Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
Ball of Fire is a 1941 American screwball comedy film directed by Howard Hawks and starring Gary Cooper and Barbara Stanwyck. The Samuel Goldwyn Productions film concerns a group of professors laboring to write an encyclopedia and their encounter with a nightclub performer who provides her own unique knowledge. The supporting cast includes Oscar Homolka, S. Z. Sakall, Henry Travers, Richard Haydn, Dana Andrews, and Dan Duryea.
These Three is a 1936 American drama film directed by William Wyler and starring Miriam Hopkins, Merle Oberon, Joel McCrea, and Bonita Granville. The screenplay by Lillian Hellman is based on her 1934 play The Children's Hour.
Clash by Night is a 1952 American film noir drama directed by Fritz Lang and starring Barbara Stanwyck, Paul Douglas, Robert Ryan, Marilyn Monroe and Keith Andes. The film is based on the 1941 play by Clifford Odets, adapted for the screen by writer Alfred Hayes. It is the first major film to credit Monroe before the title, albeit with fourth billing.
Baby Face is a 1933 American pre-Code drama film directed by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily Powers, and featuring George Brent. Based on a story by Darryl F. Zanuck, Baby Face portrays an attractive young woman who uses sex to advance her social and financial status. Twenty-five-year-old John Wayne appears briefly as one of Powers's lovers.
The Bitter Tea of General Yen is a 1933 American pre-Code drama war film directed by Frank Capra and starring Barbara Stanwyck, and featuring Nils Asther and Walter Connolly. Based on the 1930 novel of the same name by Grace Zaring Stone, the film is about an American missionary in Shanghai during the Chinese Civil War who gets caught in a battle while trying to save a group of orphans. Knocked unconscious, she is saved by a Chinese general warlord who brings her to his palace. When the general falls in love with the naive young woman, she fights her attraction to the powerful general and resists his flirtation, yet remains at his side when his fortune turns.
The File on Thelma Jordon is a 1950 American film noir drama film directed by Robert Siodmak and starring Barbara Stanwyck and Wendell Corey. The screenplay by Ketti Frings, based on an unpublished short story by Marty Holland, concerns a woman who pretends to fall in love with an assistant district attorney and uses him to escape conviction for the murder of her wealthy aunt.
No Man of Her Own is a 1950 American film noir drama directed by Mitchell Leisen and featuring Barbara Stanwyck, John Lund, Phyllis Thaxter, Jane Cowl and Lyle Bettger. The production is the second film Stanwyck made with director Mitchell Leisen. Its screenplay was adapted from Cornell Woolrich's 1948 novel I Married a Dead Man. Woolrich is cited in the film's opening credits by one of his commonly used pseudonyms, "William Irish".
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith. It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play by Martin Vale.
Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. It was directed by King Vidor and stars Barbara Stanwyck, John Boles and Anne Shirley. The film was nominated for Academy Awards for Best Actress in a Leading Role and Best Actress in a Supporting Role.
Forbidden is a 1932 American pre-Code melodrama film directed by Frank Capra and starring Barbara Stanwyck, Adolphe Menjou, and Ralph Bellamy. An original story inspired by the 1931 novel Back Street by Fannie Hurst, with a screenplay by Jo Swerling, the film is about a young librarian who falls in love with a married man while on a sea cruise.
There's Always Tomorrow is a 1956 American romantic melodrama film directed by Douglas Sirk and starring Barbara Stanwyck, Fred MacMurray and Joan Bennett. The screenplay by Bernard C. Schoenfeld was adapted from the novel of the same name by Ursula Parrott. The plot concerns a man's unhappiness with his domestic life and romantic relationship with a former employee. The film was produced by Ross Hunter for Universal Pictures, which had also produced the 1934 adaptation of Parrott's novel. It was released in the United States on January 8, 1956.
"Naomi" is the sixth episode of the third series of the British teen drama Skins, which first aired on 26 February 2009 on E4 in both Ireland and the United Kingdom. The episode was written by Atiha Sen Gupta and Jack Thorne, and was directed by Simon Massey. The episode focuses on the character of Naomi Campbell as she competes against James Cook in their college's elections for Student President. She enters a romantic relationship with her classmate Emily Fitch while also receiving affection from her teacher Kieran.
Breakfast for Two is a 1937 American screwball comedy film directed by Alfred Santell and starring Barbara Stanwyck, Herbert Marshall and Glenda Farrell. The film was produced and distributed by RKO Pictures, but was a commercial failure for the studio. Stanwyck and Marshall worked together once more, immediately following this film, on the 20th Century-Fox drama Always Goodbye (1938).
Blowing Wild is a 1953 American Western film directed by Hugo Fregonese starring Gary Cooper, Barbara Stanwyck, and Anthony Quinn. It was written by Philip Yordan. The story revolves around a love triangle set in the oilfields of an unnamed South American country plagued with bandits. Ruth Roman also stars and adds to the romantic entanglements.
The Night Walker is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch, and starring Robert Taylor, Judith Meredith, Lloyd Bochner and Barbara Stanwyck in her final film role. It follows the wife of a wealthy inventor who is plagued by increasingly disturbing nightmares, which escalate after her husband's death. It was the final black and white film made by Universal Pictures.
The Muppets Go to the Movies is a one-hour television special starring Jim Henson's Muppets. It first aired May 20, 1981 on ABC as promotion for The Great Muppet Caper, which was released in the United States a month later.
Illicit is a 1931 American pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.
His Brother's Wife is a 1936 American romantic drama film directed by W. S. Van Dyke and starring Barbara Stanwyck and Robert Taylor. Written by Leon Gordon and John Meehan, based on a story by George Auerbach, the film is about a scientist preparing to leave for the jungles of South America to work on a cure for spotted fever. Wanting to have some fun before his trip, he goes to a gambling club where he meets and falls in love with a beautiful model while falling deep into debt. When he turns to his brother for help, his brother agrees to cover the debt, but only if he leaves without her. While the scientist is away, his brother and the model get married.
The First Legion is a 1951 American drama film directed by Douglas Sirk and written by Emmet Lavery. The film stars Charles Boyer, William Demarest, Lyle Bettger, Walter Hampden, Barbara Rush, Wesley Addy, H. B. Warner and Leo G. Carroll. The film was released on April 27, 1951, by United Artists. The film was based on Lavery's play of the same name, which opened on Broadway at the 46th Street Theatre on October 1, 1934. The play, which had no female characters, moved to the Biltmore Theater where it closed January 5, 1935.
