced Stewart's first hit single, "Carol". The album reached No. 30 in the US and received substantial airplay on album-oriented stations some 30 years before Bob Dylan would release an album of the same name.
Stewart's contract with CBS Records expired at this point, and he signed to RCA Records for the world outside North America. His first two albums for RCA, Year of the Cat (released on Janus Records in the US, then reissued by Arista Records after Janus folded) and Time Passages (released in the U.S. on Arista), set the style for his later work and have been his biggest-selling recordings. [11]
Stewart told Kaya Burgess of The Times : "When I finished Year of the Cat, I thought: 'If this isn't a hit, then I can't make a hit.' We finally got the formula exactly right." [5]
Stewart had all of the music and orchestration written and completely recorded before he had a title for any of the songs. He mentioned in a Canadian radio interview that he has done this for six of his albums, and he often writes four different sets of lyrics for each song. [12]
Both albums reached the top ten in the US, with Year of the Cat peaking at No. 5 and Time Passages at No. 10, and both albums produced hit singles in the US ("Year of the Cat" No. 8, and "On the Border", #42; "Time Passages" No. 7 and "Song on the Radio", #29). Meanwhile, "Year of the Cat" became Stewart's first chart single in Britain, where it peaked at No. 31. It was a huge success at London's Capital Radio, reaching number 2 on their Capital Countdown chart. The overwhelming success of these songs on the two albums, both of which still receive substantial radio airplay on classic-rock/pop format radio stations, has perhaps later overshadowed the depth and range of Stewart's body of songwriting. [13]
Stewart then released 24 Carrots (#37 US 1980) and his first live album Live/Indian Summer (#110 US 1981), with both featuring backing by Peter White's band Shot in the Dark (who released their own album in 1981). While "24 Carrots" did produce a No. 24 single with "Midnight Rocks", the album sold less well than its two immediate predecessors.
After those releases, Stewart was dropped by Arista and his popularity declined. Despite his lower profile and waning commercial success, he continued to tour the world, record albums, and maintain a loyal fanbase. There was a four-year gap between his next two albums, the highly political Russians and Americans (1984) and the upbeat pop-oriented Last Days of the Century (1988), which appeared on smaller labels and had lower sales than his previous works.
Stewart followed up with his second live album, the acoustic Rhymes in Rooms (1992), which featured only Stewart and Peter White, and Famous Last Words (1993), which was dedicated to the memory of the late Peter Wood (co-writer of "Year of the Cat"), who died the year of its release.
After parting ways with his longtime collaborator of almost 20 years, Peter White (who was credited on every studio and live album between Year of the Cat and Famous Last Words and also served as his regular songwriting partner), Stewart joined with former Wings guitarist Laurence Juber to record a concept album, Between the Wars (1995), covering major historical and cultural events from 1918 to 1939, such as the Treaty of Versailles, Prohibition, the Spanish Civil War, and the Great Depression. Juber produced the album, and went on to produce Stewart's subsequent studio albums.
In 1995, Stewart was invited to play at the 25th anniversary Glastonbury Festival.
In 2000, Stewart released Down in the Cellar , a concept album themed on wine. Stewart had begun a love affair with wine in the 1970s when, he admitted, he had more money than he knew how to spend, [14] and so turned to fine wines.
In 2005, he released A Beach Full of Shells , which was set in places varying from First World War England to the 1950s rock 'n' roll scene that influenced him.
In 2008, he released Sparks of Ancient Light , produced, like his most recent albums, by Laurence Juber. On this album he weaves tales of William McKinley, Lord Salisbury, and Hanno the Navigator. A video for the song "Elvis at the Wheel" was released in December 2013. [15]
Stewart and guitarist Dave Nachmanoff released a live album, Uncorked , on Stewart's label, Wallaby Trails Recordings, in 2009. [16] They played the Glastonbury Festival 40th anniversary in June 2010 on the acoustic stage.
Stewart sang a duet with Albert Hammond of Hammond's "It Never Rains in Southern California" on Hammond's 2010 album Legend.
In 2011, Stewart sang a duet with his guitarist and opening act Dave Nachmanoff on Nachmanoff's album Step Up. The song, "Sheila Won't Be Coming Home", was co-written by Stewart and Nachmanoff.
In May 2015, Stewart performed the albums Past, Present and Future and Year of the Cat in their entirety at the Royal Albert Hall with a band that included Tim Renwick, Peter White and Stuart Elliott, who had appeared on the original recordings.
In April 2017, Stewart was given a Lifetime Achievement award at the BBC Radio 2 Folk Awards, presented by Tony Blackburn, with whom he had once played in a band in Dorset. [17]
In October 2022 he toured in the UK supported by The Empty Pockets (who opened with their own set before backing Stewart).[ citation needed ]
Born in Scotland, raised in Dorset, and gaining fame in London, Stewart moved to Los Angeles [4] shortly after the release of Year of the Cat . He was married to Kristine from 1993 to 2005. He subsequently married Jill on 12 September 2020. [18] [ failed verification ]
Stewart's historical work includes such subjects as:
"Sirens of Titan", from Modern Times is a musical precis of Kurt Vonnegut's novel of the same title.
On occasion, Stewart has set poems to music, such as "My Enemies Have Sweet Voices" (lyrics by the poet Pete Morgan) on the 1970 album Zero She Flies. During his 1999 UK tour, Stewart invited Morgan to read the lyrics as he performed this song in the Leeds City Varieties Theatre show of 7 November 1999. Stewart also invited Morgan to read the poem at the Beverly gig on the same tour, whilst Stewart took a short break, and Morgan subsequently read another poem from his works as well.
In a 23 June 2012 telephone interview with Bob Reid and Blair Packham on NewsTalk 1010 AM in Toronto, Ontario [21] (partially transcribed below), Al Stewart provided these insights into his songwriting "process":
I don't like repetition. For example, there have been nine songs in the Top Ten, I think, called "Hold On" (Including, I think, once there were two called "Hold On" simultaneously in the Top Ten). OK, if you're really cynical, and you've written a new song, you'll probably want to call it "Hold On" because it gives you an extra edge. But at the same time it shows so little interest in originality that I can't actually listen to anything called "Hold On" at this point in my life. I mean, it just seems crazy. So, if I have two little rules and guiding principles, they would be:
(a) Don't use words that other people use. Very few people would put the word, oh, I don't know, "pterodactyl" into a song. So that's fine. No "Oh"'s. No "Baby"'s. No "I miss you so"'s. And no "you done me wrong". No "bad"'s or "sad"'s.
(b) And the other thing is, write about subjects that no one else writes about. Basically 90% of all songs seem to be either "Baby, I love you so", or "Baby, you've done me wrong". Now, when people look at songs, when I play anybody on the planet this song, and I say "What is this?", they will say, "Oh, that's Reggae", or "Oh, that's Heavy Metal", or "That's Country & Western", or "Oh, that's Opera", you know what I mean? But that's not what I asked. They're answering a question I didn't ask. What they're saying is "That's the music". What I'm saying is "What is the song?" And the song is either "I've done you wrong", or, "Baby, I love you so", no matter what style it's played in. In other words, there's a huge difference between content and style, and, if you work more towards content, why not make it content that is original.
…
If it's already been written, why write it again? If it's already been said, why say it again? I mean there are some remarkable quotes that I love. But I didn't say them. And you don't want to pass them off as your own work. Napoleon said that "Time spent in reconnaissance is never wasted". And that, actually, has governed my life. You know what I mean? That's a quote you can live by. But it's not my quote. So if I say it I always credit it to Napoleon. There is another way of saying any of the things you want to say, rather than rehashing someone else's words.
…
I think of songs as cinema, really. It's aural cinema. I want to show you a movie when I'm playing a song. That's essentially what I'm doing. And, of course, the songs are geographical too. One of the ways I get inspired to write a song – and this will always produce a song that sounds like nothing else (I can't recommend this highly enough) – I just open a world atlas, just at random, and whatever page I'm looking at, at least six songs immediately occur to me.
…
So, if you look at pretty much any of the songs, a lot of them are geographical, historical, and form a movie.
Year | Album | Peak chart positions | Certifications | ||
---|---|---|---|---|---|
US | AUS [22] | UK | |||
1967 | Bedsitter Images
| – | – | – | |
1969 | Love Chronicles
| – | – | – | |
1970 | Zero She Flies
| – | – | 40 | |
1972 | Orange
| – | – | – | |
1973 | Past, Present and Future
| 133 | – | – | |
1975 | Modern Times
| 30 | – | – | |
1976 | Year of the Cat
| 5 | 10 | 38 | |
1978 | Time Passages
| 10 | 15 | 39 |
|
1980 | 24 Carrots (with Shot in the Dark)
| 37 | 51 | 55 | |
1984 | Russians & Americans
| – | – | 83 | |
1988 | Last Days of the Century
| – | – | – | |
1993 | Famous Last Words
| – | – | – | |
1995 | Between the Wars (with Laurence Juber)
| – | – | – | |
2000 | Down in the Cellar
| – | – | – | |
2005 | A Beach Full of Shells
| – | – | – | |
2008 | Sparks of Ancient Light
| – | – | – |
Year | Album | Peak chart positions | |
---|---|---|---|
US | AUS [22] | ||
1981 | Live/Indian Summer
| 110 | 50 |
1992 | Rhymes in Rooms (with Peter White)
| – | – |
2009 | Uncorked (with Dave Nachmanoff)
| – | – |
Year | Song | Peak chart positions | Album | B/W | |||||||
---|---|---|---|---|---|---|---|---|---|---|---|
AUS [22] | Canada RPM 100 | Canada AC | NZ | SA [23] | US Hot 100 | US AC | UK | ||||
1966 | "The Elf" | – | – | – | – | – | – | – | – | non-album single | "Turn into Earth" |
1967 | "Bedsitter Images" | – | – | – | – | – | – | – | – | Bedsitter Images | "Swiss Cottage Manoeuvres" |
1970 | "Electric Los Angeles Sunset" | – | – | – | – | – | – | – | – | Zero She Flies | "My Enemies Have Sweet Voices" |
1971 | "The News From Spain" | – | – | – | – | – | – | – | – | Orange | "Elvaston Place" |
1972 | "Amsterdam" | – | – | – | – | – | – | – | – | "Songs Out of Clay" | |
1972 | "You Don't Even Know Me" | – | – | – | – | – | – | – | – | "I'm Falling" | |
1973 | "Terminal Eyes" (UK Release) | – | – | – | – | – | – | – | – | Past, Present and Future | "The Last Day of June 1934" |
1974 | "Nostradamus" (US Release) | – | – | – | – | – | – | – | – | "Terminal Eyes" | |
1975 | "Carol" (UK Release) | – | – | – | – | – | – | – | – | Modern Times | "Next Time" |
1975 | "Carol" (US Release) | – | – | – | – | – | – | – | – | "Sirens of Titan" | |
1976 | "Year of the Cat" | 13 | 3 | 8 | 15 | – | 8 | 8 | 31 | Year of the Cat | "Broadway Hotel" |
1977 | "Sand in Your Shoes" | – | – | – | – | 6 | – | – | – | "Lord Grenville" | |
1977 | "On the Border" | – | 47 | 8 | – | – | 42 | 23 | – | "Flying Sorcery" | |
1978 | "Time Passages" | 36 | 10 | 1 | – | – | 7 | 1 | – | Time Passages | "Almost Lucy" |
1979 | "Song on the Radio" | – | 29 | 3 | – | – | 29 | 10 | – | "A Man For All Seasons" | |
1980 | "Midnight Rocks" | 85 | 79 | 46 | – | – | 24 | 13 | – | 24 Carrots | "Constantinople" |
1980 | "Mondo Sinistro" | – | – | – | – | – | – | – | – | "Merlin's Time" | |
1980 | "Paint By Numbers" | – | – | – | – | – | – | – | – | "Optical Illusion" | |
1984 | "Lori, Don't Go Right Now" | – | – | – | – | – | – | – | – | Russians and Americans | "Accident on 3rd Street" |
1988 | "King of Portugal" | – | – | – | – | – | – | – | – | Last Days of the Century | "King of Portugal (Rock Mix)" |
1993 | "Don't Forget Me" | – | – | – | – | – | – | – | – | Famous Last Words | "Trains/Charlotte Corday" |
2005 | "Class of '58" | – | – | – | – | – | – | – | – | A Beach Full of Shells | – |
Stanley Allison Rogers was a Canadian folk musician and songwriter.
Yusuf Islam, commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and musician. He has sold more than 100 million records and has more than two billion streams. His musical style consists of folk, rock, pop, and, later in his career, Islamic music. Following two decades in which he performed only music which met strict religious standards, he returned to making secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014.
Paul McCartney and Wings, often billed simply as Wings, were an English-American rock band formed in 1971 in London by former Beatles bassist and singer Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence.
Samuel Stephen Forbert is an American pop/folk singer-songwriter. His 1979 song "Romeo's Tune" reached No. 11 on the U.S. Billboard Hot 100 and No. 13 on the Billboard Adult Contemporary chart. It also spent two weeks at No. 8 in Canada. Forbert's first four albums all charted on the Billboard 200 chart, with Jackrabbit Slim certified gold in Canada. In 2004, his Any Old Time album was nominated for a Grammy Award in the Best Traditional Folk category. Forbert has released twenty studio and three live albums.
Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.
Isaac Guillory was an American folk guitarist.
Matthew Stephen "M." Ward is an American singer-songwriter and guitarist from Glendale, California. Ward's solo work is a mixture of folk and blues-inspired Americana analog recordings. He has released 10 studio albums since 1999, primarily through the independent label Merge Records. In addition to his solo work, he is a member of indie pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists.
Idlewild are a Scottish rock band formed in Edinburgh in 1995. The band's line-up consists of Roddy Woomble, Rod Jones, Colin Newton (drums), Andrew Mitchell (bass), and Luciano Rossi (keyboards). To date, Idlewild have released nine full-length studio albums.
David Michael Gordon "Davey" Graham was a British guitarist and one of the most influential figures in the 1960s British folk revival. He inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Wizz Jones, John Renbourn, Martin Carthy, John Martyn, Paul Simon and Jimmy Page, who based his solo "White Summer" on Graham's "She Moved Through the Fair". Graham is probably best known for his acoustic instrumental "Anji" and for popularizing DADGAD tuning, later widely adopted by acoustic guitarists.
Year of the Cat is the seventh studio album by Al Stewart, released in 1976. It was produced and engineered by Alan Parsons. Its sales helped by the hit single "Year of the Cat", co-written by Peter Wood and described by AllMusic as "one of those 'mysterious woman' songs", the album was a top five hit in the United States. The other single from the album was "On the Border". Stewart wrote "Lord Grenville" about the Elizabethan sailor and explorer Sir Richard Grenville (1542–1591).
Laurence Ivor Juber is an English musician, fingerstyle guitarist and studio musician. He played guitar in the rock band Wings from 1978 to 1981.
Past, Present and Future is Al Stewart's fifth studio album, released in October 1973 in the UK and in May 1974 in the US. This album is considered Stewart's first "major album" and it reached #133 on the Billboard Rock Album chart in 1974. He had taken on a different approach from his previous, folkier work, an approach that would stay with him for most of his career. All songs on this record have historical themes, each song representing a decade of the 20th century. The final song, "Nostradamus," is about the famous supposed prophet and his prophecies.
Jon Brooks is a Canadian musician and singer-songwriter best known as a solo performer but more recently as leader of Jon Brooks & The Outskirts of Approval. Brooks’ music may be characterized as literary, allusive, emotionally intense and difficult to categorize, borne as it is from a broad range of influence and musical incarnations. His lyrics attend to, in Brooks’ words, ‘calming those who’ve looked into and seen what is in their hearts and terrifying those who’ve not.’ His albums, often thematic, fixate over love, fear, death, religion, war, post traumatic stress, technology, animal justice, ecology, esoterica, and the stars.
Time Passages is the eighth studio album by Al Stewart, released in September 1978. It is the follow-up to his 1976 album Year of the Cat. The album, like 1975's Modern Times and 1976's Year of the Cat, was once again produced by Alan Parsons. The album's title track and "End of the Day" were both co-written by Peter White. The title track also reached #1 on the Billboard Adult Contemporary charts for 10 weeks.
"Year of the Cat" is a song by Scottish singer-songwriter Al Stewart, released as a single in July 1976 in the UK. The song is the title track of his 1976 album Year of the Cat, and was recorded at Abbey Road Studios, London, in January 1976 by engineer Alan Parsons. The song peaked at number 8 on the Billboard Hot 100 for the consecutive weeks of March 5 and 12, 1977. Although Stewart's highest placed single on that chart was 1978's "Time Passages", "Year of the Cat" has remained Stewart's signature recording, receiving regular airplay on both classic rock and folk rock stations.
Jim Ronald White is an Australian drummer, songwriter, and producer. In 1992 he formed Dirty Three, an instrumental rock band, with fellow mainstays Warren Ellis on violin; and Mick Turner on guitar. In Dirty Three, White sometimes shares songwriting duties with Ellis and Turner.
Kavus Torabi is a British-Iranian musician, composer, record label owner and radio broadcaster. A multi-instrumentalist, he is known for his work in the psychedelic, avant-garde rock field. Torabi was one of the founding members of the Monsoon Bassoon, was a member of cult progressive rock group Cardiacs, and fronts and plays guitar for the current lineup of legendary psychedelic band Gong.
Stuart Elliott is an English drummer, composer and producer. He was the original drummer for Steve Harley and Cockney Rebel and during his time with this band he became a session drummer playing for top artists such as Kate Bush, Al Stewart, The Alan Parsons Project, Roger Daltrey, Paul McCartney, Claudio Baglioni, Lucio Battisti, among others.
David Nachmanoff is an American folk singer-songwriter and the sideman to Al Stewart. At the age of ten he played with Elizabeth Cotten, garnering a positive review in The Washington Star.
"Last Night I Had the Strangest Dream" is a song written by American folk singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000s.
...Stewart says on the phone from his home in Los Angeles.
In a 1980 interview, Stewart lamented his reference in the song about More to Henry Plantagenet when he meant Henry Tudor. How many of his fans caught the error is unknown.