Ali Talib (artist)

Last updated

Ali Talib
علي طالب
Born1944
Basra, Iraq
NationalityIraqi
Education
  • Academy of Fine Arts in Baghdad ( BA, 1966)
  • Helwan University, Cairo (MA, 1980)
Known forPainter, curator
Website Ali Talib Official website

Ali Talib (born 1944 in Basra) is an Iraqi painter, noted for his abstract works and for curating exhibitions featuring Iraqi artists.

Contents

Life and career

Ali Talib was born in Basra in 1944. [1] He was among the first graduates of the Academy of Fine Arts, Baghdad, gaining a BA in painting in 1966, [2] He returned to Basra for a short period in the 1960s, but ultimately settled in Baghdad, which at the time had a thriving arts scene. Along with artists such as Amer al-Obaidi, Saleh al-Jumai'e, Salman Abbas, Talib Makki, Nida Kadhim and Faik Husein he became part of a group of artists and intellectuals that "defined Iraqi arts" in the 1960s. [3]

He joined the faculty of the Institute of Fine Arts as a lecturer in painting, a position he held throughout the 1970s. [4] He was known to exhibit a "rebellious attitude to what he and his colleagues regarded as a stagnant arts scene." [2] Determined to be part of a change, he became very active in the local arts community through his participation in Iraq's numerous art groups. He was founding member of the Innovationists established in 1965; a group of younger artists that wanted to advance Iraqi art by through the use of new media and new methods. [5] Artists in this group often took war and conflict as their themes. [6] Following the demise of the Innovationists group in 1969, [7] Talib established a new art group, known as the Shadow Group. [8] He was also a member of the New Vision Group, joining it a few years after its formation in 1968. [9]

He studied graphic design at Helwan University in Cairo, where he attained a Master of Arts in 1980. [10] In 1991 he left Iraq for Amman, Jordan where he was employed as a professor of fine arts at Yarmouk University between 1991-1997. He currently divides his time between the Netherlands and Amman, Jordan. [11] In the Netherlands, he has curated exhibitions such as Iraq: Still Going Strong which featured works by Iraqi artists who did not flee the country during the 1990s. [12]

He is the subject of a number of scholarly publications, including: [13]

and;

Work

Talib held his first solo exhibition at Mubarakia Gallery, Kuwait, in 1964, while he was still a student at the Academy. Since then, he has participated in scores of solo exhibitions and group exhibitions, including Gallery d'Art 50x70, Beirut, 1994; De Vrije Academie, The Hague, 2003 and United Nation Humans Settlements Programme, Barcelona, 2004. [14] His work is held in collections including Mathaf Arab Museum of Modern Art, Doha and Jordan National Gallery of Fine Arts, Amman. [15]

His artwork deals with themes of the human experience and the power of nature. [16] The art historian and art critic, Jabra Ibrahim Jabra commented on Talib's work: "His paintings skillfully tackle an experience insistent with its inner contradictions: evasive and recurrent, leaving its impact each time in certain forms on the canvas-and in our memory." [17]

Select list of paintings

Awards and prizes

During the 1986 inaugural Baghdad International Arts Festival, he and Shakir Hassan Al Said and Dia Azzawi, were the three Iraqi artists who were awarded prizes. [21] He has been the recipient of two prizes: [20]

See also

Related Research Articles

<span class="mw-page-title-main">Jawad Saleem</span>

Jewad Selim (1919–1961) was an Iraqi painter and sculptor born in Ankara, Ottoman Empire in 1919. He became an influential artist through his involvement with the Iraqi Baghdad Modern Art Group, which encouraged artists to explore techniques that combined both Arab heritage and modern art forms. He is considered to be one of Iraq's greatest 20th-century sculptors.

Faeq Hassan (1914–1992) was an Iraqi painter noted for founding several 20th century art groups, which collectively were responsible for bridging the gap between Iraqi heritage and traditional art and modern art. He is often called the 'father of Iraqi modern art.'

<span class="mw-page-title-main">Abdul Qadir Al Rassam</span> Iraqi artist (1882–1952)

Abdul Qadir Al Rassam, عبد القادر الرسام), 1952 - 1882), was born in Baghdad, Ottoman Empire. He was one of the first generation of Iraqi artists to study abroad and paint in the European style. He was influential in terms of introducing local audiences to European art. He is noted for his portraits and landscapes, painted in the Realist style.

<span class="mw-page-title-main">Shakir Hassan Al Said</span> Iraqi painter (1925–2004)

Shakir Hassan Al Said (1925–2004), an Iraqi painter, sculptor and writer, is considered one of Iraq's most innovative and influential artists. An artist, philosopher, art critic and art historian, he was actively involved in the formation of two important art groups that influenced the direction of post-colonial art in Iraq. He, and the art groups in which he was involved, shaped the modern Iraqi art movement and bridged the gap between modernity and heritage. His theories charted a new Arabic art aesthetic which allowed for valuations of regional art through lenses that were uniquely Arabic rather than Western.

<span class="mw-page-title-main">Mohammed Ghani Hikmat</span>

Mohammad Ghani Hikmat was an Iraqi sculptor and artist credited with creating some of Baghdad's highest-profile sculptures and monuments and was known as the "sheik of sculptors". He is also known as an early member of Iraq's first 20th-century art groups, including Al-Ruwad and The Baghdad Modern Art Group; two groups that helped to bridge the gap between tradition and modern art. He was also instrumental in recovering many of Iraq's missing artworks, which were looted following the 2003 invasion.

<span class="mw-page-title-main">Dia Azzawi</span> Iraqi painter and sculptor

Dia Al-Azzawi is an Iraqi painter and sculptor, now living and working in London, and one of the pioneers of modern Arab art. He is noted for incorporating Arabic script into his paintings. Active in the arts community, he founded the Iraqi art group known as New Vision and has been an inspiration to a generation of young, calligraffiti artists.

<span class="mw-page-title-main">Iraqi art</span>

Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Medieval centre of the literary and artistic Arab world during the Abbasid Caliphate, in which Baghdad was the capital, but its artistic traditions suffered at the hands of the Mongol invaders in the 13th century. During other periods it has flourished, such as during the reign of Pir Budaq, or under Ottoman rule in the 16th century when Baghdad was known for its Ottoman miniature painting. In the 20th century, an art revival, which combined both tradition and modern techniques, produced many notable poets, painters and sculptors who contributed to the inventory of public artworks, especially in Baghdad. These artists are highly regarded in the Middle East, and some have earned international recognition. The Iraqi modern art movement had a profound influence on pan-Arab art generally.

The One Dimension Group was a modern art collective founded in Iraq, by Shakir Hassan Al Said in 1971 which attempted to combine medieval Sufi traditions with contemporary, abstract art. Although the One Dimension Group was founded in Iraq, its members originated from across Arab nations, and its influence was felt across the Arab art world.

Jamil Hamoudi (1924–2003) was an Iraqi artist who became the Director of the Ministry of Culture's Fine Arts Department. He is noted for his involvement in various Iraqi and Arabic art movements including the Hurufiyya movement which bridged the gap between traditional and modern Iraqi art.

Rafa al-Nasiri was an Iraqi painter, draughtsman, print-maker, educator and author whose works with a social and political message resonated with the Iraqi public in the mid-20th century. He was also very influential in encouraging young artists to take up print-making.

<span class="mw-page-title-main">Freedom Monument (Baghdad)</span>

Freedom Monument, located in Tahrir Square in the centre of Baghdad, is the city's most well-known and well-loved monument.

Amer al-Obaidi is an Iraqi-born painter, now residing in the United States, who is noted for artwork that emphasises Iraqi folklore and tradition.

Salim al-Dabbagh is an Iraqi painter and installation artist noted for abstract work that references Iraqi traditions. He was one of the founders of the Innovationists Group; an artists' collective that helped to shape modern art in Iraq and was the Head of the Graphic Department at the Institute of Fine Arts in Baghdad from 1971 to 2000.

Mohammed Hajji Selim (1883-1941) was among the first generation of modern Iraqi artists to receive a European arts education. He was a talented amateur artist who produced still lifes, landscapes and portraits, most of which have not survived. He is mainly remembered as the patriarch of an artistic dynasty and as the father of the distinguished sculptor, Jawad Saleem.

Nida Kadhim is an Iraqi sculptor, noted for producing a number of monumental works for Baghdad's city centre, some of which are still standing, while others were demolished or looted following the 2003 Iraqi invasion.

Kadhim Haydar (1932–1985) was a highly respected Iraqi artist, poet, author, stage-set designer and educator who, as part of the first generation of modern Iraqi artists, had a major influence on the direction of modern Iraqi art. His artworks are noted for their use of symbolism, myth and poetic allegory within a contemporary framework.

Saleh al-Jumai'e is an Iraqi artist noted for his works that explore the notion of tracks left by ancient heritage. His works often integrate Arabic calligraphy in an abstract artwork.

Asim Hafidh (Arabic: عاصم حافظ, was an Iraqi artist, educator and writer. He was amongst the first Iraqi artists to study painting in the European style and was part of a group known as the Ottoman artists who were credited with bringing easel painting to Iraq. He is noted for publishing the first Iraqi book on fine art, entitled Rules for Drawing from Nature.

Mohammed Saleh Zaki (1888-1974), also known as Abu Zaid, was an Iraqi artist and one of the first generation of Iraqi painters to be trained in Western painting methods. Part of a group of artists, known as the Ottomans, he and his contemporaries were credited with bringing a European aesthetic to Iraqi art and encouraging a generation of local contemporary artists.

References

  1. ""Ali Talib", (Biographical Notes), Beirut Exhibition Centre". Archived from the original on 2018-08-02. Retrieved 2018-08-02.
  2. 1 2 Inati, S.C. (ed.), Iraq: Its History, People, and Politics, Humanity Books, 2003, p. 84
  3. Salīm, N., Iraq: Contemporary Art, Volume 1, Sartec, 1977, p. 173; Dabrowska, K. and Hann, G., Iraq Then and Now: A Guide to the Country and Its People, Bradt Travel Guides, 2008, p. 279; Dabrowska,K. and Hann, G. and Townsend Greaves, T. Iraq: The Ancient Sites and Iraqi Kurdistan, Bradt Travel Guides, 2015, pp 30-31
  4. Salīm, N., Iraq: Contemporary Art, Volume 1, Sartec, 1977, p. 173
  5. Pocock, C., "The Reason for the Project Art in Iraq Today", in: Azzawi, D. (ed.), Art in Iraq Today, Abu Dhabi, Skira and Meem, 2011, p. 101
  6. Ali, W., Modern Islamic Art: Development and Continuity, University of Florida Press, 1997, pp 50-51; Dabrowska, K. and Hann, G., Iraq Then and Now: A Guide to the Country and Its People, Bradt Travel Guides, 2008, p. 279
  7. Ali, W., Modern Islamic Art: Development and Continuity, University of Florida Press, 1997, p.51
  8. Salīm, N., Iraq: Contemporary Art, Volume 1, Sartec, 1977, p. 173; Dabrowska, K. and Hann, G., Iraq Then and Now: A Guide to the Country and Its People, Bradt Travel Guides, 2008, p. 279; Dabrowska, K. and Hann, G. and Townsend Greaves, T. Iraq: The ancient sites and Iraqi Kurdistan, Bradt Travel Guides, 2015, pp 30-31
  9. Inati, S.C. (ed.), Iraq: Its History, People, and Politics, Humanity Books, 2003, p. 79
  10. "Ali Talib," [Biography], Iraqi Art New, online: Archived 2018-08-02 at the Wayback Machine
  11. Eigner, S., Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, Merrell, 2010, pp 167-69
  12. "Exhibitions".
  13. Sinclair, S. (ed.), Bibliography of Art and Architecture in the Islamic World, BRILL, 2012, p. 655
  14. 1 2 "Bonhams : Ali Talib (Iraq, born 1944) The Mask". www.bonhams.com.
  15. "Bonhams : Ali Talib (Iraq, born 1944) The Mask". www.bonhams.com.
  16. Niam, S., "'Diversities' Iraqi student Ali in 'Green Art', Albayan, 17 April 2008 Online:(translated from Arabic)
  17. Jabra, I.J., "The Daemonic Presence Between Eros and Thanatos," Al-Naqid Magazine, London, No. 12, June, 1989
  18. Eigner, S. (ed), Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, Merrell, 2010, p. 169
  19. "Ali Talib (Iraqi, b. 1944), Lovers and Mountain". www.christies.com.
  20. 1 2 Dia Al-Azzawi, Rafa Al-Nasiri, Ali Talib, Art in Iraq Today: Part IV [Catalogue for the Exhibition, Art In Iraq Today, held at the Meem Gallery, Dubai, 13 March-18 April 2011], Meem Gallery and Art Advisory Associates Ltd, Dubai, 2011, ISBN   978-1-907051-09-8
  21. Faruq Hassan, "Three Painters, Three Styles" Gilgamesh: A Journal of Modern Iraqi Arts, vol. 3, 1988, pp 13-17